Categories
about me creative writing entrepreneurs fashion fiction opinion technology women

AI Revolution: How you can work with a high-end writing assistant 

According to a new article in Fortune, Bill Gates is annoyed that “the AI revolution means everyone will have their own ‘white collar’ personal assistant”. Most writers I know don’t have billions of dollars of pocket money to hire the best and brightest ghostwriters, or a whole publishing company to do editing, distribution, and marketing. The best we can afford is a free, high-end AI writing assistant that produces instant results. 

In the recent past, I have hired a large roster of contractors to help me with various projects. Often, I had to wait up to two weeks to find out I would not receive what I was promised. That led me to start double hiring so I could have a backup in case someone let me down.  

What I want for my creative projects is forward movement. I do not want to be miserable, tired, spent out, and burnt out. Deep learning language systems like OpenAI’s ChatGPT and Facebook’s LLaMA are the technological upgrade we have been waiting for, and I encourage you to start using them as tools. In this post, I will use ChatGPT and my third novel (WIP) to show you how the system works. It is really easy to work with an AI writing assistant.  

First, you should start a new chat and tell the system your objective. I said, “Pretend you’re a fiction author. Please be my creative writing assistant today.” Then, I explained that I would focus on three areas: character descriptions, realistic dialogues, and character motivations. After you do that, adjust the details and send one request at a time.

Generate character descriptions

My third novel has one principal character, a woman named Hurricane Nisto. Hurricane is extroverted but not very talkative. She prefers to observe her surroundings because she is always searching for inspiration for her next fantasy. But what does she look like? In the chat, I wrote notes on Hurricane’s personality, nationality, and work environment. I then said, “I don’t have any idea what she looks like.” 

ChatGPT’s first response was a rehash of what I wrote, so I tapped “regenerate response”. This time, the system gave me a physical description of Hurricane. 

ChatGPT’s response: 

Hurricane Nisto is a woman in her mid-thirties with Nordic features that reflect her Norwegian heritage. Her long, blonde hair is usually styled in a loose ponytail, framing her heart-shaped face, sharp cheekbones and piercing blue eyes. Her tall, slender build is often hidden behind loose-fitting clothes. She prefers comfortable, casual clothes because they allow her to move freely.

Draft realistic dialogue

After finding out what Hurricane Nisto might look like, I now focus on one of her conversations. She has a vivid imagination, which distracts her from the mundane tasks of her government job. Fantasising got her in trouble and this is the basis for the events unfolding in the story. 

Most of Hurricane’s conversations take place online. At one point in the story, Hurricane buys an Italian castle for the unbelievably low price of ten kroner (roughly US$1). Then, she finds out she has to renovate it. She lives in Antarctica so she needs to hire an assistant who lives in Italy.

The details I gave ChatGPT were that a castle was purchased for US$1, that Hurricane is living on a remote island, and she used a digital bulletin board to advertise for an assistant living in Italy. The output told me that a candidate, Priya, travelled to Antarctica to meet Hurricane in person. This was a mistake, given the specific details I provided, so I reminded the system to pay attention. I said, “Priya never leaves Italy and Hurricane never leaves Antarctica. They have to work virtually. Please start over.”

My question was, “How does their conversation start? Do not include self-introductions.” 

ChatGPT’s response: 

Apologies for the confusion earlier! Here’s a revised version of the conversation starter: Hurricane and Priya connect over a video chat app on a social media site. They’ve never met in person and are communicating virtually due to the distance between them.

And this is a portion of the dialogue generated: 

“It’s a long story,” answered Hurricane, “but basically, the castle has been abandoned for years, and the government sold it for a very low price as part of a preservation project. I saw the opportunity and took it, even though it’s located so far away from me.”

“That’s fascinating,” was Priya’s response. “So, how can I help you with the castle?”

“I need someone to inspect the property and give me a detailed report of its condition,” answered Hurricane. “Can you do that for me, Priya?”

An interesting draft, and the tone is appropriate for a professional conversation. And now I have an idea of how helpful (and fast!) the software is for drafting dialogue based on a general prompt. 

Brainstorm character motivations

Remember that Hurricane Nisto is an extroverted person who is not talkative. At the start of the story, we know why she ends up living in Antarctica. She breaks a rule at work, but does not get fired because her government job is secure. The workaround is to send her to Antarctica. In her new job, she supervises a weather station on a Norwegian outpost. 

The incident was a “stairwell tryst.” The system already knows that Hurricane is a fantasist, and is somewhat detached from what’s happening around her. So, I asked simply, “Why would Hurricane have a stairwell tryst with a supervisor in her office?”

After reviewing the results, I told the software that there was no “affection” between the characters, and that Hurricane was neither materialistic nor ambitious. 

ChatGPT’s 3rd attempt:

Hurricane Nisto has a tendency to daydream, and if she is not motivated by personal gain or advancement in the workplace, it’s possible that her affair with the senior colleague is driven by a need for validation or attention. She may feel overlooked or invisible within the organisation. And the attention and validation she receives from the senior colleague may make her feel seen and valued. Or, Hurricane may be bored or dissatisfied with her life, and the excitement of an illicit affair may provide a temporary escape from the monotony of her routine.

These were valid motivations, but this output required three generations. The model had a difficult time understanding that Hurricane has low self-awareness. I agree that Hurricane may be bored or dissatisfied with her life, but her character is nuanced. She acts like someone who thinks, but in reality, she is driven from one circumstance to the next. To fully develop the story, I will need to show the reader that Hurricane is likeable despite her lack of self-awareness.

Conclusion

One of the wonderful things about working with a deep learning language model like ChatGPT is that I have grown more confident as a writer. There are lots of people saying that AI will replace creative writers, but I am sure that won’t happen. Creative writing requires flexible thinking which present AI language models might not be able to handle.

Robots cannot tell a story with deliciously intriguing characters. Even with detailed prompts, they cannot present nuanced emotions and personality quirks. They may have a low tolerance for human flaws. But they can provide support with technical research, and provide feedback on storytelling techniques.

The secrets to generating useable output are to create detailed prompts and establish baselines for the output. Give plenty of feedback. Assistants don’t read minds and this software is not clairvoyant. Please practice, and tell me what happened.

Thank you for reading. Best of luck with your writing tasks. 

Categories
art artificial intelligence entrepreneurs men opinion technology women writing

Connecting Globally: Neda Shoaei and Waqqas Shahid talk shop in my Instagram DMs

Giraffitii by Neda Shoaei

Neda
I love this topic Nicole has chosen. And I believe that connection has always been the highest need for human beings throughout history. How we define connection has changed in modern times. Waqqas, how do you see the connections we are creating in the 21st century? Are we as effective as previous generations used to be, you feel?

Waqqas
In the 21st century, we have more tools than ever before to connect with people globally. We build global connections because we want to connect with people from different backgrounds and cultures. By fostering understanding and inclusivity, we can build lasting relationships.

Technology has the potential to bring tremendous financial benefits to individuals and communities. But we should also be using it to improve the lives of people around the globe.

We can start by bridging cultural divides, instead of perpetuating them. By approaching global connections with openness and humility, we can create a more compassionate world. What are your thoughts, Ned?

Waqqas Shahid

Neda
Great points, Waqqas. That meaningful connection is what we are all looking for. And we have amazing new media tools to help with that. People are starting to realize, more and more, that borders have no meaning. We are getting connected on a deeper level. Solidarity is rising because we are getting in touch with more people from different countries, languages, and backgrounds.

When did you personally start creating deeper connections on social media? Was it the same feeling as the physical world conversations you had before?

Waqqas
I began creating deeper connections on social media about seven months ago. By being open to new perspectives, I formed meaningful relationships which have become a part of my real-life network.

