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AI Revolution: How you can work with a high-end writing assistant 

According to a new article in Fortune, Bill Gates is annoyed that “the AI revolution means everyone will have their own ‘white collar’ personal assistant”. Most writers I know don’t have billions of dollars of pocket money to hire the best and brightest ghostwriters, or a whole publishing company to do editing, distribution, and marketing. The best we can afford is a free, high-end AI writing assistant that produces instant results. 

In the recent past, I have hired a large roster of contractors to help me with various projects. Often, I had to wait up to two weeks to find out I would not receive what I was promised. That led me to start double hiring so I could have a backup in case someone let me down.  

What I want for my creative projects is forward movement. I do not want to be miserable, tired, spent out, and burnt out. Deep learning language systems like OpenAI’s ChatGPT and Facebook’s LLaMA are the technological upgrade we have been waiting for, and I encourage you to start using them as tools. In this post, I will use ChatGPT and my third novel (WIP) to show you how the system works. It is really easy to work with an AI writing assistant.  

First, you should start a new chat and tell the system your objective. I said, “Pretend you’re a fiction author. Please be my creative writing assistant today.” Then, I explained that I would focus on three areas: character descriptions, realistic dialogues, and character motivations. After you do that, adjust the details and send one request at a time.

Generate character descriptions

My third novel has one principal character, a woman named Hurricane Nisto. Hurricane is extroverted but not very talkative. She prefers to observe her surroundings because she is always searching for inspiration for her next fantasy. But what does she look like? In the chat, I wrote notes on Hurricane’s personality, nationality, and work environment. I then said, “I don’t have any idea what she looks like.” 

ChatGPT’s first response was a rehash of what I wrote, so I tapped “regenerate response”. This time, the system gave me a physical description of Hurricane. 

ChatGPT’s response: 

Hurricane Nisto is a woman in her mid-thirties with Nordic features that reflect her Norwegian heritage. Her long, blonde hair is usually styled in a loose ponytail, framing her heart-shaped face, sharp cheekbones and piercing blue eyes. Her tall, slender build is often hidden behind loose-fitting clothes. She prefers comfortable, casual clothes because they allow her to move freely.

Draft realistic dialogue

After finding out what Hurricane Nisto might look like, I now focus on one of her conversations. She has a vivid imagination, which distracts her from the mundane tasks of her government job. Fantasising got her in trouble and this is the basis for the events unfolding in the story. 

Most of Hurricane’s conversations take place online. At one point in the story, Hurricane buys an Italian castle for the unbelievably low price of ten kroner (roughly US$1). Then, she finds out she has to renovate it. She lives in Antarctica so she needs to hire an assistant who lives in Italy.

The details I gave ChatGPT were that a castle was purchased for US$1, that Hurricane is living on a remote island, and she used a digital bulletin board to advertise for an assistant living in Italy. The output told me that a candidate, Priya, travelled to Antarctica to meet Hurricane in person. This was a mistake, given the specific details I provided, so I reminded the system to pay attention. I said, “Priya never leaves Italy and Hurricane never leaves Antarctica. They have to work virtually. Please start over.”

My question was, “How does their conversation start? Do not include self-introductions.” 

ChatGPT’s response: 

Apologies for the confusion earlier! Here’s a revised version of the conversation starter: Hurricane and Priya connect over a video chat app on a social media site. They’ve never met in person and are communicating virtually due to the distance between them.

And this is a portion of the dialogue generated: 

“It’s a long story,” answered Hurricane, “but basically, the castle has been abandoned for years, and the government sold it for a very low price as part of a preservation project. I saw the opportunity and took it, even though it’s located so far away from me.”

“That’s fascinating,” was Priya’s response. “So, how can I help you with the castle?”

“I need someone to inspect the property and give me a detailed report of its condition,” answered Hurricane. “Can you do that for me, Priya?”

An interesting draft, and the tone is appropriate for a professional conversation. And now I have an idea of how helpful (and fast!) the software is for drafting dialogue based on a general prompt. 

Brainstorm character motivations

Remember that Hurricane Nisto is an extroverted person who is not talkative. At the start of the story, we know why she ends up living in Antarctica. She breaks a rule at work, but does not get fired because her government job is secure. The workaround is to send her to Antarctica. In her new job, she supervises a weather station on a Norwegian outpost. 

The incident was a “stairwell tryst.” The system already knows that Hurricane is a fantasist, and is somewhat detached from what’s happening around her. So, I asked simply, “Why would Hurricane have a stairwell tryst with a supervisor in her office?”

After reviewing the results, I told the software that there was no “affection” between the characters, and that Hurricane was neither materialistic nor ambitious. 

ChatGPT’s 3rd attempt:

Hurricane Nisto has a tendency to daydream, and if she is not motivated by personal gain or advancement in the workplace, it’s possible that her affair with the senior colleague is driven by a need for validation or attention. She may feel overlooked or invisible within the organisation. And the attention and validation she receives from the senior colleague may make her feel seen and valued. Or, Hurricane may be bored or dissatisfied with her life, and the excitement of an illicit affair may provide a temporary escape from the monotony of her routine.

These were valid motivations, but this output required three generations. The model had a difficult time understanding that Hurricane has low self-awareness. I agree that Hurricane may be bored or dissatisfied with her life, but her character is nuanced. She acts like someone who thinks, but in reality, she is driven from one circumstance to the next. To fully develop the story, I will need to show the reader that Hurricane is likeable despite her lack of self-awareness.

Conclusion

One of the wonderful things about working with a deep learning language model like ChatGPT is that I have grown more confident as a writer. There are lots of people saying that AI will replace creative writers, but I am sure that won’t happen. Creative writing requires flexible thinking which present AI language models might not be able to handle.

Robots cannot tell a story with deliciously intriguing characters. Even with detailed prompts, they cannot present nuanced emotions and personality quirks. They may have a low tolerance for human flaws. But they can provide support with technical research, and provide feedback on storytelling techniques.

The secrets to generating useable output are to create detailed prompts and establish baselines for the output. Give plenty of feedback. Assistants don’t read minds and this software is not clairvoyant. Please practice, and tell me what happened.

Thank you for reading. Best of luck with your writing tasks. 

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Connecting Globally: Neda Shoaei and Waqqas Shahid talk shop in my Instagram DMs

Giraffitii by Neda Shoaei

Neda
I love this topic Nicole has chosen. And I believe that connection has always been the highest need for human beings throughout history. How we define connection has changed in modern times. Waqqas, how do you see the connections we are creating in the 21st century? Are we as effective as previous generations used to be, you feel?

Waqqas
In the 21st century, we have more tools than ever before to connect with people globally. We build global connections because we want to connect with people from different backgrounds and cultures. By fostering understanding and inclusivity, we can build lasting relationships.

Technology has the potential to bring tremendous financial benefits to individuals and communities. But we should also be using it to improve the lives of people around the globe.

We can start by bridging cultural divides, instead of perpetuating them. By approaching global connections with openness and humility, we can create a more compassionate world. What are your thoughts, Ned?

Waqqas Shahid

Neda
Great points, Waqqas. That meaningful connection is what we are all looking for. And we have amazing new media tools to help with that. People are starting to realize, more and more, that borders have no meaning. We are getting connected on a deeper level. Solidarity is rising because we are getting in touch with more people from different countries, languages, and backgrounds.

When did you personally start creating deeper connections on social media? Was it the same feeling as the physical world conversations you had before?

