Magda Górska is a friend of mine from Twitter, and she is a collage artist based in Warsaw, Poland. When I found out she was a collagist and Polish, I captured her and brought her to a space I was hosting. She is a celebrated artist who has worked with some of the world’s top brands. I am happy she agreed to showcase her work here on Saint Joan Creative Studio. Allow me to introduce her to you.
Before the thing happened, I had planned a 2020 summer trip from Berlin to Warsaw and Krakow by bus and train. I wanted to experience long distance travel within Europe by road and rail. Still waiting for that to happen, and as I wait, I am able to experience Magda’s artistic vision. Isn’t it great to make friends before you visit a country? I was elated to meet someone who enjoys making collages as much as I do.
Another reason I like Magda so much is that she creates digital artwork on her mobile phone. It is the only hardware she uses for this kind of work. We have spoken before in space (Twitter Spaces) about people being snobby about hardware and software. I personally like scissors, glue and watercolour markers because nothing says “I made this” like a nice cut, paste and stamp project.
Magda’s collages are fascinating because she works to create intellectually stimulating presentations. And because she is so passionate about her art, her collages are loads of fun to look at.
You are probably wondering why people like us make collages. As Magda explains, “This art form arises from the need to question the world and present a thoughtful evaluation of it. I use my collages to show the harmony between nature and people. I ridicule patterns and undermine the current perception of reality.” Agreed. Let’s get ’em girl.
Using digital collages as a medium for storytelling, Magda uses materials that enable her to express herself effectively with original content. She enjoys experimenting with scanning, layering, and combining individual elements so that her creations speak their own unique language.
Magda exhibits in New York, Barcelona, Edinburgh and Warsaw. Her physical collages are showcased in homes all over the world. In life, she is guided by the principle that hedonism is the sweetest form of bondage. She believes in crazy dreaming, and that complaining takes you far away from your goals.
Dream crazy and never give up on your goals. Those are great thoughts, Magda. Thank you for sharing your work with us. And of course, let’s catch up soon in space.
Greetings, Earthlings. We are back with more art and photography from six of my friends and colleagues in the Metaverse. This post also introduces one of the most organised groups of creators online: The Thai NFT Community. There are many Thai artists on Twitter, and an uncountable number of fascinating projects to enjoy. My timeline speeds by, so I thought it would be best to slow things down and get to know them better.
And as always, please be good enough to follow them on Twitter, where you can see their beautiful artwork in your timeline.
Isreyah Pradabvate I am a Thai NFT creator and I believe in making this world a better place. If you want that too, please support my artwork because it allows me to give back to communities where I actively engage. My favourite causes are: a positive outlook; sustainability; small community outreach; children’s rights. I use my artwork to deliver messages of support and help those in need.
This sold out project I am sharing with you is called, “My Other Half”. And it is a 1/1 token which I created with my dear friend, 100Acre. She is featured later in this post.
The story goes, we have a crush on one guy but it will never come true because he is not real. How did we sell this project when there were two creators? We both wanted to be with our darling. Well, we split the illustration into two pieces and named them, “My Other Half”.
The Japanese text on our darling’s chest means “Stay together forever”. Our supporter, astrophotographer Amit Exploring Night Sky, purchased these two tokens without hesitation. He told me that they reminded him of the pendant he gave to his former girlfriend, who is now his wife.
Each half was priced at 0.036 ETH (US $125.76) and we came up with the price because 18 x 2 = 36. The number 18 is a sacred number for longevity in Japanese culture. And guess what? Our collector’s birthday is on the 18th. This felt like a miracle, indeed.
And would you believe that the magic happened during Lily Nicole’s Twitter Space? She drew together beautiful people, energy, and friends to meet there. I feel moved and I appreciate so much how my art could recall the innocent memory of a beautiful couple through my soul sister’s Twitter Space. It goes without saying that our other half doesn’t have to be our dream prince but rather, a bond of sisterhood and friendship, even from afar.
Student of Universe/STU NFT This is Pete from Student of the Universe NFT Collection project, also called STU NFT. I would like to share with you the story of this community project. I started my NFT journey as a collector around March this year.
In the Thai NFT community, I discovered a lot of amazing NFT art projects. But after I collected and flipped (relisted and sold for a profit) tokens for a while, I felt that I wanted to be part of something bigger. Something that could inspire and change the world in wonderful way.
At that time, Thai artists were not adding utility to their NFT projects. However, I soon found one perfect project that I loved. After collecting a lot of artwork from it, I talked to the artist and found out that we had a lot in common. As a result, we launched a partnership, created a road map of our project, and spun this universe into existence.
This is how the Student of the Universe NFT project was born. Our Discord channel was built from August 15, and we launched the collection on Twitter shortly after that.
Jehn’s Bloom My preferred name online is Jehn. I am a writer, fine artist, and amateur photographer from Thailand. I cherish fragility, gender spectrum inclusion, and divine creation. And I do art based on this concept: ‘Of flower, love and queers’.
I use soft pastels on Indian handcrafted paper and my 10 fingers as a blending tool. These are only the specific combinations which I use. And this is what I do to create a unique effect, which you may have already noticed. Follow me on Twitter and get to know me and my friends.