Listening and observing are more important to me than speaking, as I really want to understand others. One of the great connections I made was with Nicole, and I am grateful to her for having me here. I encourage others to use social media as a tool for creating genuine and lasting connections with people from all walks of life.

Neda Shoaei

Neda
Waqqas, I like that you said that people should build/find that genuine connection. Knowing these facts from the beginning helps us to keep going until we find like-minded people.

You said you have been connecting with people on social media for seven months now. Was there any point where you felt this was not right, or had any self-doubt?

Waqqas
There were moments of self-doubt. It can be intimidating to put ourselves out there and engage with strangers, especially if we are not sure if we’ll be well-received.

However, the key to overcoming these doubts was to keep an open mind and be willing to learn from others. By listening to their perspectives and experiences, I was able to build genuine connections. The sense of community I have developed has been incredibly rewarding. I’m grateful for the growth and learning opportunities that have come from these experiences.

Neda
I always observe the fact that some communities are very English-centric. I mean, they seem not open or ready for non-English speakers to join them. On the other hand, I see communities that ask for people from different backgrounds and languages to join them. They overcome language barriers by having bilingual speakers in Twitter Spaces or having foreign language channels on their Discord channels.

Again, I believe we should find communities/people that are like-minded. That way, we can feel happy to share our feelings and ideas in an open way. This is the point of global connection at its core.

Neda Shoaei

Waqqas
It is true that some communities tend to prioritize English language and Western culture over others. Understanding different languages and cultures is crucial for global connections. By connecting with people from diverse backgrounds, we get the opportunity to understand and learn from their perspectives and values, which can broaden our own thinking and outlook on life.

On that note, what role does cultural awareness play in building connections with people from diverse backgrounds?

Neda
Normally, media and the role that it’s playing in our lives are not taught in schools. Small, medium and large organizations, as well as communities, should create that message throughout the world.

Schools and universities are being left behind. We need a new educational system to replace the old one. It is amazing when I see how individuals are coming together to make the shift happen.

People who are considered to be in the margins are now finding their voices. A strong global connection is being built that is precious and also unique. I feel more people are noticing this movement and are joining it. We grow stronger each day.

Waqqas
It’s truly amazing to witness how individuals are taking the initiative to push for a more culturally aware and equitable world. Let’s continue to come together and make this shift happen.


。⁠.゚⁠+⁠ ⁠⟵⁠(⁠。⁠・⁠ω⁠・⁠)

About the creatives

Neda Shoaei
I’m Ned, 31 and a multidisciplinary artist, with a passion for technology. I have been honing my skills and expanding my creative horizons since 2016. If you like watching videos, you can follow my journey on my YouTube channel. My background in English literature and focus on concepts such as diaspora, post-colonialism, and decentralization gives me a unique perspective on my craft. I am particularly passionate about new media, digitalization, and creating content for both physical and virtual platforms. I started my studies in game design in 2023. My ultimate goal is to create unique, engaging, and thought-provoking experiences for audiences across both physical and virtual worlds.

Artwork by Neda Shoaei

Waqqas Shahid
Hi, I’m Waqqas Shahid, a 30-year-old entrepreneur from Karachi, Pakistan. I come from a family business background in yarn textiles. I decided to pursue my own dreams and become an innovator in the exciting world of cryptoart. I’m a curious soul who loves to research the latest trends and happenings around the world. I believe that through research and hard work, we can create positive change and make a difference in the world. That’s why I ventured into the NFT community. My goal is connecting with people globally and inspiring them to make a positive impact.

Categories
about me art artificial intelligence creative writing entrepreneurs fashion fiction opinion science fiction technology women writing

Writers’ Lift: AI integration in Google Workspace

Some exciting news was announced yesterday about generative AI integration in Google Workspace. Most of you might already be familiar with this paid set of apps used to manage a business. We already have access to a free version of the apps through our Google accounts. The workspace suite allows more functionality and comes with pricing options.

Dear Lord, let it be cheap. What I’m truly excited about is the prospect of having AI tools to help me research my writing projects. My second book is already finished and is waiting to be published. The plot itself was simple, and the story timeline was relatively uncomplicated. However, I needed to take the entire 2022 off to battle the great zombie apocalypse at work.

And even though it was challenging, I managed to get my writing done and produce two musical albums to go with the story. For this second novel, what was especially challenging was the research. In my Google Docs, I have a small book’s worth of research on the story. Of course, I love inventing new place names and designing interiors. I also have a wiki about the rules of interactions and laws of the fictional country in which the story is situated. It was also relatively straightforward to design a wave-powered yacht which has a floating indoor farm. But that wasn’t the most challenging part of the research.

This is a romantic story, which is not in my wheelhouse. In order for the story to work I needed a convincing pathogen, a test for that pathogen, and a treatment. Then I also needed a bunch of legal proceedings to distract my protagonist from his love interest. In other words, I had to leave the actual dialogue and chase rabbits down rabbit holes. One particular rabbit hole from which I recently got sprung was in YouTube.

I was fully immersed in some pop culture commentary. One of my protagonists is obsessed with social media. She knows what celebrities have for breakfast, but she thinks she’s better than they are because she doesn’t post countless photos of herself online. I needed to know how she spun her thoughts in her private moments, and I wanted to know what ticked her off. She was pretty irritated for most of the story, and she was using social media as a distraction from what was really bothering her.

I’m not writing about myself, I’m writing about a character. And I might have broken my brain. While I’m rehabilitating, I am creating a plan for how I’ll use the AI tools embedded in Google Docs to write about a much more complex character, Hurricane Nisto, in my third novel. It would be nice to fully flesh out her “voice” using the rules I created in the treatment for the story.

I had a plan to run off to Antarctica to write that story (already started) because that’s where everything happens. But I’m hoping I will be able to access the AI integrated suite for a very affordable price by the time I’m ready to continue working on it. I might not have to travel at all.

Thank you for reading. I’m more than happy to hear about the projects that you’re working on. I have been trying to find your blogs but not sure if I’m meant to comment or not. Please let me know how I can support you. If you find some of my comments in your spam folders, please be kind enough to fish them out for me. Best wishes.

Categories
art entrepreneurs fashion opinion women writing

Titan Queens: Mahnoor Niazi and Aida Boldeanu talk “beauty” in my Twitter DMs

Artwork by Mahnoor

Twitter DMs might be the last place you would expect to read an in-depth conversation on beauty. But when I decided to experiment with this style of interview, Mahnoor Niazi (Islamamabad) and Aida Boldeanu (Prague) were kind enough to join me. Read ahead and find out what they said in my DMs.

Bella Donna by Aida

Mahnoor
Hey there. I have been thinking about this question all day, consciously and unconsciously, and I feel like I can define the meaning of beauty according to local culture in probably one line: ‘A temporary span of age where you look the most pleasing for all those who lay their eyes on you’. However, beauty for me is the spark that people possess as individuals. It is their freedom to feel and express as they want, to realise their wildest dreams and have the reflection of those dreams sparkle in their eyes.

As we see bodies and forms all around us, we confine them into a few genders without asking for names and without thinking about their individual identities and ideals. Beauty to me is the smallest of details that set these bodies apart. It is not what meets they eye; rather, it is our own ability to see beyond physical appearances.

I remember being totally confused about what being beautiful actually meant. And for a long time, I was confused until I understood what it mean to me.

What a small world by Mahnoor

Aida
So for you, Mahnoor, beauty is rather the spirit and intentions reflected in our gaze?

Mahnoor
Yup, I feel like that’s an everlasting form of beauty that is free of conforming to preconceptions or expectations. I have met people whose physical presence or appearance fades away as soon as they start expressing themselves.