Waqqas
I began creating deeper connections on social media about seven months ago. By being open to new perspectives, I formed meaningful relationships which have become a part of my real-life network.

Listening and observing are more important to me than speaking, as I really want to understand others. One of the great connections I made was with Nicole, and I am grateful to her for having me here. I encourage others to use social media as a tool for creating genuine and lasting connections with people from all walks of life.

Neda Shoaei

Neda
Waqqas, I like that you said that people should build/find that genuine connection. Knowing these facts from the beginning helps us to keep going until we find like-minded people.

You said you have been connecting with people on social media for seven months now. Was there any point where you felt this was not right, or had any self-doubt?

Waqqas
There were moments of self-doubt. It can be intimidating to put ourselves out there and engage with strangers, especially if we are not sure if we’ll be well-received.

However, the key to overcoming these doubts was to keep an open mind and be willing to learn from others. By listening to their perspectives and experiences, I was able to build genuine connections. The sense of community I have developed has been incredibly rewarding. I’m grateful for the growth and learning opportunities that have come from these experiences.

Neda
I always observe the fact that some communities are very English-centric. I mean, they seem not open or ready for non-English speakers to join them. On the other hand, I see communities that ask for people from different backgrounds and languages to join them. They overcome language barriers by having bilingual speakers in Twitter Spaces or having foreign language channels on their Discord channels.

Again, I believe we should find communities/people that are like-minded. That way, we can feel happy to share our feelings and ideas in an open way. This is the point of global connection at its core.

Neda Shoaei

Waqqas
It is true that some communities tend to prioritize English language and Western culture over others. Understanding different languages and cultures is crucial for global connections. By connecting with people from diverse backgrounds, we get the opportunity to understand and learn from their perspectives and values, which can broaden our own thinking and outlook on life.

On that note, what role does cultural awareness play in building connections with people from diverse backgrounds?

Neda
Normally, media and the role that it’s playing in our lives are not taught in schools. Small, medium and large organizations, as well as communities, should create that message throughout the world.

Schools and universities are being left behind. We need a new educational system to replace the old one. It is amazing when I see how individuals are coming together to make the shift happen.

People who are considered to be in the margins are now finding their voices. A strong global connection is being built that is precious and also unique. I feel more people are noticing this movement and are joining it. We grow stronger each day.

Waqqas
It’s truly amazing to witness how individuals are taking the initiative to push for a more culturally aware and equitable world. Let’s continue to come together and make this shift happen.


。⁠.゚⁠+⁠ ⁠⟵⁠(⁠。⁠・⁠ω⁠・⁠)

About the creatives

Neda Shoaei
I’m Ned, 31 and a multidisciplinary artist, with a passion for technology. I have been honing my skills and expanding my creative horizons since 2016. If you like watching videos, you can follow my journey on my YouTube channel. My background in English literature and focus on concepts such as diaspora, post-colonialism, and decentralization gives me a unique perspective on my craft. I am particularly passionate about new media, digitalization, and creating content for both physical and virtual platforms. I started my studies in game design in 2023. My ultimate goal is to create unique, engaging, and thought-provoking experiences for audiences across both physical and virtual worlds.

Artwork by Neda Shoaei

Waqqas Shahid
Hi, I’m Waqqas Shahid, a 30-year-old entrepreneur from Karachi, Pakistan. I come from a family business background in yarn textiles. I decided to pursue my own dreams and become an innovator in the exciting world of cryptoart. I’m a curious soul who loves to research the latest trends and happenings around the world. I believe that through research and hard work, we can create positive change and make a difference in the world. That’s why I ventured into the NFT community. My goal is connecting with people globally and inspiring them to make a positive impact.

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Artist’s Diary: Anneli Berglund

Happy Saturday. Believe it or not, it’s been almost 9 years since I started this blog and this is my first Stream of Consciousness Saturday. Of course, I’m going to bend the rules by introducing Swedish fine artist and graphic designer, Anneli Berglund. In this post, she talks about her soon-to-be released Wabi Sabi Noir generative art project. I hope you enjoy her work as much as I do. She is truly stylish.

$$$$$$

Hello, I’m Anneli, here to tell you about my day. This morning I got up, put on some coffee, and sent the children to school. Then I went to watch a tutorial made by Goblin on YouTube, about how to deploy a generative collection on LaunchMyNft, an NFT platform I am using for my most recent art project.

Before that, I had self-destructed the same collection’s profile page on Foundation. Now, I’m setting up everything on this new platform. So, uhm, follow me on Instagram?

After gathering the information I needed from the tutorial, it was time to press “self-destruct” on Foundation.

In a storm of energy two days ago, I put up a brand new collection of art there. But after exchanging a couple of emails with Foundation Support, I realized I didn’t have a service to help randomize my design elements.

So I had to press the self destruct-button. It happened pretty fast. At first, I felt a little scared. Then, it felt like a cool James Bond movie moment. In truth, I regretted having to spend transaction fees on something I had to burn only two days later.

And now it’s afternoon. The kids will be home in an hour, but I have very little food in the fridge. So I’m thinking egg sandwiches should be fine? I’m still staring at my screen, waiting to add my new artwork to the Ethereum blockchain.

But I see that the transaction fees have gone through the roof. It’s going to cost $90 to mint the collection. That is too much. I’m low on ETH and need every bit of it to push out my work, especially because there’s no real guarantee it will sell.

My reach on all social media is crap right now because I refuse to play by the Algorithm Rules. It’s not a provocative choice; this is how I’m wired. I’m a busy woman, a full time artist and full time mother, and I will not post everyday nonsense to appease current technology. It’s built by greedy humans anyway, if you ask me.

Lately I’ve been looking at a decentralized social media app. I was told I’d get a spot on that app but, it’s still in beta.

Looking at my screen again, and the transaction fees are now between $63 and $68. It was down to $25 just a few days ago. Maybe I chose a bad time to do this, but I don’t have much time to sit in front of a screen later today. I really want to launch this collection on March 23 because the date will be 2023/3/23.

See what I did there?

The date itself is not special. I saw a bunch of 23s somewhere and decided March 23 was a good date. I work intuitively, much like when I decided to deconstruct my earlier ink works and put them back together again as unique characters. I call my characters “inklings.” And I have called the collection Wabi Sabi Noir. I guess a lot of what I do seems impulsive, but it’s working for me.

Ah! It’s getting late, and I have to wash my hair. Maybe the transaction fees will go down by the time I’ve finished? Fingers crossed.

Sending ….

God! Twitter removed all the spacing. What a horrible block of text – ha ha ha ha. I am literally heading into the shower now. See you around!

Follow Anneli Berglund on Twitter
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Writers’ Lift: AI integration in Google Workspace

Some exciting news was announced yesterday about generative AI integration in Google Workspace. Most of you might already be familiar with this paid set of apps used to manage a business. We already have access to a free version of the apps through our Google accounts. The workspace suite allows more functionality and comes with pricing options.

Dear Lord, let it be cheap. What I’m truly excited about is the prospect of having AI tools to help me research my writing projects. My second book is already finished and is waiting to be published. The plot itself was simple, and the story timeline was relatively uncomplicated. However, I needed to take the entire 2022 off to battle the great zombie apocalypse at work.