Z1MPLEX NFT Lab Hello, I am Zimplex, a mixology cocktail bar owner from Thailand. In my home country, I am known for creating visually stunning cocktail shooters using spirits, liqueurs and syrups. In other words, I love to create artwork in shot glasses.
These drinks have been subsequently visualised into unique and physical generative NFTs. For my main project, I remove the shot glass from each photo by using a retouching tool, and then I let the solid form of cream liqueur stand out.
These are then transformed into mirror-image artwork and video installations like the one embedded below. And, there is my side project, ‘Shooter Monsters’, which is a problem/solution project for those wondering how my cocktails look before I turn them into artwork.
100 Acre Hello, I am known as 100 Acre in the NFT community, and I am Ploy’s collaborator in our project, “My Other Half”. She was featured at the top of this post. I would like to share my project, 100 Acre Kindergarten, along with some artwork from the collection.
My primary inspiration is my artist alias, 100 Acre, which refers to Winnie the Pooh’s 100 acre wood. The 100 Acre Kindergarten collection is similar to a collection of children’s stories. It was created to be a place where I, as well as those who view my work, can unwind and enjoy life as we did when we were children.
Each token in this collection introduces a new character of an animal universe, with their own personalities and backstories. When the project is complete, there will be 100 characters in total, with 85 being common, 10 being special (coastal area kids), and 5 being rare (parallel world kids).
Thank you for viewing my work. Find me on Twitter where I hope you will also become part of our 100 Acre world.
Go2Skull My name is Wake and I am known as go2skull on Twitter. (My name is pronounced ‘go to school’). The story behind my project is that if you see someone looking for a way forward, and they are in the dark, be a light for them. The Fairy Tales in Postmodern Era project is a retelling of classic fairy tales from the perspective of social activist movements in my country.
I got this concept from my full-time job. I am a teacher in Thailand. I have witnessed efforts there related to student activism in areas such as children’s rights, human rights, bullying, racism and sexism. So I would like to participate by helping to reflect their struggles. My artwork gives me a way to do that. Until wrongs are made right, I will continue on this journey.
¯_( ͡❛ ͜ʖ ͡❛)_/¯
And with that powerful message from Wake, we are at the end of this curated post. I was amazed to discover that some artists are also social activists and community organisers. Isreyah and Pete, thanks for helping to set this up.
There is never enough time to hear everyone’s story in spaces, which is why this post was necessary. I am happy that I was able to discover more about each artist and their worthy causes. My gratitude goes to them for sharing their stories. Best wishes on the road ahead. Thank you, everyone, for reading.
MEET THE Adventurous women (and men) flashing througH THE METAVERSE
Shannon Bileski A little about me. I am a storm chaser, aurora hunter and all around adventurer, living life to the fullest, every way I can. As a child, I was always fascinated with the weather and that is why I got into photography. At first, I struggled to get a photo of lightning when I was eight years old. And four years later, when I was twelve, I did. All that was missing was the right equipment. And after witnessing Canada’s only F5 tornado in 2007, up close and in person, I bought my first DSLR camera. Then, I started capturing everything and anything I could, including storms.
My passions quickly evolved into storm and aurora photography (and a dash of newborn photography). My work has been featured in magazines and has won awards. Most importantly, my work has kept me learning, growing, adventuring and discovering. There is no better feeling than staring down Mother Nature, and this marvelous gift she throws at you. Being in the middle of it, the complete awe, is an indescribable feeling. It is a special moment in time that I love to capture and share with everyone.
Melanie Metz I was born to chase tornadoes, just as some people are born to sing or become medical doctors. I have been drawn to the storm, wanting to understand it, watch it, and feel it. Standing in the wind of a passing supercell is where I truly feel alive. I have had a passion for storms since I was a young girl living in Arizona. There, I would stare in awe at the incredible lightning shows and dream about tornadoes. As I entered high school, photography became my other love. I began actively chasing tornadoes after earning my bachelor’s degree, and I have been on the road with my camera every spring for over twenty years now.
During my earlier years of chasing storms, I partnered with Peggy Willenberg. Together, we became known as the “Twister Sisters” with a reality TV show on the WE Network. We also worked as Chasers for FOX 9 News in Minneapolis, taught Skywarn classes and did many severe weather presentations for various audiences. For the past several years, I have been living my dream as a solo storm chaser, as Melanie Metz Storm Chasing. I work to capture the power and beauty of storms on film.
I am just now beginning the journey into the world of non fungible tokens, where I hope to offer my work and support other artists in the community in a new and exciting way. And, let me share one more tidbit. After many years of hard work, one of my tornado photographs was recently licensed for commercial use in the cover and poster of the upcoming film, “13 Minutes”. The film is about survival. A community works together to rebuild when their town is hit by a tornado. There are several strong female characters in the story. I can’t wait to see it, because it is a huge honour. For more info about my work, please visit my website to learn more about my work.
Lori Grace Bailey I am a professional wedding/portrait photographer who also enjoys capturing extreme weather and extraordinary skies. My work has appeared in major publications and television outlets including the March/June issue of Backpacker Magazine. I am also a brand ambassador for F-Stop Gear.
I enjoy chasing tornados in the mid-west, haboobs in the southwest. Or, when conditions are right, I captured elusive sprites using my intimate knowledge of a storm’s lifecycle. I believe that my work stands out because I can consistently get shots most people only dream of.