Aida
GM.

Mahnoor
Good morning, Aida.

Save Me by Aida on Objkt

Aida
Beauty is a very controversial and difficult topic, and quite complex. The subject covers a wide range of unit measures. And in various geopolitical spaces, beauty ranges from being the most important thing in life to becoming a taboo topic.

I will refer now to only my experiences and culture. I have seen beauty standards shifting in time. And I remember beauty was strongly embedded in cultural values with symbolism, whereas nowadays, beauty is about power.

Artwork by Mahnoor

For me, beauty means various things. I could speak about abstract beauty, human behaviours, architecture, nature and our physical appearance. This last idea is the most controversial and most discussed in society. But I totally love natural physical beauty, and unique features. I admire the bravery and talent of those who choose to emphasise that with beautiful make-up and clothes, even if I am not very good at it. Anyhow, I believe beauty should be free to express itself in whatever form.

Mahnoor
I really wanted to ask you one question to start with. As you work with people, how do you make sure both you and your subject are reflected equally in your artwork?

Aida
That’s an interesting question, with a simple answer: We don’t know and I never focus on that. The results you see are like the product of making love: In the process, one doesn’t actually analyse how much the other partner is giving. It’s a dance, going back and forth, adjusting always to your own pleasure or to the responses of your partner. The final result is filtered out through your values and perceptions, wishes and expectations.

Look up to me by Adia

Mahnoor
Damn! That’s a beautiful take and probably a treat for those who face the lens.

Aida
Sometimes I am not aware I have such answers in me, as I shoot organically. I shoot with my soul, senses, limbs. I barely know how to use the camera, even if I have been doing that for 10+ years (please, don’t disqualify me, haha).

Closed doors and hidden ideasl by Mahnoor

Mahnoor
That’s the best, really. The organic way. The reason why I admire that approach so much is because I have always worked in solitude, and I love it. I love observing things around me as I draw a contrast between the elements I have around me.

Aida
You are in a good place, being self sufficient, and having the ability to feel the life and beauty around you and make friends with it.

Mahnoor, what does Pakistani beauty look like? On average, that is.

Photography interior mockups by Aida

Mahnoor
Oooh, that’s an interesting question. The general perception here might not sound very pleasant. There are different schools of thought here really. For some people here, it’s literally a certain span of age (like somewhere between 18-26). That is when they consider you beautiful in most cases.

I am very glad that there is also a group of people here who don’t highlight beauty in terms of physical appearances. It’s more the substance that a person has; their ability to face life and to take care of themselves.

Artwork by Mahnoor

Aida
So it seems, that in your society, the values are pretty much divided, each carrying different influences or bodies of understanding, perceptions, and preferences. Can you show me a picture of what would define classic Pakistani beauty? Could be a man or woman.

Mahnoor
We have so many sub-sub-cultures here, and with those, a lot of different presentations of what a traditional woman might look like.

Portrait featured on Lens Culture

Aida
One day I must come down there and have you guide me so we can document that variety of beauty.

Mahnoor
Oh my! That would probably do justice to all the different cultures and traditions here.

Aida
I would love that. We could speak about beauty, make a project out of it, and raise funds. I need 1000 euros only for the flights. Maybe some people in the NFT community can sponsor us up front? And we could offer them a “Pakistani Beauty Guide”, as digital collectibles and prints, with lots of behind-the-scenes interviews with people in the local community.

Mahnoor
That sounds amazing, we should definitely do something like that

Aida
Mahnoor, do you consider yourself to be beautiful?

Mahnoor
@aida_studios ooooooohhhh, that’s a question I have always avoided. I wish I could explain why. I feel like I don’t want to apply that to myself. I don’t take myself seriously.

Aida
You are free to take yourself seriously.

Mahnoor
And that freedom, my freedom, is the most beautiful thing I have. But to answer the previous question on the cultural connotations attached to beauty, I would love to share some pictures from around me. I can talk about the people I know or have met and how the physical ideal of beauty might change according to certain occasions and circumstances. But as these are not just my pictures, I don’t know how comfortable the other people might be to have them shared on a blog. I can share them privately, though.

Aida
So she is avoiding the question. We will talk more about this when we meet.

Mahnoor
Yes, we should do that. Whatever gets me out of answering that question now.

Aida
Sure. And I will just add that you are a very beautiful person.

Mahnoor
Thank you, Aida. I am happy you think so.

*****

About the artists

Mahnoor Haroon Niazi is a multi-disciplinary artist from Pakistan. She is the founder of Pakistan’s first and only digital magazine for artists, Chaap. The magazine serves the creative community of the entire country. Mahnoor believes in the power of community, and her art is mostly inspired by shared experiences, culture, and thought-provoking elements. She works to encourage, empower and enable local artists and creative professionals. Niazi believes that art and creative economy have the ability to bring individuals together in order to find a collective voice and form a sustainable community even when political and social circumstances inhibit growth. She is also active in the NFT Community on Twitter. Her digital assets are listed on Objkt and Foundation.

Aida Boldeanu is a Romanian conceptual photographer living in Prague. Through her work, she speaks about freedom and uses her creative gifts to redefine terms, concepts, and trends. Collect her photography as digital assets on Manifold. She combines them with her inner perceptions. In her documentary and street photography, she works with human geometries, spaces, light and details. Aida travels the world, trying to understand as much as possible. And in her travels, she has been meeting and talking with the people she meets about liberties, freedoms and life.

Categories
art entrepreneurs fashion women

Art of Triumph: 2023 is Blessing Atas’ Year

From Egrets Collection by Blessing Atas

Today, I am happy to introduce you to visual artist and storyteller, Blessing Atas. Follow her on Instagram and Twitter. She is based in Abuja, Nigeria, and her artistic style revolves around merging tradition and culture with contemporary living. While also creating work that reflects on life and her surroundings, she is enthusiastic about creating artwork that makes the viewer feel something. Growing up, she used to paint, but eventually grew into making art with photography as her medium. This transformation has allowed her to showcase her ideas in a rich visual format.

Blessing, I saw the monochrome runway looks from Dolce & Gabbana on IG Live last weekend. You were the first person I thought of because of your recent feature in Vogue Italia‘s February 2023 issue. Would you like to tell us how that happened?

Honestly, I would say being featured in Vogue Italia with other amazing photographers to celebrate the PhotoVogue community came as a surprise. When I first received the email last year to be a part of this project, I couldn’t believe it. I thought they had made a mistake sending an email to me. It was an amazing moment and I am very grateful for the opportunity.

Egrets: photography collection from Nigerian visual artist Blessing Atas.
Egrets: Photography Collection by Blessing Atas

And how does it feel to be at this stage of your artistic journey? A Vogue feature, in print and online, is a gateway to many wonderful opportunities.

Being at this stage in my artistic journey feels surreal sometimes. I never would have imagined that one day photography would be taking care of me like it is at the moment. And I never imagined I would have had any of these opportunities. It has been one amazing journey for me. There have been a lot of ups and downs and I still go through that even now. But I am glad I can still keep going and not give up. I continue to hope for the best. I want to see where this road takes me.

Egrets: Photography collection by Blessing Atas, Nigerian visual artist.
More from Egrets (via Twitter)

Vogue Italia featured your Egrets Collection. This body of work had the art world eating out of the palm of your hand. It went positively viral. What ideas are at the heart of this story?

The Egrets is a project that is very close to heart and I am so grateful the art world continues to receive in a beautiful way. The project was first inspired by birds (egrets). And as I built more ideas into the project, I started to understand what it really meant to me. The Egrets speak about freedom. This body of work is also inspired by certain internal struggles I had as an artist. I felt the need to break free from those restraints. The Egrets, as a body of work, attempts to document our continuous journey towards finding freedom within a chaotic reality.