And even though it was challenging, I managed to get my writing done and produce two musical albums to go with the story. For this second novel, what was especially challenging was the research. In my Google Docs, I have a small book’s worth of research on the story. Of course, I love inventing new place names and designing interiors. I also have a wiki about the rules of interactions and laws of the fictional country in which the story is situated. It was also relatively straightforward to design a wave-powered yacht which has a floating indoor farm. But that wasn’t the most challenging part of the research.

This is a romantic story, which is not in my wheelhouse. In order for the story to work I needed a convincing pathogen, a test for that pathogen, and a treatment. Then I also needed a bunch of legal proceedings to distract my protagonist from his love interest. In other words, I had to leave the actual dialogue and chase rabbits down rabbit holes. One particular rabbit hole from which I recently got sprung was in YouTube.

I was fully immersed in some pop culture commentary. One of my protagonists is obsessed with social media. She knows what celebrities have for breakfast, but she thinks she’s better than they are because she doesn’t post countless photos of herself online. I needed to know how she spun her thoughts in her private moments, and I wanted to know what ticked her off. She was pretty irritated for most of the story, and she was using social media as a distraction from what was really bothering her.

I’m not writing about myself, I’m writing about a character. And I might have broken my brain. While I’m rehabilitating, I am creating a plan for how I’ll use the AI tools embedded in Google Docs to write about a much more complex character, Hurricane Nisto, in my third novel. It would be nice to fully flesh out her “voice” using the rules I created in the treatment for the story.

I had a plan to run off to Antarctica to write that story (already started) because that’s where everything happens. But I’m hoping I will be able to access the AI integrated suite for a very affordable price by the time I’m ready to continue working on it. I might not have to travel at all.

Thank you for reading. I’m more than happy to hear about the projects that you’re working on. I have been trying to find your blogs but not sure if I’m meant to comment or not. Please let me know how I can support you. If you find some of my comments in your spam folders, please be kind enough to fish them out for me. Best wishes.

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Political neutrality is for OnlyFans: Artists should lead with their values

Geisha Collection

Political neutrality is for OnlyFans and if you’re not on there, you need to lead with your values. The latest buzzword in marketing is “values-based marketing”. That is, showcasing your work in a way that appeals to your customers’ values. It’s everywhere – content creators on YouTube, TikTok, Instagram, or Facebook infuse their titles with their opinions. And I want to share my thoughts on why doing this is good for you. 

The other day, I read a report about Donald J Trump being called a p***y a** b***h by Chrissy Teigen on Twitter and almost having her account shut down by the White House. Not a fan of hers and this post is not about her. But I thought it was really important for artists to not be wishy-washy about expressing our values in a public space. 

Back to the bones

Living and breathing our values builds trust and that in turn helps our audience to find us. We should take a position on certain matters. Our audience wants to know what we think because they want to know why they are supporting us. 

Political neutrality refers to the idea that an individual should not promote a particular political ideology or agenda. A position like this is certainly appropriate for public institutions such as the judiciary, law enforcement agencies, and civil service. These institutions must maintain fairness and objectivity in decision-making. They are expected to work without bias towards any particular political party or agenda.

Sold out geisha collection from artist Pinxx
Geisha

However, for artists in a commercial space, achieving complete political neutrality should feel unnatural, because our personal or ideological leanings directly influence our work. Naturally, the main disadvantage of being politically neutral is lack of advocacy. By remaining politically neutral, we may miss opportunities to gain support for causes or policies that we believe in.

As artists, we have the means to express ideas in ways that will appeal to a wide cross section of society. If a cause or policy is in the public interest or if there are vulnerable groups who are affected, we should speak up. Being an artist is a privilege and we must always remember the advantages that creative expression affords us. 

Sharp shooter - 3D portrait
Sharp Shooter

According to recent business research, being politically neutral may prevent us from making good business decisions. One negative consequence of fence-sitting is perceived lack of accountability. Political neutrality is often a way to avoid making tough decisions. An audience will notice that. This can be particularly problematic for a highly visible brand. Quite a number of popular artists have been criticised because of their decision to remain silent on matters that their audiences care about.

Remember the Balenciaga ad scandal? Celebrities were called out for not speaking against the inappropriate presentation of children in that infamous ad campaign. And Taylor Swift got pummelled by her fans for not speaking up when the United States was politically split down the middle.

Geisha 3D artwork
Geisha

This brings me to my concern that in the wider society, political neutrality is a type of privilege. For example, some people want to signal that they are comfortable within the status quo. They can use neutrality to look away from people who are being marginalised or exploited. Or, neutrality could be a mask they use to hide their true beliefs while lobbing rhetorical salvos at their ideological opponents.

Many artists will avoid sharing their values or taking a political stance. It is natural to be scared of being called names on social media. But if your values are beneficial to society, being opinionated is good for everyone. Here are some ideas you can think about:

Portrait in 3D format
Back to the bones
  1. Expressing values and beliefs: We often have deeply held values and beliefs about social, economic, and political issues. Taking a political stance allows us to support causes and policies that align with those values and beliefs. We gain support in return and build communities as a result. 
  2. Participating in democracy: Participating in the democratic process doesn’t only mean voting. It means having a say in how society is governed. By engaging in political discourse, voting, and advocating for causes, we can help shape public policies and decisions that affect our lives and the lives of others. That’s the power of influence and how it should be used. 
  3. Making a difference: By taking a political stance and advocating for causes and policies that align with their values, artists can make a positive difference in the world and contribute to social and political change. Isn’t “changing the world” why we are all here? 
  4. Holding leaders accountable: By taking a political stance, and publishing our beliefs in the public domain, we can hold elected officials and other leaders accountable for their actions. This can help ensure that leaders are responsive to the needs and interests of their constituents and are held accountable for any negative impacts of their policies.

Taking a political stance does not necessarily mean aligning yourself with a political party or ideology. Instead, it means advocating for specific causes that you believe will have a positive impact on society.

If there is a cause that you feel passionate about, gather your thoughts and do some research. Reach out to others who have similar ideas. If your present audience does not agree with your stance, then be grateful for the chance to attract new supporters. I hope that you are fortunate, because then you will find that yours is the voice everyone has been waiting for.

Notes: Artwork for this post was generously provided by my fabulous friend, UK based 3D artist Pinxx. You can follow her on Instagram and keep up with her latest posts. And collect her artwork on Makers Place (ETH) or Objkt (tez). You’ll be happy you did. Thank you and have a fabulous week ahead.

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Brain Zest: Contemporary Art on the Move

Cyborgs by Brain Zest via Twitt

Hello. I am Irina, also known as Brain Zest and Ambidextrous Nude. I am a multidisciplinary artist and photographer. I work in watercolour and acrylic. And with digital illustration techniques, I create ambidextrous continuous line art. I also capture street photography. On the 10th of March 2022, I left Ukraine with my two children, a backpack and a suitcase.

In my current painting work, I explore the concepts of self acceptance, body positivity, self validation and the beauty of women’s bodies through different stages of life. My artwork encourages women to feel more included and seen. From the feedback I get for my work, the results have been positive, and it makes me really happy to know that.

Pastel pets from Brain Zest via Twitter.

Leaving my family and friends behind wasn’t an easy decision, but I wanted safety for my children. We traveled for a while. Being a self employed artist made it possible for me to choose to stay in a new country for a longer period of time. Thus, I could work even in a totally new country. Currently, my children and I are settled in Portugal.

