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art creative writing fiction women writing

The Lotus (Short film): Meet Australian filmmaker Bernadette Walsh

The Lotus: Short film by Bernadette Walsh

Thank you for viewing The Lotus, a short film by Australian filmmaker, Bernadette Walsh. It has been a while since the last short film Friday. When I caught up with Bernadette in Twitter Spaces the other night, I knew her activism would resonate well with you. Read on as she opens a window into her project.

The Lotus: Behind the scenes with director Bernadette Walsh

My name is Bernadette Walsh and I wrote and directed the short film, The Lotus. The film tells the mythical story of a brother and sister who were rescued from the darkest of places, and given a future with hope. I wrote the story in 2019, because I was inspired by the work of Blue Dragon Children’s Foundation, an NGO based in Hanoi, Vietnam.

Bernadette Walsh and her sister, Kate Walsh

The Blue Dragon Children’s Foundation was founded by Australian philanthropist Michael Brosowski in 2004, when he saw the need to rescue children from exploitation by labour and sex traffickers. Michael founded the NGO to provide these children with the care and support they would need to help rebuild their lives. In 2020, Blue Dragon rescued the 1,000th survivor of human trafficking. Today Blue Dragon Children’s Foundation is still working with over 10,000 children and youth from around Vietnam.

Transforming the lives of children who were trafficked is hard work. And I knew that I wanted to support the NGO in any way I could. Working together with Blue Dragon, I raised funds through the Australian crowdfunding platform, Pozible, to make my film project a reality. My family and friends also chipped in to offer support.

The Lotus was brought to life by sand animation artist, Kseniya Simonova who rose to prominence in 2009, after winning Ukraine’s Got Talent 2009. Ten years later, she participated in The Champion on America’s got Talent. And on Britain’s Got Talent, she was the only act to receive two Golden Buzzers. Kseniya is an extraordinary artist who brings to life moving stories through incredible sand art. Having previously seen her work online, she immediately came to mind as the person who could breathe life into the story.

Sand art by Kseniya Simonova

The other wonderful, creative and talented people working on The Lotus included fine artist Kate Walsh, who created the storyboard visuals for Kseniya. The original music was created by Australian film composer, Robert John Sedky. And as the narrator, my 11-year-old son, Michael, was happy to offer his voice.

I enjoy testing new narrative styles in storytelling. This is why my next film project, Navigating a Pandemic will be testing more boundaries. For this project, I will be using artificial intelligent software to animate pandemic-related data into a 3D pigmented sculpture. I am fortunate to have the support of a high-performance computer company, which is supplying me with the computing power I need to render the project.

Kseniya Simonova meeting with King Jigme of Bhutan

Next stop? Raising funds to produce the project, and I will do that via the sale of non-fungible tokens. For me, token sales to multiple buyers works in the same way as traditional fundraising platforms. Supporters will be funding the project with the proceeds of their crypto investments. In the meantime, I am working to focus my fundraising activities within the community of crypto investors. The possibilities are both exciting and daunting. Wish me luck.

The Lotus has received the following awards:

  • Special Jury Animation Award at the Awareness Film Festival in Los Angeles (Oct 2019)
  • Finalist at the Rome Independent Prisma Awards (March 2020)
  • Award of Merit at Best Shorts Festival in California (Apr 2020)
  • Finalist Mescalito Biopic Fes (Nov 2020)
  • Finalist JellyFEST Season 6 (Feb 2021)
  • Humanitarian Award at the Best Shorts Competition 2020 (2020)

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art news opinion People women

Peace x Ash Wednesday

Peace (dry)

March 2, Ash Wednesday

Pause for a moment and reflect on human lives and dignity lost to conflict, strife, and intolerance. Honour the strength of will that brings us closer together.

Peace (washed)

Peace: Kimono fabric swatches, emulsion paint, and watercolor on ripped canvas.

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art men opinion

Jelly Doods by Ron Schippert: Journey to Recovery

Piano Dood by Ron Schippert

Intro
Greetings everyone, and happy Thursday because I have another guest post for you. Yesterday, February 23, was the Emperor Reiwa’s birthday and a national holiday. And I thought, what would it be like to spend 12 hours cohosting a Twitter Space for artists? Starting at 11:00 JST, I did just that. The energy in the space was warm, vibrant, and supportive. Because of that, I felt revived after three long weeks of burnout and autoimmune flareups.

One of our guests in the fourth hour was artist and community activist named Ron Schippert. As I listened to his story, I knew you would warmly welcome him here. Please read his story, and enjoy the cute Jelly Dood characters he created for a worthy cause. Thank you.

Skater Chef Dood

Hello everyone, my name is Ron Schippert and I am a 45-year-old artist from Pennsylvania, USA. I am an addict in recovery and I celebrated 10 years clean on February 10. At an early age, I never felt like I fit in anywhere, whether at school, sports or just outside playing. As years went by and I got older, I turned to other substances to feel like I belonged. In reality, I was walking down a path of self-destruction. After spending years in and out of hospitals, detox clinics, psych wards, and rehabilitation centers, I decided to go into treatment one last time. I had no idea what the future would hold. That day, February 10, 2012, marked the day of my rebirth.