In Harmony, from the Egrets Collection by visual artist Blessing Atas.
Egrets: In Harmony from Objkt

That is amazing. And how did you recruit the models? What did you say to them to get them to work with you?

Recruiting models wasn’t much of a challenge because I reached out to some people I had worked with in the past. Before going into a photo session, I usually explain to my models what I am going for. I tell them what mood I want, the story behind the work, and I also send them references so they have an idea what are going to do on shoot day.

It seemed that even the weather was taking directions from you. Was that the mood you wanted? Or did it all simply gel together that way?

It was definitely the mood I wanted when creating these images, and we also postponed some of the sessions when the weather wasn’t on our side. We took about three days to create this entire collection.

Egrets: From the photography collection of Nigerian visual artist Blessing Atas.
Egrets

Tell us more about the gear you used to capture the story.

I am primarily a mobile phone photographer and I have been doing that since 2020. These images, just like the rest of my work, are created with an iPhone. But for this project, I created it with an iPhone 12 Pro.

Swan, featured on PhotoVogue, by Nigerian visual artist Blessing Atas.
Swan: This is one of my favorites. This portrait looks like a Vogue cover.

It’s 2023, and this is still your year. What stories will be inspiring your work in the months ahead?

For 2023, I am looking to celebrate black women and show them with much more softness than the world usually shows them. And I hope I am able to accomplish that objective with my next body of work.

The Day Before: Photograph by Blessing  Atas.
The Day Before

There is a fine line between the artist’s vision, pursuit of that vision, and good fortune. I think your work has brought those principles together beautifully. It was great chatting with you. Best of luck.

Thank you so much, this was awesome.

Notes: Thank you for reading this interview. Please read more about the Egrets Collection and view a full portfolio of the work on Blessing’s Instagram profile.

Categories
art entrepreneurs fashion opinion technology women

Brain Zest: Contemporary Art on the Move

Cyborgs by Brain Zest via Twitt

Hello. I am Irina, also known as Brain Zest and Ambidextrous Nude. I am a multidisciplinary artist and photographer. I work in watercolour and acrylic. And with digital illustration techniques, I create ambidextrous continuous line art. I also capture street photography. On the 10th of March 2022, I left Ukraine with my two children, a backpack and a suitcase.

In my current painting work, I explore the concepts of self acceptance, body positivity, self validation and the beauty of women’s bodies through different stages of life. My artwork encourages women to feel more included and seen. From the feedback I get for my work, the results have been positive, and it makes me really happy to know that.

Pastel pets from Brain Zest via Twitter.

Leaving my family and friends behind wasn’t an easy decision, but I wanted safety for my children. We traveled for a while. Being a self employed artist made it possible for me to choose to stay in a new country for a longer period of time. Thus, I could work even in a totally new country. Currently, my children and I are settled in Portugal.

Galaxy Rainbowstorm from Catowls collection by Brain Zest
Galaxy Rainbowstorm from Catowls Collection by Brain Zest

It took us some time to adjust to the country. The climate is very different from what I’m used to, and Portuguese language is not really easy to learn or comprehend, although I speak English very well and know some Italian and German.

And it appeared tricky to find new friends. I have some people I know in different cities in Portugal, but happened to have no connections where I ended up living.

Cyborgs by Brain Zest on Twitter

2022 was a challenging year but I always felt the support from my husband, who had to stay in Ukraine, and from my friends in the NFT community. It really helped me to stay positive and be persistent in overcoming the many difficulties on my way.

I look forward to meeting my friends from all over the world, reuniting with my loved ones when the war is over, and discovering new possibilities in this new year. Thank you.

Longing for imagined from Brain Zest on Foundation
Longing for Imagined from Longing for the Wings collection on Foundation.

Notes: Thank you for reading this guest post from my friend Irina, a Ukrainian national now living in Portugal. Follow her on Twitter. Support her artwork by collecting on Objkt and from the collection Longing for the Wings which you can find on Foundation.

It has been just over a year since the invasion began. I remember randomly bursting into tears every day for about a month after it started. I know many people from Ukraine. Some of them are former colleagues and college classmates. The devastation caused to millions of people is incalculable. Let us remember that regardless of our opinions in political matters, ordinary people – friends, neighbours, colleagues and their children – are suffering the most.

Our elected leaders remain pampered, safe, secure, and well-fed. They have advisors and housekeepers, chefs, stylists, and speechwriters. They don’t need to be coddled. They need to be reminded to do their jobs and work hard to restore peace.

Irina’s Twitter account for ambidextrous line art
Categories
about me artificial intelligence creative writing entrepreneurs men news opinion People technology

Content moderation at Elon Musk’s Twitter


Forget the Twitter Files, citizen journalism, or profit-sharing for creators. Elon Musk’s Twitter has one priority, and that is Elon Musk. It appears that he bought the company so he could broadcast his message without interference from legacy media. And it is possible, and this is only a theory, that he bought it because he wants to own a recognised media brand. I’m thinking of his 15-year feud with Jeff Bezos, who owns the Washington Post. 

The majority of legacy media is against Elon Musk because they know that Twitter has given the power back to people with its no-biased censorship.

Twitter takeover has changed the media forever – for the good. @elonmusk

Originally tweeted by DogeDesigner (@cb_doge) on January 29, 2023.

People think Musk wasted $44 billion ‘on an app’. It is not an odd choice when you realise that he has paid about $119.56 per user so that he can freely promote his businesses to them. (That figure is based on 368 million unique monthly users). 

If you’re on Twitter, what does content moderation look like? The latest change is that the smart technology has been showing you more posts from accounts you don’t follow. If you’re Elon Musk, your tweets will be shown to potentially 368 million unique users. But in reality, they are being shown to lots of people who will simply scroll past. Because of these changes, your follower count doesn’t matter as much as it used to. Engagement is key to content moderation. 

And though this reality is clear, content management is still incredibly frustrating. The ideas I shared in my earlier posts are still useful. In fact, they are more relevant now that the platform is focused on ‘real people talking to each other’. In light of certain new developments, I want to share some ideas and strategies that will help you to optimise your presence on the platform. 

Let’s focus on content moderation. Content moderation on Twitter is still facilitated by smart technology, or machine learning systems. But after Elon Musk fired more than 50% of the tech staff, the remaining staff have needed to make adjustments. They need time to write millions of lines of code in order to trial Musk’s hare-brained ideas, or to write useless reports for one of his lackeys. Then, they need to work overtime to press the “undo” button 10,000 times after trials are met with backlash. 

Perhaps their efficient retasking of the smart technology (by making it ultra sensitive) has led to more intense sorting of tweets, keywords, and accounts into silos. Silos are groups of accounts or tweets, based on keywords and common areas of interest. Read more on how sentiment analysis software helps make those decisions.

The system was always sensitive to your scrolling actions. Even a momentary pause is noticed by the software. And it reads your direct messages. Quite a number of people believe that direct messages are “unseen”. And they would be wrong. Everything you type, either in a public tweet, or in a direct message, helps the system to make decisions about the standing of your account. 

One other priority for the smart tech is to eliminate spam. The system is trained to filter out spam aggressively. Musk wants more organic views from your account, and if the system is overwhelmed by spam, you will not see his tweets. 

Twitter owner Elon Musk tweeted out this dot which generated news headlines and over 52 million views.

Based on observations of user accounts, the best way to get added to a spam list is to send lots of private messages to tweeters who don’t reply back. Other actions? Overtweeting, tweeting the same media (image, GIF, video) multiple times in a day, or replying to tweets and not getting a reply back. These are some actions which are read by the system as either “not engaging with other accounts” or “tweeters don’t like this account”. 