One of my other roles is Director of Monsoon Con, an annual convention in Tucson, Arizona. The convention brings together photographers and weather enthusiasts with an emphasis on storm chasing with success.
Jessica Moore I am a female storm chaser of nearly 10 years, making a living from NFT photography and video. I am a meteorologist, professional photographer and videographer, and passionately involved with NFTs. My storm footage and photography has been aired on The Weather Channel, ABC, NBC, CNN, CBS, WeatherNationTV and FOX News. I have also been featured in several national TV news stories about women in storm chasing and meteorology. My non-fungible tokens can be found on Foundation and Open Sea under the handle name @DopplerJess as well.
Natasha S Who says ‘thunderbolt’? Hi, everyone! My name is Natasha, a photographer by passion from Bangkok, Thailand. And here is my favourite shot of a city thunderbolt. One thing I love the most is nature of all kinds. As a kid, I always enjoyed watching lightning dancing in the sky and was never scared of it. For me, it was a light show from nature. So it becomes my passion whenever I see the light flashing from the sky, I always grab my camera and go after it.
In a city like Bangkok, finding lightning is challenging. Most properties in the city are private so it becomes difficult to find a location for the perfect capture. Great meeting you. You can find me everywhere.
Erin AKA GhostTrainPhoto This chase was one of the best chases I’ve ever had. This supercell danced in front of me for almost an hour.
I am a psychology researcher with a passion for storms. I grew up on the western edge of tornado alley and have always been fascinated by the power of weather.
I got into photography as means of justifying the countless hours I found myself driving to experience storms. Photography has now turned into a passion of its own.
Hello, my name is Stephanie. I am a storm chaser and landscape photographer based in Oklahoma. I have spent the last ten years traveling the plains chasing Mother Nature’s fury. I grew up in the heart of tornado alley, so I have always been fascinated my weather. When I’m not chasing a storm, I spend my time traveling and hiking. I love to explore new places and push myself to new limits.
Willard Sharp I am a storm chaser and astrophotographer based in Iowa. The 2021 chase season was really good to me this year and capturing most photogenic tornado of the year in west Texas this past spring was the highlight of my chase season.
Ujwal Puri Hi. My name is Ujwal Puri. I am a photographer and storm chaser from Mumbai, India. My lightning photos have been featured in some of India’s leading newspapers and magazines. I have, as of now, one non-fungible token of a lightning shot. Looking forward to minting more of my storm chasing work on Foundation.
Adam Orgler Hello. I’m a storm chaser based out of central Iowa. I’ve been chasing for 3 years now. I am currently a senior at Iowa State University studying computer ccience. What you will see is the result of an impromptu chase this summer in central Iowa. Over the course of the evening, I stumbled upon two highly photogenic, rotating supercells. The first cell was a fast mover which I had to outrun in order to avoid the large hail it was producing. It had an awesome bowl-shaped shelf cloud along its gust front. After the first cell dissipated, a second, slow moving cell formed to the north. I was able to set up my shooting location in a wind farm as the cell moved right towards me. It was spectacular.
Thomas Knepshield Here is one of my favorite tweets from the year. I sat through a nighttime hail core in Garden City, KS trying to dent my car up and shatter a windshield. I achieved both of those goals here. I am an adrenaline-structure junkie storm chaser from Kentucky. This was my first year hitting the road to chase and I spent six weeks chasing storms along my 16,600 mile road trip. I saw five tornadoes, sat through a bunch of hail cores and captured a lot of lightning on camera. A childhood dream come true. I am twenty-two so that means I have seventy-eight more years of chasing to go (or more if possible).
Tim Slane As a storm chaser and photographer, I chase storms, tornadoes, and lightning in the High Plains of the United States. Through photography, I share the beauty, uniqueness, and power of both storm and landscape.
Hunter Fowkes This is one of my best storm chases I’ve ever been able to undertake in thirteen years chasing tornadoes. This was extremely close to home. What a day. There were many times this tornado felt like the ones I witnessed in Lockett, Texas, Ashby, Minnesota, and Tipton, Oklahoma. The tornado went through many phase changes and was such a sight to behold. I love this state.
Oh, my goodness. I was so enraptured by this presentation that I almost forgot to close it down with a big thank you. I was thrilled to have storm chasing superheroes featured here today. I am grateful to you for sharing your stories and being hard working and passionate, which is what we need to keep us inspired. And by now, you know the drill: Find them on Twitter, and follow them. They are going to look really cool in your timeline.
Thank you, everyone, for viewing this presentation.
Happy Wednesday on Thursday, everyone. I am being sneaky here, and presenting you with a musical interlude from my upcoming musical album. The ninth track is still being composed but I wanted to share this one with you.
I have decided to use Vimeo for sharing this album. It’s so quiet over on Vimeo because there are no ads interrupting my flow and messing with my mojo. I never have to worry about some rando screaming at me in every language to give him my life savings.
The video was created on Canva with one of my logo images as the backdrop. Hope you like the joyful feeling you get when listening to this track.
Does anyone remember that time last year, when I was crying into my phone about Twitter? Well, I took my own advice and it seems to have worked. I was miserable because I felt I had to change myself to fit into what I thought would gain traction. However, with this new account, I started out with the intention of doing what I wanted to do.