Piano Wizard Dood

After completing full treatment, I moved to South Florida. There, in the early days of my recovery, I felt a strong desire to help others who were struggling with addiction. That meant spending sleepless nights sitting in waiting rooms, and driving people to detox clinics or hospitals. Doing something to help others made me feel whole again. Because of that, I continued my work with recovering addicts. I have supported hundreds of addicts as they got clean but unfortunately, some of my friends did not make it. In spite of that, I am committed to doing whatever I can to help.

Football Dood

Even today, ten clean years later, I still see the many obstacles that recovering addicts face with health insurance or finances. There should never be a reason for someone to be refused the help that they need. This is why I have created a fundraising project using non-fungible tokens. The artwork is called Jelly Doods NFT. Proceeds from sales of these tokens are used to pay for addiction treatment for people who cannot afford it.

And why did I choose art? Ever since I was young, art has helped me settle my mind and feel all right with myself. Making art takes me to a place of peace and serenity. This is the purpose of the Jelly Doods characters. They are simple, fun characters created to bring a smile to your face. If this project can help one more person receive treatment for substance abuse, then it will have served its purpose.

Blue Dood

In life, I have only a few passions. Art has remained number one because it is something that I do for others. And my dearest wish is to use my art to give someone their life back. I live by the motto, “I can only keep what I have by giving it away.” And I give you Jelly Doods.

Follow the Jelly Doods on Twitter

Outro
Thank you everyone for reading this presentation and for viewing this gallery of art. Ron may be reached on socials at the links below. Please be sure to follow him. I imagine that you were sending him your positive thoughts of appreciation while you were reading. I know that Ron appreciates the support you have given him with your attention today. Thank you.

Jelly Doods website

@JellyDoods on Twitter

Join Jelly Doods on Discord

Full Jelly Doods NFT Collection

Categories
Ancient Past art men

A spark of renewed antiquity: Artist Alberto Ballocca

Italian fine artist Alberto Ballocca

Hello everyone, I am Alberto Ballocca, a self-made contemporary painter from Italy. Through my art, I am trying to catch my spark. I work to emulate ancient customs and combine them with my futuristic ideas. In the present, I attempt to breathe new life into antiquity by balancing dimensions of time within myself.

My work lives on the Ethereum blockchain and my first exhibition of art is already live in South Africa. Follow me on Twitter for highlights.

Primeval Rah

On a technical level, my process is based on the mixing of different types of mediums on canvas, panels, glass, aluminium. My pigments include wall enamels, acrylics, oil, natural pigments, charcoals, graphite, collage elements and gold foil.

Throughout symbols (closeup)

If you are familiar with digital image editing software like Adobe Photoshop, you could imagine that I am emulating that process by applying one layer on top of the other as I allow interesting shapes to appear. As I paint, I am trying to catch these new shapes on a spark of intuition. For me, creating art is a game of balancing abstract themes and realistic figures.

Gallery of physical works

On a conceptual level, I read a lot of books and meditate on what I’ve read. My favourite subjects include Aristotle’s poems, ancient Egyptian symbolism, Greek mythology, Plato’s writings and anything concerned with the deep nature of reality.

Using that energy, which I believe is the source of our modern-day culture, I try to crack emotional codes so that these energies can resonate within my paintings. And from then on, I pass these to the observer. Follow me on Instagram to see more of my creative process.

Working with natural pigments

As for showcasing my work, I am in love with the interactions on Twitter Spaces because I have met a lot of amazing new people. I can interact with people all over the world with very little effort. I believe it is super important for us as artists and creative people to be connected in this way.

As for the future, I am looking forward to collabs with well-known and respected artists in the art world. Many of them are my friends in the Metaverse.

Thank you for taking a walk with me today. I hope to see you again soon.

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.
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Postscript: Digital versions of my physical paintings are listed on several sales platforms. Each collection is separated by theme, and you can find links to the galleries below.

Known Origin

Foundation

Open Sea

Minty Art

Hodooi

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art creative writing opinion technology women writing

A loving me thing: 8 steps to an Instagram turnaround

Hello everyone. This is a followup to my post last year when I realised why IG was sending me followers though I did barely anything. As opposed to the year before. At that time, I reached 300 followers even as I posted infrequently, and used zero hashtags. Shortly after publishing that post, I reached 500 followers.

I have since that point started using hashtags. I also hid reels and archived posts to create a tight, focused grid. At some point, I will take down most of my current grid so I can keep the focus on installations of my artwork.

My Instagram account is attached to Clubhouse (and Spotify Greenroom). Quite a few of my early follows were coming from there because I participated in room discussions. I was also asking people in Twitter Spaces to join me on Clubhouse, and they found me on Instagram as well.