Galaxy Rainbowstorm from Catowls collection by Brain Zest
Galaxy Rainbowstorm from Catowls Collection by Brain Zest

It took us some time to adjust to the country. The climate is very different from what I’m used to, and Portuguese language is not really easy to learn or comprehend, although I speak English very well and know some Italian and German.

And it appeared tricky to find new friends. I have some people I know in different cities in Portugal, but happened to have no connections where I ended up living.

Cyborgs by Brain Zest on Twitter

2022 was a challenging year but I always felt the support from my husband, who had to stay in Ukraine, and from my friends in the NFT community. It really helped me to stay positive and be persistent in overcoming the many difficulties on my way.

I look forward to meeting my friends from all over the world, reuniting with my loved ones when the war is over, and discovering new possibilities in this new year. Thank you.

Longing for imagined from Brain Zest on Foundation
Longing for Imagined from Longing for the Wings collection on Foundation.

Notes: Thank you for reading this guest post from my friend Irina, a Ukrainian national now living in Portugal. Follow her on Twitter. Support her artwork by collecting on Objkt and from the collection Longing for the Wings which you can find on Foundation.

It has been just over a year since the invasion began. I remember randomly bursting into tears every day for about a month after it started. I know many people from Ukraine. Some of them are former colleagues and college classmates. The devastation caused to millions of people is incalculable. Let us remember that regardless of our opinions in political matters, ordinary people – friends, neighbours, colleagues and their children – are suffering the most.

Our elected leaders remain pampered, safe, secure, and well-fed. They have advisors and housekeepers, chefs, stylists, and speechwriters. They don’t need to be coddled. They need to be reminded to do their jobs and work hard to restore peace.

Irina’s Twitter account for ambidextrous line art
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Content moderation at Elon Musk’s Twitter


Forget the Twitter Files, citizen journalism, or profit-sharing for creators. Elon Musk’s Twitter has one priority, and that is Elon Musk. It appears that he bought the company so he could broadcast his message without interference from legacy media. And it is possible, and this is only a theory, that he bought it because he wants to own a recognised media brand. I’m thinking of his 15-year feud with Jeff Bezos, who owns the Washington Post. 

The majority of legacy media is against Elon Musk because they know that Twitter has given the power back to people with its no-biased censorship.

Twitter takeover has changed the media forever – for the good. @elonmusk

Originally tweeted by DogeDesigner (@cb_doge) on January 29, 2023.

People think Musk wasted $44 billion ‘on an app’. It is not an odd choice when you realise that he has paid about $119.56 per user so that he can freely promote his businesses to them. (That figure is based on 368 million unique monthly users). 

If you’re on Twitter, what does content moderation look like? The latest change is that the smart technology has been showing you more posts from accounts you don’t follow. If you’re Elon Musk, your tweets will be shown to potentially 368 million unique users. But in reality, they are being shown to lots of people who will simply scroll past. Because of these changes, your follower count doesn’t matter as much as it used to. Engagement is key to content moderation. 

And though this reality is clear, content management is still incredibly frustrating. The ideas I shared in my earlier posts are still useful. In fact, they are more relevant now that the platform is focused on ‘real people talking to each other’. In light of certain new developments, I want to share some ideas and strategies that will help you to optimise your presence on the platform. 

Let’s focus on content moderation. Content moderation on Twitter is still facilitated by smart technology, or machine learning systems. But after Elon Musk fired more than 50% of the tech staff, the remaining staff have needed to make adjustments. They need time to write millions of lines of code in order to trial Musk’s hare-brained ideas, or to write useless reports for one of his lackeys. Then, they need to work overtime to press the “undo” button 10,000 times after trials are met with backlash. 

Perhaps their efficient retasking of the smart technology (by making it ultra sensitive) has led to more intense sorting of tweets, keywords, and accounts into silos. Silos are groups of accounts or tweets, based on keywords and common areas of interest. Read more on how sentiment analysis software helps make those decisions.

The system was always sensitive to your scrolling actions. Even a momentary pause is noticed by the software. And it reads your direct messages. Quite a number of people believe that direct messages are “unseen”. And they would be wrong. Everything you type, either in a public tweet, or in a direct message, helps the system to make decisions about the standing of your account. 

One other priority for the smart tech is to eliminate spam. The system is trained to filter out spam aggressively. Musk wants more organic views from your account, and if the system is overwhelmed by spam, you will not see his tweets. 

Twitter owner Elon Musk tweeted out this dot which generated news headlines and over 52 million views.

Based on observations of user accounts, the best way to get added to a spam list is to send lots of private messages to tweeters who don’t reply back. Other actions? Overtweeting, tweeting the same media (image, GIF, video) multiple times in a day, or replying to tweets and not getting a reply back. These are some actions which are read by the system as either “not engaging with other accounts” or “tweeters don’t like this account”. 

Remember what I said about accounts getting siloed? If your account (A) does any of the above actions and engages with another account (B), this account (B) will be flagged as, “account B is attracting spam accounts like A.” Then, people engaging with B’s tweets will be added to a list marked “accounts interacting with this account B which is in the group with account A”. This is a weird chain reaction that has affected a lot of perfectly legitimate accounts. And it’s unfair.

The phenomenon of people locking their Twitter account with the hope that it will improve engagement is a strange phenomenon. They’re performing a digital ritual to make themselves seen. Doing a little rain dance, but they’re trying to summon views instead of precipitation.

Deprived of any meaningful power, people have become convinced their only influence lies in the visibility of their content. So of course they’re willing to try these little tricks and quasi-spells to spread their content and maximize their power.

Originally tweeted by Travis View (@travis_view) on February 1, 2023.

Recently, quite a few tweeters (including me) have tried locking our accounts to test the idea that our tweets would be further boosted among our subscribers. This worked very well, but it is a glitch and only a temporary fix. Fortunately, I have tested more reliable ways for you to fix your engagement. They’re presented here in no particular order.

  • Block spam accounts as soon as they follow you. Or, remove their follow from your settings on the desktop device/web browser. Do not unfollow many accounts at once, as this will look spammy. Go slowly.  
  • If you already get lots of engagement on your tweets, start restricting replies to people you follow. This will prevent bots from leaving comments on your tweets. Again, bot replies will make your account look spammy if you don’t hide them. 
  • Reply to everyone who comments on your tweets. 
  • Ask subscribers to turn on notifications for your tweets. Only ask for this if you don’t tweet every 10 minutes. Imagine hundreds of people rage blocking you for constantly interrupting them. You will feel bad, so think twice about this. 
  • Use the “following” tab to find active users. Reply to their tweets and invite a response. After 4 – 6 hours, go to your profile and delete replies (and tweets) that received no views or likes. Some people you follow are too busy to reply because they are busy tweeting. You can tell by the cascade of consecutive tweets (not part of a thread) that show up in your feed.
     
  • Ask more of your followers to subscribe to your blog (because you have one). And remind them to keep up with you that way. Remember that owning your own domain is the best engagement hack ever. 

Twitter is in utter chaos at the moment, but remember that it is a private company devoted to serving its owner’s emotional needs. He needs a breathtaking amount of attention. When I was writing notes for this post, he had posted a dot to his timeline, and it has already generated 52 million views. We are all enablers at this point. And until Elon Musk decides to let someone new play with his joystick, he will remain our fiercest competitor. 

Postscript: February 10, 2023. Another day, another dot tweet. If it is not yet obvious that Mr Musk seeks validation in Twitter engagement (views, likes, retweets, comments), here you go. When the personality decides what the algorithms will prioritise, it is helpful to focus on what is driving the person’s behaviour.