Remember what I said about accounts getting siloed? If your account (A) does any of the above actions and engages with another account (B), this account (B) will be flagged as, “account B is attracting spam accounts like A.” Then, people engaging with B’s tweets will be added to a list marked “accounts interacting with this account B which is in the group with account A”. This is a weird chain reaction that has affected a lot of perfectly legitimate accounts. And it’s unfair.

The phenomenon of people locking their Twitter account with the hope that it will improve engagement is a strange phenomenon. They’re performing a digital ritual to make themselves seen. Doing a little rain dance, but they’re trying to summon views instead of precipitation.

Deprived of any meaningful power, people have become convinced their only influence lies in the visibility of their content. So of course they’re willing to try these little tricks and quasi-spells to spread their content and maximize their power.

Originally tweeted by Travis View (@travis_view) on February 1, 2023.

Recently, quite a few tweeters (including me) have tried locking our accounts to test the idea that our tweets would be further boosted among our subscribers. This worked very well, but it is a glitch and only a temporary fix. Fortunately, I have tested more reliable ways for you to fix your engagement. They’re presented here in no particular order.

  • Block spam accounts as soon as they follow you. Or, remove their follow from your settings on the desktop device/web browser. Do not unfollow many accounts at once, as this will look spammy. Go slowly.  
  • If you already get lots of engagement on your tweets, start restricting replies to people you follow. This will prevent bots from leaving comments on your tweets. Again, bot replies will make your account look spammy if you don’t hide them. 
  • Reply to everyone who comments on your tweets. 
  • Ask subscribers to turn on notifications for your tweets. Only ask for this if you don’t tweet every 10 minutes. Imagine hundreds of people rage blocking you for constantly interrupting them. You will feel bad, so think twice about this. 
  • Use the “following” tab to find active users. Reply to their tweets and invite a response. After 4 – 6 hours, go to your profile and delete replies (and tweets) that received no views or likes. Some people you follow are too busy to reply because they are busy tweeting. You can tell by the cascade of consecutive tweets (not part of a thread) that show up in your feed.
     
  • Ask more of your followers to subscribe to your blog (because you have one). And remind them to keep up with you that way. Remember that owning your own domain is the best engagement hack ever. 

Twitter is in utter chaos at the moment, but remember that it is a private company devoted to serving its owner’s emotional needs. He needs a breathtaking amount of attention. When I was writing notes for this post, he had posted a dot to his timeline, and it has already generated 52 million views. We are all enablers at this point. And until Elon Musk decides to let someone new play with his joystick, he will remain our fiercest competitor. 

Postscript: February 10, 2023. Another day, another dot tweet. If it is not yet obvious that Mr Musk seeks validation in Twitter engagement (views, likes, retweets, comments), here you go. When the personality decides what the algorithms will prioritise, it is helpful to focus on what is driving the person’s behaviour.

Update: February 11, 2023. Article on Elon Musk throwing a tantrum over low view counts for his tweets. Underscores the purpose of the “point” tweets. And I reiterate the point I made in the beginning of this post – Musk’s motivation is to get attention. Quite a lot of system errors, glitches and outages are caused by the lack of staff to monitor servers that run the platform. But a qualified engineer was fired for not saying what the boss wanted to hear. People are right to focus on the man himself if these are his priorities.

Update: February 15, 2023. Daily Beast is reporting (from a report on Platformer) that Elon did actually mess with Twitter algorithm to juice his own numbers. Adding this here because I was told that Mr Musk’s personality had NOTHING to do with navigating the algorithm. In other words, my initial analysis, which is that Mr Musk’s plan was to use Twitter to poke the eyeballs of all active users on the platform, was correct. And this would be obvious to anyone paying attention to his tweets (like this one his tech staff jacked up to 55 million impressions). At this point being part of this billionaire’s glorification milk tea party is really a choice to remain uninformed. And in response to allegations, here is the tweet from Mr Musk’s account acknowledging that he ordered his staff to mess with the algo so everyone would see his tweets in their feed. I find this quite disgusting.

Update: February 28, 2023. This drama keeps devolving and I’m here for it. I thought mansplaining had died out with the #metoo era but apparently dinosaurs/throwbacks still roam the earth. This is why I’m adding more evidence that Elon Musk, owner of Twitter, is a giant asshole and this directly affects how Twitter operates. And here we are, look at how he unceremoniously fired the staff who pledged their allegiance. One executive slept on the office floor to deliver the impossible and help him save face after he bought Twitter and made it weird. He fired her, too. But not before doing an informal peer review and destroying the Slack channels which helped the engineers to troubleshoot problems. There are now fewer than 1800 people working at the company and that means, like I said, the machine learning software (smart technology) is mostly running the platform. Therefore, tweeters must be careful about triggering the protocols that will get their accounts shadowbanned or siloed.

Categories
art entrepreneurs men women

Sephi Bergerson

Intro
Happy Thursday, everyone. Today’s post features nude photography. In addition to that, we learn more about photographer Sephi Bergerson’s philosophy of “One”, evolved minds, and how religious beliefs shape our perception of the world. Today, we invite you to catch a glimpse of this surreal collection with the religious motifs enfolding each subject. And what about you? Are you searching for your own divine source?

Sephi Bergerson
Looking for God in a church, synagogue, or mosque is religion. Looking for God inside is spirituality. This is what I believe. And you may be surprised to learn that I was born in a secular Jewish house. Yes, they really exist. And that is what I am referencing when I say that I believe in God, but I do not follow any organised religion.

I feel that religions have historically divided humanity, while spirituality is universal and brings us together. Many people take great comfort in the teachings laid down by the religion they follow. However, in my opinion, religions are all based on half-truths. They also tend to bind followers to a set of core assumptions and dogmatic thinking. And thus, in most cases, do not encourage free thinking.

There is one truth. I believe that evolve minds understand this truth even though they call it by many names. What I mean is that we can all speak about the same God. But because of our upbringing and environment, we use different names for the same deity that so many religions speak about. Those who are not restricted by their religion usually agree on this idea.

My work is an exploration of the emotions triggered by various religious symbols. I believe that inspiration is divine grace, and I am searching for a connection to this source of inspiration. I am particularly interested in how people perceive and react to the use of religious items in art and specifically connected with the human body.

I create photos using religious objects as styling for nude photographs. By doing so, I want to reclaim these worldly objects and alter their original religious purpose to question the attitudes, fears and unwritten rules which have formed religious dogma and people’s behaviour within it.

I focus on the three most influential monotheistic religions, Judaism, Christianity, and Islam, as they were all born in the Middle East and are all inextricably linked to one another. Christianity was born within the Jewish tradition, and Islam developed from Christianity and Judaism. Growing up in Israel, I was surrounded by the monuments and realities of these three religions that formed the background of my upbringing and my visual language.

I am aware of the controversial side of this body of work. Some people might find my work offensive to their religious beliefs, and voice their protest accordingly. I would like to have a conversation about God and inspiration, but I know this subject brings out a lot of emotions. I have not experienced any violence with regard to this project, but a few people on twitter did say they find it offensive. I expect more of this once the project gets more exposure.

For example, we have also witnessed violence against artists who chose to depict religious items or subjects in their work. It is not uncommon that museums and galleries are forced to take a stand or forced to remove controversial work from their exhibition walls due to public outcry. There will always be those who oppose these ideas and rush to the defence of religion like white blood cells rushing to fight a virus.

I feel that God is everywhere, and the one I believe in does not require any protection, yet I think there is a high chance that gallery owners or museum curators would think twice before showing this work. This is why I believe that virtual galleries, cryptocurrencies, and non-fungible tokens are a good fit for this work.