A few weeks ago, I was discussing the above results with a friend, and I came to understand that by posting to my Story daily, I was creating space for Instagram to place ads between accounts. People are used to tapping on the right side of their screens to see new stories, and that gives 5-second ads a place to breathe. I believe that my steady gain of followers daily had something to do with that. In other words, Story is where active accounts thrive, and you raise the likelihood of IG recommending your accounts to people interested in your niche.

By the end of 2021, (CH/Twitter) collaborations with some larger accounts were also boosting my account. Accounts with massive followings were talking about our collabs on Clubhouse and they reposted my stories (about them) to their stories. I have also been mentioned in their IG Live broadcasts. Remember that I am using IG for business and these were my goals all along.

Step by step, let’s review the method I used, with an updated set of 8 enhancements. These are also low effort and consistently applied, with focus on the Story feature.

  1. Share the work of other artists
    First, do for others. Instead of scrolling, think about whether you would like to share a post in your Story. I recommend that you share posts to Story if (a) the account supports you or (b) if the account is somewhat popular. In the latter case, a story mention (using the mention tag) ensures that you stand out in their notifications.
  2. Keep it up in messages
    Socialise via text and voice messages. The more time you spend sharing accounts in a meaningful way, the more you find yourself receiving kind notes from creators in your messages. And sooner or later, you will feel like you’re talking to your friends. Follow up by explaining why you like their work. Be interested in their methods or techniques, and ask them what other projects they are working on.
  3. Follow and share accounts that look like yours
    If an account is doing work that you want to do and it is not too big (over 100K followers), you should try to show that you have something in common. Show your followers that your ideas have been brought to light by another creator. Use the text or drawing feature in notes to make it obvious why you like the post you’re sharing. Be adventurous and you will find support.
  4. Pay attention to accounts with great content and few comments
    When a new post bubbles into view, look for comments first. Then, if this account is familiar to you and you know they will respond, leave a comment. Comments are precious, so offer them generously and try to keep them light and positive.
  5. Check stories and comments
    Quite a few popular creators schedule their posts and no matter how amazing your comment is, they (or their team) might never see it. One way to make sure that an account is active is to look at their Story. Active accounts may be more willing to engage with yours, and this is what you want.
  6. FL!RT
    This is the one time when I will advocate making the first approach. On the account of a popular creative (artist/writer) in your niche, look at comments on their most recent post. Did the post author reply to comments? If not, among the replies, look for accounts that engage with their followers. Come back to the post and reply to their comment. Then, heart some posts on their account, and wait.
  7. Mute
    There are accounts that produce amazing work, but a swath of posts down your timeline two days in a row is no bueno. Mute the account so you can see other posts. Or, if you feel so-so about a single post, hide the post so Instagram doesn’t keep showing more of what you don’t want. You can always see other posts from the account later.
  8. Unfollow
    What’s it like when you notice a live broadcast or a post that seems out of left field? It pays to do regular checks of accounts that you are following. Use the “most/least interacted with” feature in Instagram to check for accounts that are far outside your interests. First and foremost, focus your attention on accounts actively supporting you. From there, branch out with confidence, and bring new friends with similar interests into your fold.

Thank you for reading this post. I imagine you might realise that a low effort method of using social media takes … effort. Overnight, you could have great results, but that’s because you were consistent in the past. None of these methods require you to spend a whole day scrolling. Based on what I have shared so far, create a plan that fits comfortably with your needs and objectives. Never give up on your dreams, the saying goes, but you should be prepared to work for them. Best of luck.

Categories
art men technology

Gingerpotter: Ralph Khoury guest blogs from Lebanon

Hello, I am Ralph Khoury, a Lebanese artist. My artistic journey started around three years ago when I decided to take my art seriously and push myself to create something new every week. This led me to grow my portfolio made up of illustrations, paintings, doodles and animations tackling mental health, my different thoughts and current events in my country and the world.

Lost

Although it was fulfilling to be able to create like this, it wasnt really paying the bills especially living in my country where art is not really appreciated, and where the minimum wage has dropped drastically because of the huge inflation that the country went through since 2019. The prospect of having to take a full-time job that would be underpaying me, would still be a better form of income then selling my art.

Beirut Beauty

That outcome was becoming an eventuality until the NFT space came to my attention and basically changed my life in every way for the better. Finally, I was able to value my art for what it was worth. I was also able to showcase it on the international stage, and people all over the world supported me. I am happy that I have gained so many friends in the community.

Gingerpotter, the artist himself

And after selling my art as non-fungible tokens, I realised what a powerful tool blockchain technology and cryptocurrencies can be for my artists in Lebanon. If they can bring themselves out of the depressing cycle our country has thrown us in, they will be able to make a good living doing what they love. Hopefully, their collective strength will lead to reforms on a larger scale for the whole nation.