Update: February 11, 2023. Article on Elon Musk throwing a tantrum over low view counts for his tweets. Underscores the purpose of the “point” tweets. And I reiterate the point I made in the beginning of this post – Musk’s motivation is to get attention. Quite a lot of system errors, glitches and outages are caused by the lack of staff to monitor servers that run the platform. But a qualified engineer was fired for not saying what the boss wanted to hear. People are right to focus on the man himself if these are his priorities.

Update: February 15, 2023. Daily Beast is reporting (from a report on Platformer) that Elon did actually mess with Twitter algorithm to juice his own numbers. Adding this here because I was told that Mr Musk’s personality had NOTHING to do with navigating the algorithm. In other words, my initial analysis, which is that Mr Musk’s plan was to use Twitter to poke the eyeballs of all active users on the platform, was correct. And this would be obvious to anyone paying attention to his tweets (like this one his tech staff jacked up to 55 million impressions). At this point being part of this billionaire’s glorification milk tea party is really a choice to remain uninformed. And in response to allegations, here is the tweet from Mr Musk’s account acknowledging that he ordered his staff to mess with the algo so everyone would see his tweets in their feed. I find this quite disgusting.

Update: February 28, 2023. This drama keeps devolving and I’m here for it. I thought mansplaining had died out with the #metoo era but apparently dinosaurs/throwbacks still roam the earth. This is why I’m adding more evidence that Elon Musk, owner of Twitter, is a giant asshole and this directly affects how Twitter operates. And here we are, look at how he unceremoniously fired the staff who pledged their allegiance. One executive slept on the office floor to deliver the impossible and help him save face after he bought Twitter and made it weird. He fired her, too. But not before doing an informal peer review and destroying the Slack channels which helped the engineers to troubleshoot problems. There are now fewer than 1800 people working at the company and that means, like I said, the machine learning software (smart technology) is mostly running the platform. Therefore, tweeters must be careful about triggering the protocols that will get their accounts shadowbanned or siloed.

Categories
about me art artificial intelligence creative writing science fiction technology TV women writing

How to market your novel with music

West Port: Intro to Songs for Maitheland (Part I)

Hello, everyone. It is time for another adventure in “how do I market my second novel”. My second fiction novel, which I am calling Maitheland, is wrapped. And, as you know, I have been working on this novel for some time.

The story takes inspiration from romantic flash fiction I wrote for this blog eight years ago. I decided to repackage the story and make one of the main characters a nephew of King Cordial from The Quarter Percent. This time around, I plan to promote the novel with music.

I took my time to finish writing the novel because I had to relaunch, promote, and relaunch my startup again. During that time, social audio became an adventure and I made lots of great connections through this new medium. Some of my new colleagues have been featured here on this blog.

Photo by Maisie Kane

Sidebar: Speaking of social audio, now that Elon Musk owns Twitter, if you’re not on there, kindly dust off your accounts and hop in now because the popcorn drama is on every hour. Not even journalists, clamping their eyeballs on their phone screens, can keep up.

On Thursday morning, Elon cohosted a Twitter Space. A day later, I read a news report that the host, Robin Wheeler, and cohost, Yoel Roth had quit. About two hours after I scheduled this post, I see a tweet from Robin saying that she was still at Twitter. That was too fast. The space was recorded, so you can listen in.

And now, back to promoting my novel. You may remember that my attempts at promoting my first novel, The Quarter Percent, were pure drama. This time, music has been my focus.

Why music? Aren’t you only supposed to read a novel? I wanted to create an immersive experience for readers. The story is sensual and moody, and I think that listeners will appreciate that. There are also lots of soundtrack music fans out there. And I have my own playlist I listen to when I want to concentrate. That is why why I thought this idea would work.

Photo by Marcelo Chagas

After producing a suite of classical tracks for one scene in the novel, Maitheland, I thought about creating EDM tracks related to the story. But as I contemplated the expense of hiring a new team, I asked Google if AI could generate music for me.

The answer was yes, and that was how I found the platform Boomy. Over the course of two days, I created five songs. If you go to my Vimeo channel, you can hear five tracks in the easy listening, loopy style that is really popular on YouTube.

How does all this help with marketing my book and other creative projects? Simply put, presence, exposure, and traffic. My plan is to take advantage of Boomy’s role as my distributor. The platform will submit my work to all of these streaming services:

Rolling hills and river in Iceland, the physical location for my fiction work, Maitheland.
Natural scene from Maitheland

… Spotify, Apple Music, Pandora, Amazon, Google Music, YouTube Music, YouTube, TikTok, Facebook, Instagram, Shazam, 24/7, 7 Digital, 8Tracks, Akazoo, Alibaba Music, Amie, Audiomack, AWA, Deezer, EOS, iHeartRadio, iMusica, Kanjian, KKBox, Line Music, Leeway, MediaNet, RealNetworks, NetEase, Neurotic Media, RX Music, Saavn, Slacker, SoundExchange, Tencent Music, Aspiro, TouchTunes, UMA Music, Yandez, and Zvook.

Boomy |About

Have you even heard of some of those platforms?! In other words, based on the uptake, the soundtrack for my novel is going to be available everywhere. And that means (if I have used really good keywords) someone will find my work. Then, if they are intrigued, they will look me up. The first release of five tracks is called Songs for Maitheland Part I. There are four completed tracks, and I am hoping to expand that over the coming few weeks.

At the moment, I am waiting to find out if my music will be accepted by the above streaming platforms. Until then, I am building a presence on Vimeo. The rest is up to you. I hope that you enjoy the sounds of Maitheland.

Categories
art creative writing fiction news opinion technology TV women writing

What revolution?


Fabric swatches on canvas with makeshift cardboard frames
Fabric swatches on canvas

The Netflix film, 365 Days, is not the worst film ever made. That distinction belongs to the threequel, The Next 365 Days. And this is according to journos who got paid to write nice things about it. The films are based on the series of novels by Polish author, Blanka Lipińska.

According to the Daily Beast’s Kevin Fallon, stories like 365 Days serve an important purpose. They allow us to watch as the inversion of our values play out in real world scenarios. And as we watch the scenes play out, our tablet or TV screens shield us from the consequences.

Sketchbook doodle from Charlie Esposito

Now, I think that as we broadcast disapproval of fan-fiction hot sex, we are avoiding the real hot topics. We might tell ourselves that we are staying neutral on those issues. But there is no political fence, not really.

Based on my experiences on social media over the past year, these are some questions I feel like asking people I am meeting for the first time:

Are you all in on a multicultural society? Can same-sex couples get married if they want? Can people with wombs please get a prescription filled without a pharmacist asking them to pee on a stick so their religious rules are not broken?

Dr. Emily Porter finds that medical professionals doing their job is going to be very frustrating

Neutrality is a nice word that means we are scared of saying what we think in case someone screams in our faces. Being human is already a lot of work, which is why we elect public officials to help us out. Yet, we keep electing representatives who won’t let us get on with living. They create legislation on matters that should remain private; and drag their feet on issues that are in the public’s interest. This is precisely the reason why more of us are speaking out.

With all of that in the background, I now ask you to consider the artist’s work during times of struggle. One of the best things about being an artist is that we usually end up collaborating to start a movement. The movement is whatever we choose to call it. We make noise as a collective, and people pay attention to our message.