Being a person with broad interests and unquenchable curiosity might have helped. After deciding to focus on non fungible tokens as a subject, I had no idea that all of my favourite topics would collide under that niche.
Unlike my previous post, in which I showed how you can get Instagram’s smart tech to work for you, Twitter is tricky. I can only give you generic advice with the caveat that everything depends on your specific subject matter. As you read, remember that I am using Twitter to promote sales of my creative projects, including fiction writing and fine art.
Social audio, specifically Twitter Spaces, allows me to hear from machine learning specialists, Buddhist and Hindu philosophers, philanthropists, musicians, authors, poets, programmers, game developers, actors, singers, tech venture capitalists, marketers, attorneys, architects, publicists, and blockchain specialists.
My work has been to use Twitter Spaces to create one large thought bubble, wherein everyone discusses a topic from the perspective of their areas of expertise. Reaching for a cognitively rich experience has made my time on Twitter stimulating instead of exhausting.
In the list below, I will share some general ideas for working within your own niche with the help of Twitter Spaces. The most important principle to remember when marketing or promoting your work on any platform is simply, “Do what works, not what you like to do.”
Spend time on Twitter. Can’t tell you how many times I have had people tell me they had no time but wanted to know the one tweet they could post so they could gain 10,000 fans overnight.
Curate your feed. Do not scroll. Stop and engage with tweets for about ten minutes. Like it, share it, or toss it. Use the “Not interested in this tweet” option and add specific reasons. This helps the smart tech to learn more about you.
Tweet a bio tweet like the one in Sreeran’s example above. Thereafter, when you enter a space, say your account name and your personal tagline and the smart tech will index your account under the correct topics of interest.
Join Twitter Spaces and listen in as a priority, even if invited to speak.
Use your time on a speaker panel to give a voice to your engagement. You may want to say that you have commented, liked, or retweeted a speaker’s tweet.
Support other accounts more than you tweet about yourself. We use the word “shill” to mean “self promote”. Shill for others because as a rule, do for others and they will do for you. If you receive no support from an account, focus on other accounts until you find your group.
Take your time and work consistently. Results will multiply over time, because your diligent effort will earn you trust within your network.
Keep the hashtags to a minimum (2 – 4 maximum) until you meet your ideal threshold of engagement in terms of tweets, retweets, comments and likes. Thereafter, use them rarely.
Avoid negativity. Rephrase your words positively (for the smart tech). Do not follow accounts that are antagonistic towards your principles.
If you must be outspoken, discuss and debate in spaces where your ideas will be heard, even if others disagree. Same rules go for all audio spaces. Keep rants super short.
Quote tweet. Own the conversation by bringing it to your timeline. Bring it up later in spaces and ask for feedback, shares or other engagement on your tweet.
Tag accounts and mention them in tweets with requests for answers. This raises your engagement by putting you on their timeline. It is also a great way to start a conversation.
Consciously disengage. When you disagree in a comment, etc., the person with whom you disagree gets a boost by the algorithm because the smart tech will read your engagement as POSITIVE interest.
Avoid engaging with inactive accounts. Twitter’s smart tech loves fresh content, so keep within a view/comment/share threshold of about 17 hours.
Follow accounts that you genuinely like and want to support. As a rule, I avoid following popular accounts and add them to lists instead.
Any support you receive must be reciprocated. And focus on supporting accounts that give you support in return.
Analyse, rinse and repeat. If you start gaining support from your activities, try them again and see what happens. If a thing is working, keep doing it, regardless of whatever “advice” you receive, including mine.
Remember to try many things. Do what works and not what you like to do (for example, staying off Twitter or only tweeting about yourself). After joining Twitter with a fresh new account on June 19, 2021, my account now has 3107 followers today, September 27, 2021. The final push to 3000 happened last night (Sunday) when the count was at 2992. Thankfully, when I asked for some help getting over the line, my friends were there to offer their support. And that is how it should be. That’s all for now, and thank you for reading. See you in the metaverse.
Can you, as an author, achieve effortless book sales using social audio? Please read this post and learn what I have discovered. But get some popcorn first, because there is drama.
It has been a year since I published my novel, The Quarter Percent, and if someone had told me to relax because that people would ask to buy it, I would have thrown a tantrum. And yet, since joining social audio nearly eight weeks ago, I have had lots of people tell me they bought my novel. First, in my Clubhouse profile, I mentioned writing my second novel. Then after a number of requests to share a buy link for the first one, I added it to my Twitter bio.
I’m not using social audio to sell books, by the way: the book sales are a side effect of staying active on the platforms. By staying active, I do not mean staring at my phone all day. Instead, I make time for active participation in spaces or rooms on a range of subjects.
Last year, I collaborated with several artists and we produced artwork for The Quarter Percent. We focused on key scenes and events. One of the scenes opens in front of a graffiti mural in the foyer of a refurbished warehouse. Tensions in a friendship, the transfer of power, and a generous gift are overseen by a portrait of King Cordial’s late wife, Queen Cara. The scene, mural, and cover art are called Cara de la Reina or ‘face of the queen’. To write that scene, I did a lot of research into warehouses and architectural design because the description of the interior had an important function. It set up a contrast between the home’s cool, trendy, laid back atmosphere and the next level scheming that would take place there.