Outro
Thank you for reading. Sephi Bergerson is an award-winning documentary and corporate photographer, and author. Follow him on Twitter. And of course, you can find the full range of his photography work on Instagram. After living in Tel Aviv, Jerusalem, New York City, San Francisco, Paris and New Delhi, Sephi set down roots with his wife and children in Goa, India, in 2002. After moving to India, he started taking documentary assignments for corporate clients, international NGOs, and print publications.

Visit his website, Sephi Bergerson, and view all the photographs in this project, The Truth is One. Purchase items from this collection as non-fungible tokens on Foundation.

This photography project has won the following awards:

  • Budapest International Foto Awards 2021: SILVER In Fine Art/ Nudes
  • Tokyo International Foto Awards 2020: Silver In Fine Art/Nudes
  • Tokyo International Foto Awards 2020: Silver In Portfolio/Fine Art
  • One Eye Land Photography Awards 2018 – Silver Award
  • 11th Annual Black & White SPIDER Awards 2017 – Nominee
  • IPA ~ International Photography Awards 2016 – Honourable Mention
  • 10th Annual Black & White SPIDER Awards 2016 Honourable Mention
Categories
art entrepreneurs technology women

Designing the Future: Charlie Esposito

Charlie Esposito

Several years ago, I watched a video clip on my Facebook feed. It featured an augmented reality exhibition which inspired me to pay closer attention to the future of digital art. Later, I was spurred on by an artist whose journey into Web 3 (decentralised platforms which use blockchain technology) I watched unfold on Instagram. As I was researching blockchain technology, I decided to list digital versions of my physical works on the Open Sea platform. This was how I got started with creating digital and hybrid art.

(Re)Connect

It was a natural progression for me because I am fascinated by anything innovative. I was mesmerised by the vast potential of virtual reality. This is because I realise that I could use this to overcome the barriers to owning my own physical gallery.

Then, I discovered Spatial, which is a great platform for creating free VR spaces. Using that platform, I was able to realise my dream of starting my own gallery. This was incredible because my gallery space can be accessed from anywhere in the world. It really is an invaluable tool because it can help artists to independently reach a much wider audience.

The Lights

Artists can set up and curate galleries themselves and hyperlink to their online shops. They can create any number of events and bring in people to network with. Virtual galleries are also a great way to host collectors, and hold artist talks or educational workshops.

Emotive abstractions web gallery

More recently, I decided to set up a gallery for my own Web 3 community. I wanted to do something to elevate others and I wanted to provide a completely free exhibition opportunity for artists. The Charlie ART Community Gallery went live over the last few weeks.

Displaced

There are endless possibilities for VR exhibiting and experiences. I eventually want to develop and make my galleries more immersive, and I’m looking forward to expanding into other platforms. I urge all other artists to discover and learn more about art in the Metaverse.

(Re)Connect on the cover of Excursions postgraduate journal

Outro
Artist Charlotte Esposito has been making both large and small scale artworks for over thirty years. Follow her on Twitter or Instagram. She also creates high end murals for interiors and makes bespoke apparel. She has exhibited widely and has sold works to both public and private collections. Her physical artwork is currently available via her website and at Saatchi Art. Her genesis collection of digital art is available as non-fungible tokens and can be collected on Open Sea.

Interview for Path of Flight
Categories
celebrity creative writing entrepreneurs men news writing

Curtis Richardson: Rihanna’s multi-platinum music producer chats with Charles Myambo


Happy Saturday, everyone. In this post, you will meet the multiplatinum music producer Curtis Richardson, who has written songs with Jennifer Lopez, produced music for Rihanna, and worked with David Guetta, Tiësto and John Legend. He is speaking with the fabulous celebrity interviewer, Charles Myambo.

How was it working with Jennifer Lopez?

Well, I first started working with Jennifer Lopez before she was mainstream. She came at a time where the world was itching for a breakout Latina star. At the time, its safe to say that Jennifer Lopez was a pioneer, not only in the US, but also around the world. To date, she is one of the biggest stars worldwide, but it was not always this way. Jennifer was extremely hardworking and determined when I first started working with her. She had a day job and needed to balance that with recording music. Combine all that with the pressure of being a Latina entertainer during a time where not many like her were global superstars, and you can see how Jennifer Lopez was a pioneer. To this day, she is one of my favourite artists to work with. 

Curtis Richardson

What are your thoughts on musicians becoming huge without the help of a record label?

You have to understand that record labels are like machines when it comes to artist promotion. The top tier record labels are exceptional at branding artists and giving them exposure to a global audience. If your question is whether artists can be filthy rich without record labels, then the answer is definitely yes. ChanceThaRapper for instance, is independent and extremely well-off. However, if your question is whether an artist can become as big as Nicki Minaj or Drake without a record label, then I have to say no. Not impossible but it is extremely difficult.

The room on Clubhouse

What tough-love advice would you have for aspiring musicians today?

It’s not easy. The music industry is very much cutthroat. You can gain or lose relevance so quickly. The volatility of music fans is simply astonishing and without careful planning and strategy, almost any artist can start becoming irrelevent very quickly. Obviously, you have your Beyoncé, Snoop Dogg, and JLo, who are household names globally and they are unlikely to ever become irrelevant. However, that’s part of the issue.

Fight about it

We have young artists who try and mimic exactly what these huge stars are doing while failing to understand that it took years for those superstars to be able to produce one album without promoting it on Instagram and it becomes a hit. Today’s artists need to understand that the music game costs money, requires time and effort, demands creativity, and also social media platforms such as TikTok and Facebook to promote upcoming tracks. Artists also have to be willing to adapt to trend changes in order to become relevant and perhaps even one day become the trendsetters.

If you don’t feel like quitting, your dream isn’t big enough

Do you feel like a celebrity?

No not really. Never feel too comfortable. You can always achieve more. Pride is the enemy of progress.

What was the most difficult part about the pandemic for you?

I love travelling, and I couldn’t travel as much as I really wanted.

It’s not that deep, baby

What is one major thing still left on your checkbox?

I’d love to travel more. I’d like to explore more of the world than I have already. Gain more new perspectives through learning about different cultures, music, ethnicities and heritage. 

👀

Thank you for reading this interview, which was provided by Charles Myambo. Follow him on Instagram. Charles is an actuarial scientist by day. And by night, he is founder of the celebrity networking community, Team Smooth. Since 2019, he has worked with hundreds of celebrities from all over the world. Team Smooth has a vision of presenting the community outreach of celebrities and some of the world’s most notable names and brands. Their mission is to spark positive change in the world by bringing awareness to worthy causes and communities.

Categories
entrepreneurs news opinion technology

NFT Marketplaces: A Competitive Megathread

Creative photography entitled Burning Issues. And NFT collection by Raecreateart.
From the collection Burning Issues by Raecreateart


Hello everyone. I hope you’ve had a great start to 2022. To start my year on a productive note, I have done lots of reading and talked with prominent players in blockchain technology investments. No two investors agree on the best investment approach, so my solution has been to try and understand their mindset. In my opinion, it is really important to grow a strategy play based on your own knowledge, connections, and risk tolerance.

Why is this important for creators? We should be thinking about investing some of our income to fund creative projects or startups and to build a nest egg for retirement. Eventually, I will be publishing informative posts on NFTs (digital assets stored in smart contracts on a blockchain), blockchain infrastructure, smart contracts, and cryptocurrencies. Each of these topics exists in its own ecosystem. The main ideas here are registration of ownership, a decentralised protocol for validating transactions, and platforms for creating and trading tokens. At the end of this megathread, you will see links for further reading.

None of the views expressed here are financial advice. Please do your own research, as always.