Medusa Marie is on Twitter. Follow her for more fabulous visual art.

Unfortunately, the creative space is most vulnerable to interference. Because we artists are living in a society filled with outrage, our worst enemy becomes what we think others want from us. Fear stifles our productivity. But if we don’t make things, we cannot refine our process and become better artists.

Artists are people with feelings, and this makes us easy targets. And people use their own reactions to our relatively benign creations as an excuse to avoid the draft.

If you are a hobbyist critic, should you pack up and leave? Not so fast. There is still time to get some real work done.

Find balance in everything you do. drawing of stones balanced on top of each other.
“Find balance in everything you do” Artwork by MHBB via Twitter

Here are some people who will benefit from your support: Women, children, minority ethnic groups, refugees, the homeless, the starving, the physically challenged, the mentally unwell, recovering addicts and the orphaned. Dial up your voice to the usual strength. Vote for representatives who can help. Keep writing letters to them until they mobilise resources to alleviate pain and suffering.

Fairies are real and help us achieve our dreams as we sleep. AI assisted digital painting by Simply Veronica.
Fairies are real and assist us in our dreams – artwork by Simply Veronica

The revolution calls you to the draft. There is no need to burn your old scripts. Find a new cause, make some edits, and read them again. You might need a change of costume. Maybe a haircut. Or perhaps a 15-minute session on IG Live will get the ball rolling. The energy expenditure will leave you exhausted and restless. But soon enough, someone will hear you. And then, they will listen.

Good luck out there.

❤️

Postscript: Big shout outs to my lovely friends, Charlie Esposito, Medusa Marie, MHBB, and Simply Veronica. Thank you very much for responding to that last-minute request. Keep inspiring everyone with your activism and hard work.

Categories
art entrepreneurs technology women

Designing the Future: Charlie Esposito

Charlie Esposito

Several years ago, I watched a video clip on my Facebook feed. It featured an augmented reality exhibition which inspired me to pay closer attention to the future of digital art. Later, I was spurred on by an artist whose journey into Web 3 (decentralised platforms which use blockchain technology) I watched unfold on Instagram. As I was researching blockchain technology, I decided to list digital versions of my physical works on the Open Sea platform. This was how I got started with creating digital and hybrid art.

(Re)Connect

It was a natural progression for me because I am fascinated by anything innovative. I was mesmerised by the vast potential of virtual reality. This is because I realise that I could use this to overcome the barriers to owning my own physical gallery.

Then, I discovered Spatial, which is a great platform for creating free VR spaces. Using that platform, I was able to realise my dream of starting my own gallery. This was incredible because my gallery space can be accessed from anywhere in the world. It really is an invaluable tool because it can help artists to independently reach a much wider audience.

The Lights

Artists can set up and curate galleries themselves and hyperlink to their online shops. They can create any number of events and bring in people to network with. Virtual galleries are also a great way to host collectors, and hold artist talks or educational workshops.

Emotive abstractions web gallery

More recently, I decided to set up a gallery for my own Web 3 community. I wanted to do something to elevate others and I wanted to provide a completely free exhibition opportunity for artists. The Charlie ART Community Gallery went live over the last few weeks.

Displaced

There are endless possibilities for VR exhibiting and experiences. I eventually want to develop and make my galleries more immersive, and I’m looking forward to expanding into other platforms. I urge all other artists to discover and learn more about art in the Metaverse.

(Re)Connect on the cover of Excursions postgraduate journal

Outro
Artist Charlotte Esposito has been making both large and small scale artworks for over thirty years. Follow her on Twitter or Instagram. She also creates high end murals for interiors and makes bespoke apparel. She has exhibited widely and has sold works to both public and private collections. Her physical artwork is currently available via her website and at Saatchi Art. Her genesis collection of digital art is available as non-fungible tokens and can be collected on Open Sea.

Interview for Path of Flight
Categories
art creative writing science fiction technology women writing

A gift of birth (W I P)

Floral montage with fabric swatches on canvas

A work in progress. Still drafting the story, even though I am about six months behind in writing. The best part is that this delay has allowed me to rethink the story I am trying to tell, and build more rounded characters.

In mid-January, I drafted two scenes to show faith intersecting science and politics. This is an important theme in the story because the politics are influenced by a religious doctrine. Blending them will be interesting, because I do not plan to make anything obvious. In this untitled scene, the science is explained in a conversation between two government officials.

Photo by Vidal Balielo Jr.

“That was their colossal cock up,” shouted the health minister. The minister was not inside his study, so Sebastian was talking to an empty desk this afternoon. The health minister was speaking from a different room, and he was shouting even though his voice was transmitted over voice activated smart mics in his home.

“Sir,” replied Sebastian, “Treasury does not have jurisdiction over private medical cases.”

“You can revoke their funding,” was the minister’s surly response.

“True, but taking away funding from medical research into fertility treatment would be tantamount to a human rights violation,” said a smirking Sebastian. He was rather pleased with himself. “And may I remind you that overseas investors are plugging large amounts of cash into the research and development?”

“Money, money, money,” said the health minister. “She is suing me for lack of oversight. Me, personally. The research shows that uterine cells never generate fetal tissues even when exposed to a massive cocktail of hormones.”

“It was an act of God,” said Sebastian. He was laughing silently because he knew the statement would annoy his colleague. He stopped laughing and raised an eyebrow because he wondered if the health minister could see his face on a monitor somewhere.

Collage elements, fabric swatches and acrylic on canvas

“An outdated notion,” was the swift correction from the health minister’s voice.

Sebastian rolled his eyes, slightly relieved that his mocking behaviour had not been noticed.

He said, “She is with the Congregation, so those notions are alive and well. And support, across the world, has been universally positive. Also, remember that this is a giant leap forward for fertility research. The value of stock portfolios of biotech investors have skyrocketed. Absolutely everyone loves her.”

“Fine,” replied the health minister. “She is raising her daughter, and enjoying sainthood, but why is she suing me … and the government for the near fatal heart attack she suffered minutes after giving birth? I feel sorry that she had to go through that, but the same technology reprinted her blood vessels that were damaged. She is alive because of us and is suing us? Yet, everyone believes her actions are justified. Especially after that fiction!”

“Creative non-fiction, sir,” corrected Sebastian. He glanced over on his screen to review the article published in the National Gazette, in which the woman recounted the experience of giving birth to a girl less than a year after male-to-female gender reassignment surgery. Bloating, swelling and discomfort were normal after these procedures. She and her doctors did not know she was pregnant and there were no sperm or egg donors. Her doctors guessed that because of the hormone protocol she received, some of the cells in her ovaries had changed to reproductive cells. After exhaustive tests, they concluded that the most likely explanation was that one of the cells moved to her uterus and started dividing spontaneously. The hormone protocol facilitated the pregnancy, and the fetus was delivered at the six month mark.

Sebastian looked at the highlighted text of an email which was opened in another window on his screen. His cousin, Gala of Vale, was the first person he contacted when the health minister asked him for a meeting. She had replied to him with a voice message. Reading the transcription, he saw that it had everything he needed.

“Technically,” Sebsastian continued, “she cloned herself but this not a flaw in the medicine. She is reproducing, which is, biologically, what her body is supposed to do. Ask your team to focus on that argument and petition the tribunal to force a settlement on those grounds. But while you do that, tread softly. Her story is about family, faith, and the belief in miracles. Something that is lost in our world. People like hoping for things. We shouldn’t try to take it away from them.”