Based on other research, I knew that a cover with a face was ideal, and I assured my publisher that using the mural art was going to work. A year later, this is my avatar everywhere, and saying so in the first paragraph of my Clubhouse profile has made promotion effortless. When people ask me why I don’t use a selfie, I tell them that I am using social audio for business, and I don’t want to attract the wrong sort of customer. Seeing that I get book sales without doing anything extra, it stays right there.
On top of that, someone has been earning money from views of my trailer on a dodgy platform. Every marketer I hired to promote the book has denied having merched the trailer. I only found out because the analytics on WordPress finally appeared in February and showed me a cascade of clicks out to my blog. The owners of the platform are not answering emails or taking phone calls so I cannot find out who is doing this.
Amid all of that drama, you will understand why I gave up on promoting my novel altogether. But I am happy that l have stumbled upon an effective way to sell it.
Regardless of the obstacles, I enjoyed the creative process from last year, and I will expand on that for my upcoming novel. My first idea was to create art prints and posters. Still researching styles that I want to use, and practising on Procreate. Currently, I am producing instrumental compositions for piano, violin and cello. These will match the mood and themes of the story. My YouTube channel is dry and ashy so I asked a composer friend to help me out. I am hoping to share the music with artists and creators who like listening to music as they work.
About an hour before publishing this post, I talked about the project in a business networking group and I was encouraged by the response. The music will also be my rehabilitation after sacrificing brain cells to ratchet YouTube (for research purposes).
Happy Wednesday, everyone. Keep creating, and thank you for staying in touch.
On Wednesday, I downloaded the app again and created a fresh new business account. My experience is much more pleasant because I’m not using captions or hashtags. Instead, my method for increasing my engagement has been to make demands and threats. This has worked so far.
As I mentioned in my previous post, I get asked daily why I am not on Instagram, so I created this business account to connect with professionals I meet through social audio.
Recently, I was fortunate enough to make friends with someone who works with Google to train business owners to use Instagram for marketing. Thus, I have a strong incentive to not toss my phone out the window.
Instagram’s smart tech is impressive, something Marvin Stone would have approved of. I’ve only been on there for three days, not scrolling or searching for anything, and it showed me my favourite dish: charcoal grilled eel on sticky rice. The person who posted the image also has his headquarters at Starbucks and like me, he has the same drink every time he goes there. I had better behave or that thing is going to publish all of my secrets.
So in one of the scenes for my upcoming novel, I wrote about a social media application that shows only one post at a time. One of the characters, Mimi Hollingsbrook, is preparing for her work day. Because she works in the Royal Household as Baby Pudding’s nanny, she has agreed to keep a low profile on social media. Against her better judgement, she decides to look at her feed, and notices something in a caption from a famous influencer. She has a meltdown after reading it. Within a few minutes, her response, which is full of expletives, gains 5 million likes. This prompts her to permanently archive her account. In a later scene, Mimi is given a taste of power when a quarter percenter asks her to decide about that influencer’s future.
When writing notes about the social media applications I would be using in the story, I thought about reactions from readers. I was convinced that this feature would never be adopted in the real world. However, at the moment, the trend is to be super minimalist on Instagram, with as few posts as possible. At this rate, if I don’t hurry up and finish drafting, I will be publishing historical fiction.
In further news, I have been sucked into the vortex and I am now managing my social audio apps on two phones. One for Clubhouse, Discord and Twitter, and the other one for Greenroom and Instagram. That’s because one of the apps keeps crashing if I’m in audio spaces on two others. (Don’t ask). Juggling two phones might look cool on TV but I’m an introvert, so it does not feel right.
Where seconds before, castanets were rapping their clat-ta-tat-tat, a deafening silence fell on the host of avatars in the room. Friendly banter was interrupted, a question went unanswered, and earphones were unplugged from devices to broadcast the newest tirade over speakers. Someone in Brussels unwrapped a lunch sandwich and listened in.
Gloria was in the room. This morning, she presented with glossy grey locks, which billowed in a nonexistent breeze. Her flawless, peaches-and-cream skin was buffed to a high shine. But that was not why everyone was squinting at their screens. They were accustomed to seeing a dark-haired vixen in a slice of underwear, sat with her knees exactly fifty centimetres apart. (Someone attempted the pose at home.) Today, everything, including her shoulders and most of her neck, was covered.
A stream of pings followed. “Everyone, get in here. Gloria is wearing clothes.”
Master had stopped the castanets mid-clat to croak at the host of avatars, “Reverence! Gloria is having a bad day.”
“And today’s crisis is…?” thought everyone. And they waited to find out. In New York, a spoonful of breakfast cereal was returned to a bowl. “What… exactly?”
A summary was sent in a backchannel. It read, “Dental emergency at the dentist, who has Wi-Fi, so Gloria can be here with us shortly before receiving treatment for the dental emergency, and then stay here with us, in fact, during the entire procedure, so we can be there for her.”
“Surely,” went one dictated response, “the care and feeding of her children comma who materialised out of thin air only last week comma should be the focus of concern question mark.”
After that update, volume buttons were pushed all the way down. But unable to see this, Master squeaked again. “Praise Gloria. Genuflect, you peasant scum!” No-one heard him. The rebellion had started.