Colorful nights

Through my art I was able to make a decent living in a short time, and I have earned what I would have only been able to achieve after many years work in a regular job.

What’s the exchange rate today?

Even though Open Sea recently banned Lebanon from being able to access their website, and my government already bans cryptocurrencies in general, these two bumps in the road will not deter me from onboarding more people in this space.

We have become early adopters, hopefully putting up the building blocks for a brighter future that our current political class could never dream to achieve.

At the end of the day, I truly believe that even if art is bigger than artists, individual artists will always find a way to stand out. Follow me on Twitter and Instagram.

Categories
art technology women

A passion for art: Reflection on the Thea Collection by the artist Luchong

Dahlia by the artist Luchong

Intro: I remember meeting Luchong in Twitter Spaces a few months ago. Not long after meeting more of her friends, I decided to post an African artists’ showcase here on Saint Joan Creative Studio. I remember receiving a very excited note when she noticed I plugged her photo into the post. Today, I call her “boss” because she is a verified blockchain diva. Her Thea Collection is the 7th highest trending collection on Open Sea as of late December, 2021.

Open Sea is the biggest platform for NFTs. The platform has reached a trade volume of over US$720 million in the past three days alone (January 3 ~ 6), so imagine the scale of her achievement. Trending is not easy for any artist. Hers is a phenomenal achievement due to her talent, bubbly personality, and the support of established artists around her. Congrats, boss. And now, let us hear from our muse.

Safiya

Hi, I’m Luchong, a 20-year-old digital artist from Nigeria and the creator of the Thea Collection of art which is available on Open Sea. Follow me on Twitter and Instagram.

Where do I start? Last year, 2021, was definitely a wild and interesting year for me. Although it didn’t quite start out on a good note, it ended in a very beautiful way, and for that, I am thankful.

I joined the NFT community in September, 2021 and it has been a life-changing experience for me. This is because of the community and friends I have made here. The community is something I am extremely thankful for because I have found the unity and support I really needed in my life. The best way to describe it is to say that I finally feel like I have found my place and my family. I am happier today than I have been in a while.

Kissa

The NFT community space has made a huge impact on my life and I say that because I have seen so much growth and improvement in myself and my art. I consider this community to be a true blessing. I am especially thankful for my collectors, specifically my first collectors, those who found me and fell in love with my art, those who believed in me and my art. I am especially grateful to Prince Ude, NFT Lover, Lord Olu, Kel Savage and Bolusowe. Their love and support have been unreal and I am extremely grateful for them all.

Thea Collection reaching 2 ETH (US$ 7079 floor price)

Looking forward to 2022, I can say that I am happy and excited for the year ahead because there are a number of things I want to achieve during the course of this year. First is that I want to grow and evolve so much as an artist. I want my art to reach more people and evoke emotions in them. I want my art to effectively communicate my feelings to people and I want more people to truly resonate with my work. I also intend to dabble in 3D art and more traditional forms of painting. My passion for art increased so much this year, I am grateful and excited to create more.

The artist Luchong with her beautiful work

May I mention a few brilliant artists I intend to collaborate with in future? You may have heard of Kel Savage, Torera, Freddie Jacob, Pascal Okafor and Design with MJ. If you haven’t, please get to know them. They are amazing.

And I guess that’s a wrap. I have a really positive feeling about 2022 and I feel this will be my best year yet. I am thrilled to start the year with this newfound drive and love for art.

Sales notice from Open Sea

Outro: Hello everyone, I am fine artist and author Lily Nicole, and as you can see I am back from a very long break. My domain was renewed automatically (thanks WordPress) and Saint Joan Creative Studio is alive and well. Let us pretend that thing you never saw didn’t happen.

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art Earth entrepreneurs men

Street Spirit: Photographer Sreeranj Sreedhar

Janma Ashtami Festival

Best wishes for All Souls’ Day, everyone, and welcome to a special photography showcase. In this post, I will introduce award-winning photographer, Street Spirit, Sreeranj Sreedhar. We became acquainted during a space (Twitter Spaces) and enjoyed some pleasant conversations. Then, after I asked 3D artists to hang out here, one of Sreeranj’s followers told me I had to create a feature here for him. I knew he was an esteemed photographer, so I sent him a message and held my breath.

Holi Festival is featured in Color Splash, an NFT listed on Foundation

I was relieved when he agreed to be featured. And then, we took our time and worked out the details. One of the things they never teach you about social audio is that a good host needs situational awareness. Social spaces tend to flatten hierarchies. Which means that if you are present, you are equal to everyone. But your authority as a host is defined by your ability to pick out the jewels from among the crowd. And you do that by listening.

Janma Ashtami Festival

Reading the atmosphere surrounding people is important because some of the most special ones have humble spirits. This skill will bring opportunities to meet and learn from the best and brightest. This was how I came to know about Sreeranj. He has a gift for capturing the colorful sights of his hometown, Kerala, India.