Paper collage with 3D elements

“All right,” replied the health minister with a sigh. “And what can I do?”

“Hire her as a special health advocate,” answered Sebastian.

“Even though she’s suing me,” retorted the health minister.

“Yes. Exactly,” replied Sebastian. He glanced over at the rest of the notes from his cousin. “And for the settlement negotiations, you personally offer money and resources only if she agrees to set up a foundation. Ask the Congregation to join the negotiations as an appropriate third party. As health minister, you will appoint an advisory board to represent the Congregation and the biotech industry. Instead of fighting her at a tribunal, we should help her to build a platform and set an agenda for the next three decades.”

“All right, Sebs. I am going to get legal on the phone, and I want another meeting with all of you before dinnertime today.”

“Yes, minister. We will see each other then.”

Categories
art creative writing opinion technology women writing

A loving me thing: 8 steps to an Instagram turnaround

Hello everyone. This is a followup to my post last year when I realised why IG was sending me followers though I did barely anything. As opposed to the year before. At that time, I reached 300 followers even as I posted infrequently, and used zero hashtags. Shortly after publishing that post, I reached 500 followers.

I have since that point started using hashtags. I also hid reels and archived posts to create a tight, focused grid. At some point, I will take down most of my current grid so I can keep the focus on installations of my artwork.

My Instagram account is attached to Clubhouse (and Spotify Greenroom). Quite a few of my early follows were coming from there because I participated in room discussions. I was also asking people in Twitter Spaces to join me on Clubhouse, and they found me on Instagram as well.

A few weeks ago, I was discussing the above results with a friend, and I came to understand that by posting to my Story daily, I was creating space for Instagram to place ads between accounts. People are used to tapping on the right side of their screens to see new stories, and that gives 5-second ads a place to breathe. I believe that my steady gain of followers daily had something to do with that. In other words, Story is where active accounts thrive, and you raise the likelihood of IG recommending your accounts to people interested in your niche.

By the end of 2021, (CH/Twitter) collaborations with some larger accounts were also boosting my account. Accounts with massive followings were talking about our collabs on Clubhouse and they reposted my stories (about them) to their stories. I have also been mentioned in their IG Live broadcasts. Remember that I am using IG for business and these were my goals all along.

Step by step, let’s review the method I used, with an updated set of 8 enhancements. These are also low effort and consistently applied, with focus on the Story feature.

  1. Share the work of other artists
    First, do for others. Instead of scrolling, think about whether you would like to share a post in your Story. I recommend that you share posts to Story if (a) the account supports you or (b) if the account is somewhat popular. In the latter case, a story mention (using the mention tag) ensures that you stand out in their notifications.
  2. Keep it up in messages
    Socialise via text and voice messages. The more time you spend sharing accounts in a meaningful way, the more you find yourself receiving kind notes from creators in your messages. And sooner or later, you will feel like you’re talking to your friends. Follow up by explaining why you like their work. Be interested in their methods or techniques, and ask them what other projects they are working on.
  3. Follow and share accounts that look like yours
    If an account is doing work that you want to do and it is not too big (over 100K followers), you should try to show that you have something in common. Show your followers that your ideas have been brought to light by another creator. Use the text or drawing feature in notes to make it obvious why you like the post you’re sharing. Be adventurous and you will find support.
  4. Pay attention to accounts with great content and few comments
    When a new post bubbles into view, look for comments first. Then, if this account is familiar to you and you know they will respond, leave a comment. Comments are precious, so offer them generously and try to keep them light and positive.
  5. Check stories and comments
    Quite a few popular creators schedule their posts and no matter how amazing your comment is, they (or their team) might never see it. One way to make sure that an account is active is to look at their Story. Active accounts may be more willing to engage with yours, and this is what you want.
  6. FL!RT
    This is the one time when I will advocate making the first approach. On the account of a popular creative (artist/writer) in your niche, look at comments on their most recent post. Did the post author reply to comments? If not, among the replies, look for accounts that engage with their followers. Come back to the post and reply to their comment. Then, heart some posts on their account, and wait.
  7. Mute
    There are accounts that produce amazing work, but a swath of posts down your timeline two days in a row is no bueno. Mute the account so you can see other posts. Or, if you feel so-so about a single post, hide the post so Instagram doesn’t keep showing more of what you don’t want. You can always see other posts from the account later.
  8. Unfollow
    What’s it like when you notice a live broadcast or a post that seems out of left field? It pays to do regular checks of accounts that you are following. Use the “most/least interacted with” feature in Instagram to check for accounts that are far outside your interests. First and foremost, focus your attention on accounts actively supporting you. From there, branch out with confidence, and bring new friends with similar interests into your fold.

Thank you for reading this post. I imagine you might realise that a low effort method of using social media takes … effort. Overnight, you could have great results, but that’s because you were consistent in the past. None of these methods require you to spend a whole day scrolling. Based on what I have shared so far, create a plan that fits comfortably with your needs and objectives. Never give up on your dreams, the saying goes, but you should be prepared to work for them. Best of luck.

Categories
art men technology

Gingerpotter: Ralph Khoury guest blogs from Lebanon

Hello, I am Ralph Khoury, a Lebanese artist. My artistic journey started around three years ago when I decided to take my art seriously and push myself to create something new every week. This led me to grow my portfolio made up of illustrations, paintings, doodles and animations tackling mental health, my different thoughts and current events in my country and the world.

Lost

Although it was fulfilling to be able to create like this, it wasnt really paying the bills especially living in my country where art is not really appreciated, and where the minimum wage has dropped drastically because of the huge inflation that the country went through since 2019. The prospect of having to take a full-time job that would be underpaying me, would still be a better form of income then selling my art.

Beirut Beauty

That outcome was becoming an eventuality until the NFT space came to my attention and basically changed my life in every way for the better. Finally, I was able to value my art for what it was worth. I was also able to showcase it on the international stage, and people all over the world supported me. I am happy that I have gained so many friends in the community.

Gingerpotter, the artist himself

And after selling my art as non-fungible tokens, I realised what a powerful tool blockchain technology and cryptocurrencies can be for my artists in Lebanon. If they can bring themselves out of the depressing cycle our country has thrown us in, they will be able to make a good living doing what they love. Hopefully, their collective strength will lead to reforms on a larger scale for the whole nation.

Colorful nights

Through my art I was able to make a decent living in a short time, and I have earned what I would have only been able to achieve after many years work in a regular job.

What’s the exchange rate today?

Even though Open Sea recently banned Lebanon from being able to access their website, and my government already bans cryptocurrencies in general, these two bumps in the road will not deter me from onboarding more people in this space.

We have become early adopters, hopefully putting up the building blocks for a brighter future that our current political class could never dream to achieve.

At the end of the day, I truly believe that even if art is bigger than artists, individual artists will always find a way to stand out. Follow me on Twitter and Instagram.

Categories
art opinion poetry technology women writing

Octophina: Life and the art of healing

Fine artist Octophina

Not every artist’s origin story begins with the artist falling unconscious to the floor. But mine does. My name is Sophie. I am a Bulgarian mixed media abstract artist, TEDx speaker, and mental health advocate. Until I turned 32, I was an artist in denial. And I say that because I never had the courage to admit that I wanted to make art.

Octophina is on Twitter

After a very challenging period in my life, creating art helped me sculpt a new self-identity. I was also able to redesign my reality. The process saved me, and every day, I share my story with others to help them find their true calling.