January 7, 2022 recorded conversation on passive income via Twitter Spaces

Intro
One of the first questions I am asked after “What are NFTs?” is “Where should I sell them?” Today’s post will give you some guidance through a discussion of NFT marketplaces. This presentation was first published on October 13, 2021 by Mide, an angel investor and crypto trading expert I met on Twitter Spaces. He published a megathread on his Twitter timeline to discuss his outlook on marketplaces for non-fungible tokens. So far, players with real world skills are entering the community. And they are bringing marketing expertise, professional teams, and networking skills to a market that is saturated with art. These newcomers will be competitive if they can offer tangible value to collectors. Marketplaces will then compete to provide a platform for the most popular project owners, and depending on the outcome of the negotiations, primary market collectors will benefit.

The original thread by Mide published on Twitter

Megathread
NFTs. They are everywhere these days. And if you’ve ever bought or sold one, you probably did it on Open Sea. The world’s largest NFT marketplace has handled a whopping $8 billion worth of transactions since the start of 2021.

The success of NFTs is no longer a point of discussion. Rather, it makes sense to think about the continued success of Open Sea as a marketplace. In the latter months of 2021, there was a surge in rival NFT marketplaces, many aiming for the top spot. So, is Open Sea under threat? That is what I want to explore today.

In the summer of 2021, the earliest sign of an Open Sea competitor came from one of the largest decentralized exchanges, SushiSwap. Sushi has announced its own NFT platform called Shoyu (meaning soy sauce in Japanese). The platform is currently in the final stages of development. Shoyu’s main advantages are integration with existing Sushi Swap protocols and the distribution of transaction fees to SUSHI token holders.

However, from the SHOYU NFT teasers released so far, the marketplace looks more like a competitor to Super Rare than OpenSea. This is because it targets individual artists and art collectors rather than NFT flippers (people who buy NFTs and resell them for a bigger profit).

The next marketplace that caught my eye is the newly launched Infinity. Entering the scene in October, 2021, Infinity has been trying to lure Open Sea users to its platform with the promise of a token airdrop (free tokens sent directly to wallets visible on the Open Sea platform).

Anyone who has spent more than 0.02 ETH ($US 62) on OpenSea can claim a bag of Infinity tokens if they spend an equal amount of ETH on the Infinity marketplace. Additionally, Infinity aims to be community-driven and completely decentralized, with user governance coming from holders of the airdropped tokens. Infinity even admits that it uses the same smart contracts as Open Sea. The Infinity developers are transparent about trying to lure users away from Open Sea in a so-called “vampire attack.”

On the centralised exchange side, there is a new offering from FTX US. The exchange’s latest marketplace launched in October. It offers a much-needed improvement to NFT trading on Solana. It also provides a safer and more intuitive way to discover NFTs. At present, FTX only supports Solana NFTs but has said it intends to add support for Ethereum-based NFTs soon. FTX already runs an NFT marketplace and users can bid on experiences like a match in the popular League of Legends game.

Finally, we have Coinbase NFTs. Nasdaq’s first cryptocurrency exchange says that it will help creators to flourish on the exchange. In the announcement of its waitlist, it said that “by fostering connections, Coinbase NFT will help creators, collectors, and fans build community.” However, despite the optimism of this presentation, it is newcomer FTX that has the biggest chance of dethroning Open Sea, in my opinion. The platform has proven that it will get what it wants. It has also spent millions on marketing and promotional partnerships. It has already made a name for itself as a provider of cryptocurrency derivates, and I believe that it will be able to achieve the same level of success with NFTs.

Fin

Further reading

Ethereum Whitepaper
Ethereum Foundation

The Year in Ethereum 2020
Josh Stark and Evan Van Ness via Medium

Why I’m bearish on Ethereum
Tascha Labs

Solana: A new architecture for a high performance blockchain v 0.8.13
Solana Project

$LUNA Investment strategy discussion on Twitter Spaces (recorded)

Categories
art Earth entrepreneurs men

Street Spirit: Photographer Sreeranj Sreedhar

Janma Ashtami Festival

Best wishes for All Souls’ Day, everyone, and welcome to a special photography showcase. In this post, I will introduce award-winning photographer, Street Spirit, Sreeranj Sreedhar. We became acquainted during a space (Twitter Spaces) and enjoyed some pleasant conversations. Then, after I asked 3D artists to hang out here, one of Sreeranj’s followers told me I had to create a feature here for him. I knew he was an esteemed photographer, so I sent him a message and held my breath.

Holi Festival is featured in Color Splash, an NFT listed on Foundation

I was relieved when he agreed to be featured. And then, we took our time and worked out the details. One of the things they never teach you about social audio is that a good host needs situational awareness. Social spaces tend to flatten hierarchies. Which means that if you are present, you are equal to everyone. But your authority as a host is defined by your ability to pick out the jewels from among the crowd. And you do that by listening.

Janma Ashtami Festival

Reading the atmosphere surrounding people is important because some of the most special ones have humble spirits. This skill will bring opportunities to meet and learn from the best and brightest. This was how I came to know about Sreeranj. He has a gift for capturing the colorful sights of his hometown, Kerala, India.

Aranmula Snake Boat Race

For the past three years, Sreeranj has worked as a full-time photographer. During this time, he has documented the culture and traditions in his hometown. Before that, for twenty-eight years, he held a corporate position in Dubai.

Departing Souls: Cattle Market

Sreeranj became interested in photography in 2011, when he became fascinated by unusual moments of daily life, including festivals all over the world. He has attended masterclasses by Magnum Photos and other respected photographers in order to fine-tune his skills.

Aranmula Snake Boat Race

He now gives photo tours in addition to hosting workshops and being a mentor for aspiring photographers. If you are interested, you can register for them via his website. He is the administrator and curator for various photography groups from India and Dubai. Sreeranj is one of the eight members of the Indian street photography group, ‘In-Street Collective’.

Guruvayoor Edatharikathu Kavu Talapoli

Presently, he is working to document all the major festivals and cultural events of Kerala. He wants to help promote some of the dying art forms in the region as well as to encourage artists to continue celebrating them. Through his activism, he hopes to encourage people to engage in responsible tourism.

Outtake from Puli Kali (Dance of Tigers)

His photography has been exhibited all over the world. In print, he has been published in National Geographic, NatGeo Traveller India, Lonely Planet Traveler Magazine, Digital Photo Magazine USA and Wanderlust Travel Magazine UK, among others. He has also received many photography awards in this short span of time. His portfolio can also be seen at his website, sreeranj.com, where you can purchase photos. On socials, you can follow him on Twitter and Instagram.

Notes: Today is Tuesday, November 2, All Souls’ Day, and this post is dedicated to the late father of our guest. Sreeranj lost his father right after agreeing to be introduced to you here, and because of that, he was not able to connect with me until this past weekend. To readers who have lost loved ones in recent years, this post is also dedicated to you.

Categories
about me creative writing entrepreneurs opinion poem poetry women writing

Greetings from the Metaverse + Twitter (Spaces) update

Happy Monday, creators.

Photo by Anna Shvets

Does anyone remember that time last year, when I was crying into my phone about Twitter? Well, I took my own advice and it seems to have worked. I was miserable because I felt I had to change myself to fit into what I thought would gain traction. However, with this new account, I started out with the intention of doing what I wanted to do.

A musician I met on Saturday had this to say this morning.

Being a person with broad interests and unquenchable curiosity might have helped. After deciding to focus on non fungible tokens as a subject, I had no idea that all of my favourite topics would collide under that niche.

Unlike my previous post, in which I showed how you can get Instagram’s smart tech to work for you, Twitter is tricky. I can only give you generic advice with the caveat that everything depends on your specific subject matter. As you read, remember that I am using Twitter to promote sales of my creative projects, including fiction writing and fine art.