Aranmula Snake Boat Race

For the past three years, Sreeranj has worked as a full-time photographer. During this time, he has documented the culture and traditions in his hometown. Before that, for twenty-eight years, he held a corporate position in Dubai.

Departing Souls: Cattle Market

Sreeranj became interested in photography in 2011, when he became fascinated by unusual moments of daily life, including festivals all over the world. He has attended masterclasses by Magnum Photos and other respected photographers in order to fine-tune his skills.

Aranmula Snake Boat Race

He now gives photo tours in addition to hosting workshops and being a mentor for aspiring photographers. If you are interested, you can register for them via his website. He is the administrator and curator for various photography groups from India and Dubai. Sreeranj is one of the eight members of the Indian street photography group, ‘In-Street Collective’.

Guruvayoor Edatharikathu Kavu Talapoli

Presently, he is working to document all the major festivals and cultural events of Kerala. He wants to help promote some of the dying art forms in the region as well as to encourage artists to continue celebrating them. Through his activism, he hopes to encourage people to engage in responsible tourism.

Outtake from Puli Kali (Dance of Tigers)

His photography has been exhibited all over the world. In print, he has been published in National Geographic, NatGeo Traveller India, Lonely Planet Traveler Magazine, Digital Photo Magazine USA and Wanderlust Travel Magazine UK, among others. He has also received many photography awards in this short span of time. His portfolio can also be seen at his website, sreeranj.com, where you can purchase photos. On socials, you can follow him on Twitter and Instagram.

Notes: Today is Tuesday, November 2, All Souls’ Day, and this post is dedicated to the late father of our guest. Sreeranj lost his father right after agreeing to be introduced to you here, and because of that, he was not able to connect with me until this past weekend. To readers who have lost loved ones in recent years, this post is also dedicated to you.

Categories
art science fiction TV women writing

Sailor Song (Music video)

Marinda Botha and Frankie Beagle collaborate for “Sailor Song”

Sailor Song
The music video Sailor Song was a collaboration between me and musician Frankie Beagle. Sailor Song includes paper cut-out puppetry, one of the many artforms I like to create work with. Even though I co-produced and directed this music video, it took a whole team to create this project and I am so very proud of that.

Marinda Botha
I have been writing poetry since I was a teenager and I dabbled in photography, too. I studied to become an actress, and moved to London where I lived and worked for 8 years before returning to my home country, South Africa. During my drama studies, I was introduced to puppetry and there, I fell in love with the medium. On both continents, I have worked with numerous genres of puppetry, but my first love is for wooden marionettes. Perhaps, as a result, I have found myself in daily life observing people and catching small gestures they do, the way a person flicks a hand, a transfer weight, tilt a head, fascinating to watch.

For the past 20 years or so, I have also been a voice over artist, working with studios in London, while in the UK, and now from my home studio in South Africa. If I had to condense what I am about, what my art, I would say:

  1. I believe in the power of words, in transporting people to other forms of existence and worlds through the use of that age-old artform: storytelling.
  2. I believe that our lives and identities are shaped by the tales we absorb and tell. It is what we come to believe.
  3. I love movement. In another life I want to be a contemporary dancer, say nothing and just move).
  4. I trained as a mime artist in London and still love that form of performance so very much, but everyone hates a mime, right?
  5. I love animation and the delicacy of that medium.
Marinda talks about her upcoming NFT project

I am new to the NFT community but will be launching numerous projects in the next couple of weeks. My spoken word audio art can be found at Foundation and I will be dropping video poetry soon, too. Please follow me on Twitter for updates.

Website: Marinda Botha
LinkedIn: Marinda Botha
Spoken word poetry NFTs: Foundation App
Twitter: Marinda ETH
Udemy: Marinda Botha voice trainer

Sailor Song full credits:
Vocals and guitar – Frankie Beagle. Backing vocals, keyboard and beats – David Driver. Upright bass – Brendan Ou Tim. Saw and percussion by Frankie Beagle. Recorded at The Cooler. Produced and written by Frankie Beagle.

Video credtis:
Puppetry / Director / Producer – Marinda Botha
Co-Producer / Director – Frances Charlton
Director of Photography / Editor – Karien Mulder
Lighting – Damon Berry and Tammy Reid
Cinematography – Nicole Olwagen, Celeste Muller and Karien Mulder
Continuity & Gaffer – Liani Lombaard
Puppeteers – Franqi van Niekerk & Anri Wessels
Make-up – Yowyn du Plooy
Stills – Mark Straw, Nicole Olwagen and Celeste Muller
Concept design – Marinda Botha and Frankie Beagle

Marinda is a voice actor on the feature film, Alien Rescue

Thank you for viewing this post and getting to know this talented artist, whose voice is featured in studio film productions. How exciting it is to meet someone who is dedicated to their craft. Please follow her on Twitter. I have seen sneak peeks of the poetry videos and I have to say that they were stunning. Marinda has agreed to let me feature her work here in future, so please stay tuned.