Three hours later, Master punished everyone by giving Gloria his proxy. “Host the room for us, will you? For your teeth, dear.” A dubious honour it was, to be the doyen of disenchantment, dueña to disconnected souls.
Are your goals clearly defined? Your next step is to collaborate with likeminded individuals. Work with practical, updated information. Record results and refine your process as you go. To master the practice of scrum, recognise when it is necessary to regroup and realign. Then do it.
The first iteration of this installation was a mass of crawling text that broke WordPress. Yay! But after it broke my phone’s browser, I decided to update this post with a collage of screen caps from Reader and the main site.
Thankfully, I had saved the screen caps for the tweet design below, so it was easy to make another pass with the two typography posters. I hope you enjoy them.
Where two or more humans are gathered on a social media platform, there will be beef. And, on Tuesday morning, social audio delivered two servings of beef to me before I even got out of bed.
It started when I woke up at 1 AM to have some water. I checked my phone and noticed an invitation to join a Greenroom networking session. The room looked like an exploded space ship. Avatars were floating about, and all mics were muted. In the notifications was a hyperlink to an adjacent Clubhouse networking session, so I beamed myself in. After saying hello to the group, I bid everyone a good night and promised to visit again.
Five hours later, I was awake. Now, I checked new messages in a Discord server for creators. Almost all of the members were posting screen captures of notifications showing that they had been blocked from entering one particular room on Greenroom. These individuals were all button-down suburban types, and not ratchet gang-gang Crips v Blood folk. The person accused of starting the drama was a new member of the server. I thought that for sure, the server was under attack (!) so I sent a message to the administrator.
Seconds later, I was back in the Clubhouse room from earlier that morning because I wanted to see if the group was still active. I noticed that the room had a different title, and that the host was discussing the blocking incident. He explained how groups worked to “steal networks” from influencers. The app is only three weeks old, but Evil never rests. I turned off my phone, put it on my desk, and went to work.
As I reflected on the storm that was swirling in my phone, it occurred to me that burnout on social media is caused by emotional attachments to vanity metrics. In the end, these metrics are a rendering of specific data points in virtual space. Many of us do not have a clear purpose for using social media applications. Too often, we misuse them and then blame “social media” for dampening our creative spirit.
I reminded myself that I should focus on communicating with the smart technology that runs these platforms. And how do I define effective communication on each platform? Knowing that they have different functions, learning what they require for sustenance, and feeding them.
On Sunday, for example, I practised a focused detachment on Twitter. Applying a formula to composing my tweets, I noticed that each one was retweeted. Then, I focused on networking on Greenroom. In a short time, I got a dozen new follows. These individuals searched for my profile on Clubhouse and followed me there, too. Stress level? Zero.
Yesterday, I took a break from my tested formulae to whine about “rude people”. My tweet was ignored. I allowed myself to get irritated by a creepy person leering at an attractive woman posing in underwear. I was taking things personally, and not being purposeful about promoting my business. No-one followed me. I promised to manage my time better.
To be honest, Tuesday’s incidents were nonstarters and quite boring. But I could see how people get addicted to feelings and then lose sight of their objectives. On Wednesday morning, everyone had moved on, so Tuesday’s energy expenditure was nullifed.
There is nothing I can do to convince anyone to feel less possessive over imaginary fiefdoms populated by the digital imprints of purported people. Perhaps my scepticism is based on the understanding that anything existing in electronic form can be made up, invented, copied, duplicated, forged, faked and reproduced. And it goes without saying that given how easy it is to do all of that, beefing over vanity metrics means next to nothing if you cannot convince your followers to show up for you when and where it matters.
Are you a writer, artist or creative professional using social audio for marketing? Do you wonder if there is a chapter in Debrett’s Handbook on social audio etiquette? If you are networking on Greenroom, Twitter Spaces, and Clubhouse, you will need good conversation skills. And until they update the Handbook, I will offer you some tips. Put them into practice and reap the rewards of branding through social audio.
I have been on Clubhouse for two weeks, and just over a week on Greenroom. Occasionally, Spaces show up on my Twitter timeline, and I drop in to listen as often as I can. And as I observed conversations in each space, I noticed that branded influencers had excellent social audio etiquette.
Before I present my list, I should point out that boundaries are important online. Your conversations are public, and rooms may be recorded without your knowledge or consent. Refrain from sharing private information to satisfy a listener’s curiosity.
On Sunday, I dropped in on a Greenroom conversation with a well-known podcaster. A voice without an avatar started asking me personal questions. Imagine hearing your name called out over the PA system at a crowded coffee shop, as someone asks you to say your street address and read out details from your driver’s license. It felt like that to me.
This kind of nosy question-asking is quite common, unfortunately, even offline. It happens because many people do not realise that you can learn good conversation skills. Which is why, when you practice these skills, you will grow your audience in a relatively short time.
Interruption as strategy You may be surprised at how often people interrupt speakers on stage to ask an unrelated question. One reason for these kinds of questions is that the person wants to quickly form an opinion of you. Another reason is that they do not want to hear what you have to say. The distracting question serves to start a new topic or allow the person to become the focus of the conversation.