Social audio, specifically Twitter Spaces, allows me to hear from machine learning specialists, Buddhist and Hindu philosophers, philanthropists, musicians, authors, poets, programmers, game developers, actors, singers, tech venture capitalists, marketers, attorneys, architects, publicists, and blockchain specialists.

My work has been to use Twitter Spaces to create one large thought bubble, wherein everyone discusses a topic from the perspective of their areas of expertise. Reaching for a cognitively rich experience has made my time on Twitter stimulating instead of exhausting.

An example of a good bio tweet

In the list below, I will share some general ideas for working within your own niche with the help of Twitter Spaces. The most important principle to remember when marketing or promoting your work on any platform is simply, “Do what works, not what you like to do.”

  1. Spend time on Twitter. Can’t tell you how many times I have had people tell me they had no time but wanted to know the one tweet they could post so they could gain 10,000 fans overnight.
  2. Curate your feed. Do not scroll. Stop and engage with tweets for about ten minutes. Like it, share it, or toss it. Use the “Not interested in this tweet” option and add specific reasons. This helps the smart tech to learn more about you.
  3. Tweet a bio tweet like the one in Sreeran’s example above. Thereafter, when you enter a space, say your account name and your personal tagline and the smart tech will index your account under the correct topics of interest.
  4. Join Twitter Spaces and listen in as a priority, even if invited to speak.
  5. Use your time on a speaker panel to give a voice to your engagement. You may want to say that you have commented, liked, or retweeted a speaker’s tweet.
  6. Support other accounts more than you tweet about yourself. We use the word “shill” to mean “self promote”. Shill for others because as a rule, do for others and they will do for you. If you receive no support from an account, focus on other accounts until you find your group.
  7. Take your time and work consistently. Results will multiply over time, because your diligent effort will earn you trust within your network.
  8. Keep the hashtags to a minimum (2 – 4 maximum) until you meet your ideal threshold of engagement in terms of tweets, retweets, comments and likes. Thereafter, use them rarely.
  9. Avoid negativity. Rephrase your words positively (for the smart tech). Do not follow accounts that are antagonistic towards your principles.
  10. If you must be outspoken, discuss and debate in spaces where your ideas will be heard, even if others disagree. Same rules go for all audio spaces. Keep rants super short.
  11. Quote tweet. Own the conversation by bringing it to your timeline. Bring it up later in spaces and ask for feedback, shares or other engagement on your tweet.
  12. Tag accounts and mention them in tweets with requests for answers. This raises your engagement by putting you on their timeline. It is also a great way to start a conversation.
  13. Consciously disengage. When you disagree in a comment, etc., the person with whom you disagree gets a boost by the algorithm because the smart tech will read your engagement as POSITIVE interest.
  14. Avoid engaging with inactive accounts. Twitter’s smart tech loves fresh content, so keep within a view/comment/share threshold of about 17 hours.
  15. Follow accounts that you genuinely like and want to support. As a rule, I avoid following popular accounts and add them to lists instead.
  16. Any support you receive must be reciprocated. And focus on supporting accounts that give you support in return.
  17. Analyse, rinse and repeat. If you start gaining support from your activities, try them again and see what happens. If a thing is working, keep doing it, regardless of whatever “advice” you receive, including mine.

Remember to try many things. Do what works and not what you like to do (for example, staying off Twitter or only tweeting about yourself). After joining Twitter with a fresh new account on June 19, 2021, my account now has 3107 followers today, September 27, 2021. The final push to 3000 happened last night (Sunday) when the count was at 2992. Thankfully, when I asked for some help getting over the line, my friends were there to offer their support. And that is how it should be. That’s all for now, and thank you for reading. See you in the metaverse.

Categories
art artificial intelligence creative writing entrepreneurs fiction opinion People science fiction technology women writing

A reel turnaround

Hello everyone. I am sending happy weekend vibes to you. As you might guess from the title, I’m back on Instagram. Does anyone remember last year how I spent three days on Instagram and then spent another four trying to deactivate my account because they kept burning hashtags and deleting my posts?

On Wednesday, I downloaded the app again and created a fresh new business account. My experience is much more pleasant because I’m not using captions or hashtags. Instead, my method for increasing my engagement has been to make demands and threats. This has worked so far.

As I mentioned in my previous post, I get asked daily why I am not on Instagram, so I created this business account to connect with professionals I meet through social audio.

Recently, I was fortunate enough to make friends with someone who works with Google to train business owners to use Instagram for marketing. Thus, I have a strong incentive to not toss my phone out the window.

Instagram’s smart tech is impressive, something Marvin Stone would have approved of. I’ve only been on there for three days, not scrolling or searching for anything, and it showed me my favourite dish: charcoal grilled eel on sticky rice. The person who posted the image also has his headquarters at Starbucks and like me, he has the same drink every time he goes there. I had better behave or that thing is going to publish all of my secrets.

So in one of the scenes for my upcoming novel, I wrote about a social media application that shows only one post at a time. One of the characters, Mimi Hollingsbrook, is preparing for her work day. Because she works in the Royal Household as Baby Pudding’s nanny, she has agreed to keep a low profile on social media. Against her better judgement, she decides to look at her feed, and notices something in a caption from a famous influencer. She has a meltdown after reading it. Within a few minutes, her response, which is full of expletives, gains 5 million likes. This prompts her to permanently archive her account. In a later scene, Mimi is given a taste of power when a quarter percenter asks her to decide about that influencer’s future.

When writing notes about the social media applications I would be using in the story, I thought about reactions from readers. I was convinced that this feature would never be adopted in the real world. However, at the moment, the trend is to be super minimalist on Instagram, with as few posts as possible. At this rate, if I don’t hurry up and finish drafting, I will be publishing historical fiction.

In further news, I have been sucked into the vortex and I am now managing my social audio apps on two phones. One for Clubhouse, Discord and Twitter, and the other one for Greenroom and Instagram. That’s because one of the apps keeps crashing if I’m in audio spaces on two others. (Don’t ask). Juggling two phones might look cool on TV but I’m an introvert, so it does not feel right.

Why, oh why couldn’t I have found a marketing firm that was good at their job? I could’ve been friendlessly redrafting my new book right now.

Please send prayers. Thank you.

Categories
art entrepreneurs fashion women

Keep on trying (Dior GIF bag flex)

Glitched photo of Dior gift bag with a gift, inside a cardboard box with a paper hand
Glitched Dior gift bags with gift

The dry paper hand is back with two small GIFs I made for you today. I am very happy because I welcomed my nephew over the weekend. It was also my birthday so the gif(t) bags are not random.

I find the TV scroll below oddly relaxing. It is also a great throwback to the good old days when people sat in front of square boxes. I hope you enjoy playing on Photo Mosh. I really enjoyed creating this installation.

Glitch television effect with Dior gift bag inside a cardboard box
Glitched TV

On Sunday, I was experimenting with some design ideas and on Monday, I wondered what would happen if I glitched out some images. The software is stable but the file sizes are about 20MB for the GIFs. It’s necessary to compress them. The “Glitched TV” above is 7MB and “Warped thinking”, below, was shrunk to 10MB.

Glitch screen effect with Dior gift bag inside a cardboard box.
Warped thinking

You will not get uniform results for every single kind of image. And though the video files are super heavy, the software I used doesn’t render jpg images large enough to print on a 16″ x 24″ poster. I need a workaround.

Dior gift bag moshed
Moshed on fleek

Hope you enjoyed the bursts of colour and the weird lines as much as I do.

Updated and edited: 2021.04.08. Thank you for viewing.