In next week’s post, we will meet filmmaker, photographer and diversity activist Brissa Marina Page. Stay good until we meet again.

Categories
art technology women

Magda Gorska: Collage artist

Magda Górska is a friend of mine from Twitter, and she is a collage artist based in Warsaw, Poland. When I found out she was a collagist and Polish, I captured her and brought her to a space I was hosting. She is a celebrated artist who has worked with some of the world’s top brands. I am happy she agreed to showcase her work here on Saint Joan Creative Studio. Allow me to introduce her to you.

Before the thing happened, I had planned a 2020 summer trip from Berlin to Warsaw and Krakow by bus and train. I wanted to experience long distance travel within Europe by road and rail. Still waiting for that to happen, and as I wait, I am able to experience Magda’s artistic vision. Isn’t it great to make friends before you visit a country? I was elated to meet someone who enjoys making collages as much as I do.

Another reason I like Magda so much is that she creates digital artwork on her mobile phone. It is the only hardware she uses for this kind of work. We have spoken before in space (Twitter Spaces) about people being snobby about hardware and software. I personally like scissors, glue and watercolour markers because nothing says “I made this” like a nice cut, paste and stamp project.

Magda’s collages are fascinating because she works to create intellectually stimulating presentations. And because she is so passionate about her art, her collages are loads of fun to look at.

You are probably wondering why people like us make collages. As Magda explains, “This art form arises from the need to question the world and present a thoughtful evaluation of it. I use my collages to show the harmony between nature and people. I ridicule patterns and undermine the current perception of reality.” Agreed. Let’s get ’em girl.

Using digital collages as a medium for storytelling, Magda uses materials that enable her to express herself effectively with original content. She enjoys experimenting with scanning, layering, and combining individual elements so that her creations speak their own unique language.

Magda exhibits in New York, Barcelona, Edinburgh and Warsaw. Her physical collages are showcased in homes all over the world. In life, she is guided by the principle that hedonism is the sweetest form of bondage. She believes in crazy dreaming, and that complaining takes you far away from your goals.

Dream crazy and never give up on your goals. Those are great thoughts, Magda. Thank you for sharing your work with us. And of course, let’s catch up soon in space.

Magda Górska is on social media. Follow her on Twitter as @MagdaGangsta. And on Instagram, she is @magda_americangangsta. You may purchase digital art from her collection on Showtime.

Categories
men news opinion People TV writing

On Leaving (Short film)

On Leaving is a short film by Sagar Kapoor (India)

On Leaving (07:45) is a documentary short by Indian filmmaker, Sagar Kapoor.

Synopsis
Lockdown in India had just started to be lifted, however, due to job loss, increasing COVID19 cases, and other circumstances, the narrator is forced to vacate his rented room. This short film tries to express the feeling of the narrator visiting his room for one last time and how spaces can be personal and important parts of our lives.

Bio
Sagar Kapoor is a filmmaker from India and he grew up in Lucknow, a city known for its delicious cuisine, history, art, and culture. At La Martniere College, he was first introduced to the world of art and photography. Today, he works as a independent filmmaker and illustrator. His documentary films are introspective and empathetic, as they focus on our relationship with the environment. In his free time, he loves to read, write, travel, and cook. 

His upcoming projects are: 
1. Eating clouds, a documentary on a local delicacy from Lucknow.
2. On Death a City; how the uniqueness of a city dies with time and our need for modern infrastructure.

Follow Sagar Kapoor on social media:

Instagram
YouTube
Twitter

How many of you have friends who make films? Well, you have one now. And you will make another filmmaker friend next week. On October 22, 2021, drop by and greet South African poet, voice actor, and performance artist, Marinda Botha. Stay tuned as I feature more filmmakers and creatives over the next few weeks.

Categories
about me creative writing entrepreneurs opinion poem poetry women writing

Greetings from the Metaverse + Twitter (Spaces) update

Happy Monday, creators.

Photo by Anna Shvets

Does anyone remember that time last year, when I was crying into my phone about Twitter? Well, I took my own advice and it seems to have worked. I was miserable because I felt I had to change myself to fit into what I thought would gain traction. However, with this new account, I started out with the intention of doing what I wanted to do.

A musician I met on Saturday had this to say this morning.

Being a person with broad interests and unquenchable curiosity might have helped. After deciding to focus on non fungible tokens as a subject, I had no idea that all of my favourite topics would collide under that niche.

Unlike my previous post, in which I showed how you can get Instagram’s smart tech to work for you, Twitter is tricky. I can only give you generic advice with the caveat that everything depends on your specific subject matter. As you read, remember that I am using Twitter to promote sales of my creative projects, including fiction writing and fine art.

Social audio, specifically Twitter Spaces, allows me to hear from machine learning specialists, Buddhist and Hindu philosophers, philanthropists, musicians, authors, poets, programmers, game developers, actors, singers, tech venture capitalists, marketers, attorneys, architects, publicists, and blockchain specialists.