The polite response to this is silence. Mute your microphone, and allow some of the awkwardness to revert back to the speaker. It is polite to let the host start a new topic. Learn from my mistakes: You will never control another person’s inappropriate behaviour by raising an objection to it. They receive the attention they want by diverting you from the topic of discussion. And you may find that your response will irritate listeners.
For your part, be considerate by first observing the room dynamics (read the room), and then decide if you want to participate in the discussion. Focus on the topic of conversation and avoid questions that will start an unrelated topic thread. If you wish to do that, ask to connect with the speaker outside of the room, and continue your discussions there.
Even with the best of intentions, it is possible to say something that makes someone uncomfortable in your audio space. You can avoid this by limiting the meeting time, preparing open-ended questions, and having a list of topics ready before hosting a room.
Below, I have compiled five habits that will help you in social audio spaces. Your objective, as you practice them, is to maintain a positive atmosphere around yourself. When you send out invites to your own audio spaces in future, your guests should remember how they felt whenever they were on stage with you and be happy to support you.
Ask after objectives Take a cue from hosts with large followings. They ask fellow speakers why they are participating in the conversation. They do this because they want to know how best to include the person in discussions. If you must, must, must ask an off-topic question, explain why you need to know this information. Again, be mindful that you are in a recorded conversation in a public forum.
Ask about experiences If you want to play FBI, try asking someone to demonstrate their skills. They can do this by explaining something complex, or by rephrasing a statement. Be indirect and open-ended to elicit quality answers. Whereas, questions that require a one-word answer will leave the conversation dry. You will soon run out of things to talk about. Your audience will remember that.
Verbalise your offer to let someone speak first With some platforms, if you would like to speak, you may interrupt another speaker. After a few seconds of silence, say, “I would like someone else to go first,” or something similar, and wait. That usually breaks the deadlock and gives you time to prepare. Remember that you want to be the last person to offer an opinion.
Explain any interruptions At times, I am listening to a conversation while getting ready for work. For that reason, I may want to say something before the moderator moves on to the next topic. In that situation, I will say, “It’s six in the morning, and because I am getting ready for work, allow me to interject here so you can get on with the discussion?” Then, I speak for a very short time. Every time I do this, I get new follows and because of that, I will keep it up.
Follow through immediately Whenever you receive invitations to collaborate or converse privately, follow through immediately. This shows that you are interested in hearing what the other person has to say. Conversations disappear into the memory’s ether, which is why collaborations are more likely to happen when you are responsive. Here are seven ways to follow up:
1. Save, share or comment on social media posts. 2. Post conversation notes with mentions to Instagram stories. 3. Quote tweets with a thank-you note. 4. Retweet a post relevant to the topic. 5. Subscribe to newsletters. 6. Send direct messages. 7. Send email.
Then, it is up to the speaker to show that they are equally interested in collaborating with you. My preferred method of following up is to tweet out from the room immediately after the offer has been made. I am noticing engagement on these kinds of tweets, even from people not in the conversation, and I will continue doing that.
Summary It has only been two short weeks but so far, I can say that social audio feels like a casual chat at your local coffee shop. The connections you make tend to be fleeting. And because of that, you should work to build upon them so that your networking efforts become meaningful in retrospect.
When hosting, allow people to freely drop in and out of the room. But make them so comfortable they will apologise for leaving. Maybe you are not hoping to become a branded influencer, and that is okay. But if you cultivate good conversation skills for social audio, you will remain at the top of everyone’s VIP invitation list. And that is where you belong. Hang in there, and good luck with networking.
This post is a guide for readers who are curious about “gems” and “g-g-gem farming” on Spotify Greenroom. For the first two days, I have seen a number of people entering rooms to ask, “Hello hello. Where are you from? What is a gem? What are they for?” A very patient person was kind enough to explain, and I will summarise what that person said.
While Greenroom is in its early stages, users of the app are taking advantage of the beta stage to test out theories. Drop-in social audio is relatively new, and users of applications like Clubhouse and Twitter Spaces are learning as they go.
Gem rooms in Greenroom provide ambient music or casual conversation. These allow you to socialise in a warm and friendly atmosphere as you build up your following. In case you plan to host your own room in future, you will want to have followers you can invite to the room.
From the technical side, giving gems provides the software with information about how you are engaging with the app. Your time ‘on mic’, scrolling, search and other activities are also monitored and logged.
At this point, you should be aware that some people are saying that the Spotify Greenroom team is policing “gem rooms” in ghost mode. So far, hosts are adapting and making sure to keep everyone active and engaged. Below is a quote from one influencer who says she has received first hand accounts of conversations taking place behind the scenes.
@MissSuperNerd “Gem mining rooms are being watched and not in a good way, and one day you might wake up without an account” Hear more on Welcome Room / Future Social Audio!’ on Greenroom! #greenroom#gems#influencers
For some users of the app, gems serve as a form of social proof. Someone doing a cursory scan of your profile may assume that you have spent a lot of time in rooms interacting with a lot of people. Some users believe that gems should only be given to people with valuable and quality content. Others say that they are meaningless except to encourage addictive behaviour.
Other influencers on Greenroom have been complaining that users are collect gems as if they’re cryptocurrency. However, it’s still early days and people will need time to work out how to use the app. I was in a room on Sunday evening and the moderators spoke to each person on stage every 30 minutes. People who didn’t respond after a minute or so were sent down to the audience section.