I call myself Octophina because I’ve always felt like a human octopus, who like a real octopus, has at least three hearts and nine brains. Art helps me to use my “bugs” as features. This way of thinking enables me to see every challenge as an opportunity to grow. My path to becoming an artist was an unexpected journey of healing through inner exploration.

If my life had a prequel, it would be my corporate background as a trained journalist specialising in graphic design, PR, and IT. I was also a prominent international food blogger, a certified Mind Body Eating coach and founder of a social enterprise. And yet, despite everything I achieved, I struggled with depression for over a decade. Navigating the world through this brain has been a weird experience. Today, I capture all of that in my art.

In recent years, after numerous traumatic events, including the pandemic destroying my business and leaving me broke, moving alone to a new country to restart my life at 31, and my mom getting diagnosed with breast cancer, I was emotionally, physically, and psychologically drained.

On May 8, 2021, I fainted in my kitchen and when I woke up, I felt completely apathetic about the projects and initiatives I had been passionate about for years. It was as though my entire identity had been wiped out. Over the next four months, I was trapped in major depression. And it was difficult for me to articulate what I was experiencing internally. I felt terrified.

My therapist encouraged me to start making art to clear my mental cache, improve my emotional metabolism, and practice self-care. Today, almost six months later, we are working on a start-up which will merge psychotherapy, art, and blockchain technology. We started this business to help people improve their mental health and financial well-being.

Follow Octophina’s journey on Instagram

In celebration of this resurrection of life, presence and hope for the future, I launched a collection of NFTs on Open Sea called Pain to Power. This is a constellation of reflective artwork I created between November and December 2021. The date of the release is January 19, 2022, is the date my mom got her breast cancer diagnosis last year. After almost a year in hell, my mom recovered completely and is doing well. Sharing my transformational healing art with the world on the anniversary of her diagnosis is for me a celebration of resilience, which is what makes the human experience special.

Art has helped me discover my identity outside of social conditioning, peer pressure, and others’ expectations. As I create art, I am healing emotional wounds and building a healthy sense of self-worth. I invite you to stay with me on this journey.

Outro
Happy Friday, everyone. Thank you for reading Sophie’s story. We are five days away from her genesis drop (first collection of NFT art) on Open Sea. Let us send her our best wishes for the sale of her collection. In the meantime, why don’t you go ahead and visit her website, then follow her on Twitter, Instagram, and Medium. She is looking forward to sharing her adventures in art and life with you.

Categories
entrepreneurs news opinion technology

NFT Marketplaces: A Competitive Megathread

Creative photography entitled Burning Issues. And NFT collection by Raecreateart.
From the collection Burning Issues by Raecreateart


Hello everyone. I hope you’ve had a great start to 2022. To start my year on a productive note, I have done lots of reading and talked with prominent players in blockchain technology investments. No two investors agree on the best investment approach, so my solution has been to try and understand their mindset. In my opinion, it is really important to grow a strategy play based on your own knowledge, connections, and risk tolerance.

Why is this important for creators? We should be thinking about investing some of our income to fund creative projects or startups and to build a nest egg for retirement. Eventually, I will be publishing informative posts on NFTs (digital assets stored in smart contracts on a blockchain), blockchain infrastructure, smart contracts, and cryptocurrencies. Each of these topics exists in its own ecosystem. The main ideas here are registration of ownership, a decentralised protocol for validating transactions, and platforms for creating and trading tokens. At the end of this megathread, you will see links for further reading.

None of the views expressed here are financial advice. Please do your own research, as always.

January 7, 2022 recorded conversation on passive income via Twitter Spaces

Intro
One of the first questions I am asked after “What are NFTs?” is “Where should I sell them?” Today’s post will give you some guidance through a discussion of NFT marketplaces. This presentation was first published on October 13, 2021 by Mide, an angel investor and crypto trading expert I met on Twitter Spaces. He published a megathread on his Twitter timeline to discuss his outlook on marketplaces for non-fungible tokens. So far, players with real world skills are entering the community. And they are bringing marketing expertise, professional teams, and networking skills to a market that is saturated with art. These newcomers will be competitive if they can offer tangible value to collectors. Marketplaces will then compete to provide a platform for the most popular project owners, and depending on the outcome of the negotiations, primary market collectors will benefit.

The original thread by Mide published on Twitter

Megathread
NFTs. They are everywhere these days. And if you’ve ever bought or sold one, you probably did it on Open Sea. The world’s largest NFT marketplace has handled a whopping $8 billion worth of transactions since the start of 2021.

The success of NFTs is no longer a point of discussion. Rather, it makes sense to think about the continued success of Open Sea as a marketplace. In the latter months of 2021, there was a surge in rival NFT marketplaces, many aiming for the top spot. So, is Open Sea under threat? That is what I want to explore today.

In the summer of 2021, the earliest sign of an Open Sea competitor came from one of the largest decentralized exchanges, SushiSwap. Sushi has announced its own NFT platform called Shoyu (meaning soy sauce in Japanese). The platform is currently in the final stages of development. Shoyu’s main advantages are integration with existing Sushi Swap protocols and the distribution of transaction fees to SUSHI token holders.

However, from the SHOYU NFT teasers released so far, the marketplace looks more like a competitor to Super Rare than OpenSea. This is because it targets individual artists and art collectors rather than NFT flippers (people who buy NFTs and resell them for a bigger profit).

The next marketplace that caught my eye is the newly launched Infinity. Entering the scene in October, 2021, Infinity has been trying to lure Open Sea users to its platform with the promise of a token airdrop (free tokens sent directly to wallets visible on the Open Sea platform).

Anyone who has spent more than 0.02 ETH ($US 62) on OpenSea can claim a bag of Infinity tokens if they spend an equal amount of ETH on the Infinity marketplace. Additionally, Infinity aims to be community-driven and completely decentralized, with user governance coming from holders of the airdropped tokens. Infinity even admits that it uses the same smart contracts as Open Sea. The Infinity developers are transparent about trying to lure users away from Open Sea in a so-called “vampire attack.”

On the centralised exchange side, there is a new offering from FTX US. The exchange’s latest marketplace launched in October. It offers a much-needed improvement to NFT trading on Solana. It also provides a safer and more intuitive way to discover NFTs. At present, FTX only supports Solana NFTs but has said it intends to add support for Ethereum-based NFTs soon. FTX already runs an NFT marketplace and users can bid on experiences like a match in the popular League of Legends game.

Finally, we have Coinbase NFTs. Nasdaq’s first cryptocurrency exchange says that it will help creators to flourish on the exchange. In the announcement of its waitlist, it said that “by fostering connections, Coinbase NFT will help creators, collectors, and fans build community.” However, despite the optimism of this presentation, it is newcomer FTX that has the biggest chance of dethroning Open Sea, in my opinion. The platform has proven that it will get what it wants. It has also spent millions on marketing and promotional partnerships. It has already made a name for itself as a provider of cryptocurrency derivates, and I believe that it will be able to achieve the same level of success with NFTs.

Fin

Further reading

Ethereum Whitepaper
Ethereum Foundation

The Year in Ethereum 2020
Josh Stark and Evan Van Ness via Medium

Why I’m bearish on Ethereum
Tascha Labs

Solana: A new architecture for a high performance blockchain v 0.8.13
Solana Project

$LUNA Investment strategy discussion on Twitter Spaces (recorded)