My work has been to use Twitter Spaces to create one large thought bubble, wherein everyone discusses a topic from the perspective of their areas of expertise. Reaching for a cognitively rich experience has made my time on Twitter stimulating instead of exhausting.

An example of a good bio tweet

In the list below, I will share some general ideas for working within your own niche with the help of Twitter Spaces. The most important principle to remember when marketing or promoting your work on any platform is simply, “Do what works, not what you like to do.”

  1. Spend time on Twitter. Can’t tell you how many times I have had people tell me they had no time but wanted to know the one tweet they could post so they could gain 10,000 fans overnight.
  2. Curate your feed. Do not scroll. Stop and engage with tweets for about ten minutes. Like it, share it, or toss it. Use the “Not interested in this tweet” option and add specific reasons. This helps the smart tech to learn more about you.
  3. Tweet a bio tweet like the one in Sreeran’s example above. Thereafter, when you enter a space, say your account name and your personal tagline and the smart tech will index your account under the correct topics of interest.
  4. Join Twitter Spaces and listen in as a priority, even if invited to speak.
  5. Use your time on a speaker panel to give a voice to your engagement. You may want to say that you have commented, liked, or retweeted a speaker’s tweet.
  6. Support other accounts more than you tweet about yourself. We use the word “shill” to mean “self promote”. Shill for others because as a rule, do for others and they will do for you. If you receive no support from an account, focus on other accounts until you find your group.
  7. Take your time and work consistently. Results will multiply over time, because your diligent effort will earn you trust within your network.
  8. Keep the hashtags to a minimum (2 – 4 maximum) until you meet your ideal threshold of engagement in terms of tweets, retweets, comments and likes. Thereafter, use them rarely.
  9. Avoid negativity. Rephrase your words positively (for the smart tech). Do not follow accounts that are antagonistic towards your principles.
  10. If you must be outspoken, discuss and debate in spaces where your ideas will be heard, even if others disagree. Same rules go for all audio spaces. Keep rants super short.
  11. Quote tweet. Own the conversation by bringing it to your timeline. Bring it up later in spaces and ask for feedback, shares or other engagement on your tweet.
  12. Tag accounts and mention them in tweets with requests for answers. This raises your engagement by putting you on their timeline. It is also a great way to start a conversation.
  13. Consciously disengage. When you disagree in a comment, etc., the person with whom you disagree gets a boost by the algorithm because the smart tech will read your engagement as POSITIVE interest.
  14. Avoid engaging with inactive accounts. Twitter’s smart tech loves fresh content, so keep within a view/comment/share threshold of about 17 hours.
  15. Follow accounts that you genuinely like and want to support. As a rule, I avoid following popular accounts and add them to lists instead.
  16. Any support you receive must be reciprocated. And focus on supporting accounts that give you support in return.
  17. Analyse, rinse and repeat. If you start gaining support from your activities, try them again and see what happens. If a thing is working, keep doing it, regardless of whatever “advice” you receive, including mine.

Remember to try many things. Do what works and not what you like to do (for example, staying off Twitter or only tweeting about yourself). After joining Twitter with a fresh new account on June 19, 2021, my account now has 3107 followers today, September 27, 2021. The final push to 3000 happened last night (Sunday) when the count was at 2992. Thankfully, when I asked for some help getting over the line, my friends were there to offer their support. And that is how it should be. That’s all for now, and thank you for reading. See you in the metaverse.

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The Quarter Percent: Effortless book sales with social audio?

Quarter Percent – Trailer

Can you, as an author, achieve effortless book sales using social audio? Please read this post and learn what I have discovered. But get some popcorn first, because there is drama. 

It has been a year since I published my novel, The Quarter Percent, and if someone had told me to relax because that people would ask to buy it, I would have thrown a tantrum. And yet, since joining social audio nearly eight weeks ago, I have had lots of people tell me they bought my novel. First, in my Clubhouse profile, I mentioned writing my second novel. Then after a number of requests to share a buy link for the first one, I added it to my Twitter bio.

The Quarter Percent, novel by Lily Nicole, cover art
Cara de la Reina

I’m not using social audio to sell books, by the way: the book sales are a side effect of staying active on the platforms. By staying active, I do not mean staring at my phone all day. Instead, I make time for active participation in spaces or rooms on a range of subjects.

Last year, I collaborated with several artists and we produced artwork for The Quarter Percent. We focused on key scenes and events. One of the scenes opens in front of a graffiti mural in the foyer of a refurbished warehouse. Tensions in a friendship, the transfer of power, and a generous gift are overseen by a portrait of King Cordial’s late wife, Queen Cara. The scene, mural, and cover art are called Cara de la Reina or ‘face of the queen’. To write that scene, I did a lot of research into warehouses and architectural design because the description of the interior had an important function. It set up a contrast between the home’s cool, trendy, laid back atmosphere and the next level scheming that would take place there. 