Later, in the same room, someone did her very best at karaoke and then she was offered free singing lessons from a classically trained singer. This is a great example of networking via social audio. Given what we know so far, it is best to use the app to interact with people in real time.
If it’s not your turn to speak, use the chat section. How do you use the chat feature on Greenroom (iPhone users)?
1. Search for GIFs that resemble the mood of the music. Try to be awful.
2. Write comments during live conversations.
4. Respond to comments, provide links, or offer feedback.
5. Read social media feeds, follow accounts, and ask for follows back.
6. Thank the person who invited you, thank the hosts, and thank anyone else who supported you.
7. If you enjoyed your experience in a room, follow the host so they can invite you back.
The more active you are in each room, the more likely you are to be followed and invited to another room. The interesting thing about Greenroom is that you must follow people in order to be invited by them.
It’s also very important to mute your microphone whenever you join the stage, as ambient sounds will be heard by everyone in the room. While others were speaking, I have heard onions been chopped, a toilet being flushed and something that sounded like potato chips in a bag.
Remember that you can go ahead and host your own room and create your own custom session.
Finally, there are many cultures and ideas thriving on the same platform. Recognise that people will congregate where they feel welcome. They will also use the application in a way that makes sense to them.
Gem rooms were created to encourage users to cooperate with each other. It is a positive sign when people work out that it makes sense to grow together. If you plan to participate as an observer, then do that. Listen, pay attention to the atmosphere in the room, and participate while keeping the vibes positive. Enjoy drop-in social audio wherever you experience it.
I am still broadening my horizons and yesterday, my list came to the rescue again, thank goodness. The project in question started with an idea: “Make a super short film with one actor, in a single frame, with minimal monologue.”
The first attempt at production was binned due to technical issues. There was a recast but the second attempt got scrambled during two separate uploads to a cloud server. C’est la guerre.
Once upon a time, I would point my iPad camera at something, press record, and an interesting short film would pop out. Now that I am trying to show you something, I find myself living a scene from The Truman Show.
What confirmed this to me was that this evening, a UK-based filmmaker offered me producer credits on his two upcoming films. Have you seen The Truman Show? This is that scene in the bank.
Presently, an actor is filming a different mini micro super short story that I wrote. If we both like it, I will share it here.
They say that if you start nothing, there will be nothing. However, I have proven, over the past three months, that even with strong will and a positive attitude, this outcome can happen anyway.
The dry paper hand is back with two small GIFs I made for you today. I am very happy because I welcomed my nephew over the weekend. It was also my birthday so the gif(t) bags are not random.
I find the TV scroll below oddly relaxing. It is also a great throwback to the good old days when people sat in front of square boxes. I hope you enjoy playing on Photo Mosh. I really enjoyed creating this installation.
On Sunday, I was experimenting with some design ideas and on Monday, I wondered what would happen if I glitched out some images. The software is stable but the file sizes are about 20MB for the GIFs. It’s necessary to compress them. The “Glitched TV” above is 7MB and “Warped thinking”, below, was shrunk to 10MB.
You will not get uniform results for every single kind of image. And though the video files are super heavy, the software I used doesn’t render jpg images large enough to print on a 16″ x 24″ poster. I need a workaround.
Hope you enjoyed the bursts of colour and the weird lines as much as I do.
Updated and edited: 2021.04.08. Thank you for viewing.
Does anyone remember who said, “Follow your joy”? I think this quote is popular because everyone can imagine feeling happy at the final stage of a project. Recently, I told Caring for Art that my nightmares have become work product. I was not exaggerating. Public speakers will never tell you that you must hard work to find the thing to which you can happily commit. If they told you to face reality, nobody would pay them $50,000 to talk about themselves for 30 minutes.
And because I know that the truth is hard to hear, I feel confident that no-one will copy my secret formula, which I am going to share in this post. This is my recipe for staying committed and focused on the way to finding joy. First read it, then scroll down for a taste test.
🧁 Commitment Cupcake 🧁
Ingredients Absolutely everything real about you right now.
Write down every idea you have but stay loosely attached.
Seek advice from qualified experts.
Listen to advice and evaluate for quality.
Search for useful ideas in negative feedback.
Be assertive but never argue, no matter what.
Lose fixation on irrelevant details.
Shut down anyone who attempts to devalue you.
Transfer your idea from a “hard” medium to a “soft” one.
Follow up on each new idea (see item 1).
Table, pin, or expunge unworkable ideas.
Shred your lists.
Keep at it.
The taste test – Covers only Item 8 became especially important this week when my plans came to a full stop. And though I was feeling isolated and trapped, I decided to shred everything and start over.
One of many ideas I had written down was “launch a magazine”. However, I threw it out because there are billions of writers, millions of magazines, and only a handful of subscribers.
From that, I imagined what it would be like for a young writer to dream of launching a magazine only to hit roadblock after roadblock. How would this writer solve these problems? The answers to that question became the treatment for a writing project. My preferred medium for presenting that story is a “hard” one, so I pinned it for later.
The transfer to a “soft” medium was a frictionless fusion of my interests. After careful research, I did some math: photography + fashion + world cultures + health + making stuff up + graphic design = a concept that I really like.
That is to say, I will only produce the covers. I’ve posted two test copies for you and I hope you like them.