North to South

Based on other research, I knew that a cover with a face was ideal, and I assured my publisher that using the mural art was going to work. A year later, this is my avatar everywhere, and saying so in the first paragraph of my Clubhouse profile has made promotion effortless. When people ask me why I don’t use a selfie, I tell them that I am using social audio for business, and I don’t want to attract the wrong sort of customer. Seeing that I get book sales without doing anything extra, it stays right there.

And now, I will highlight some amusing incidents from last year’s promotional campaign. A book marketer told me he had no idea why I would give away free copies of my novel. He had no idea how that would help with book sales. One colleague suggested that a political assassination to help me get mega downloads. Another said to give up drafting if people did not download the beta version. Later, a young lady clickbaited and free trafficked me to her blog after saying that people would never download the $0.00 promotional Kindle copy without reviews, while agreeing that people would need to read the novel to review it.

A tale in the crypt - storyboard of first scene of last chapter, The Quarter Percent
Ruby Castle’s crypt with a statue of Saint Joan on the left.

On top of that, someone has been earning money from views of my trailer on a dodgy platform. Every marketer I hired to promote the book has denied having merched the trailer. I only found out because the analytics on WordPress finally appeared in February and showed me a cascade of clicks out to my blog. The owners of the platform are not answering emails or taking phone calls so I cannot find out who is doing this.

Amid all of that drama, you will understand why I gave up on promoting my novel altogether. But I am happy that l have stumbled upon an effective way to sell it.

Costmary is talking with her publicist Karen Aoki

Regardless of the obstacles, I enjoyed the creative process from last year, and I will expand on that for my upcoming novel. My first idea was to create art prints and posters. Still researching styles that I want to use, and practising on Procreate. Currently, I am producing instrumental compositions for piano, violin and cello. These will match the mood and themes of the story. My YouTube channel is dry and ashy so I asked a composer friend to help me out. I am hoping to share the music with artists and creators who like listening to music as they work.

About an hour before publishing this post, I talked about the project in a business networking group and I was encouraged by the response. The music will also be my rehabilitation after sacrificing brain cells to ratchet YouTube (for research purposes). 

Happy Wednesday, everyone. Keep creating, and thank you for staying in touch. 

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art artificial intelligence creative writing entrepreneurs fiction opinion People science fiction technology women writing

A reel turnaround

Hello everyone. I am sending happy weekend vibes to you. As you might guess from the title, I’m back on Instagram. Does anyone remember last year how I spent three days on Instagram and then spent another four trying to deactivate my account because they kept burning hashtags and deleting my posts?

On Wednesday, I downloaded the app again and created a fresh new business account. My experience is much more pleasant because I’m not using captions or hashtags. Instead, my method for increasing my engagement has been to make demands and threats. This has worked so far.

As I mentioned in my previous post, I get asked daily why I am not on Instagram, so I created this business account to connect with professionals I meet through social audio.

Recently, I was fortunate enough to make friends with someone who works with Google to train business owners to use Instagram for marketing. Thus, I have a strong incentive to not toss my phone out the window.

Instagram’s smart tech is impressive, something Marvin Stone would have approved of. I’ve only been on there for three days, not scrolling or searching for anything, and it showed me my favourite dish: charcoal grilled eel on sticky rice. The person who posted the image also has his headquarters at Starbucks and like me, he has the same drink every time he goes there. I had better behave or that thing is going to publish all of my secrets.

So in one of the scenes for my upcoming novel, I wrote about a social media application that shows only one post at a time. One of the characters, Mimi Hollingsbrook, is preparing for her work day. Because she works in the Royal Household as Baby Pudding’s nanny, she has agreed to keep a low profile on social media. Against her better judgement, she decides to look at her feed, and notices something in a caption from a famous influencer. She has a meltdown after reading it. Within a few minutes, her response, which is full of expletives, gains 5 million likes. This prompts her to permanently archive her account. In a later scene, Mimi is given a taste of power when a quarter percenter asks her to decide about that influencer’s future.

When writing notes about the social media applications I would be using in the story, I thought about reactions from readers. I was convinced that this feature would never be adopted in the real world. However, at the moment, the trend is to be super minimalist on Instagram, with as few posts as possible. At this rate, if I don’t hurry up and finish drafting, I will be publishing historical fiction.

In further news, I have been sucked into the vortex and I am now managing my social audio apps on two phones. One for Clubhouse, Discord and Twitter, and the other one for Greenroom and Instagram. That’s because one of the apps keeps crashing if I’m in audio spaces on two others. (Don’t ask). Juggling two phones might look cool on TV but I’m an introvert, so it does not feel right.

Why, oh why couldn’t I have found a marketing firm that was good at their job? I could’ve been friendlessly redrafting my new book right now.

Please send prayers. Thank you.

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about me art creative writing

Schlüsselmeister Grau

Keymaster Grey

These posters are still in a work in progress but I wanted to dedicate the drafts to the German business owner who has left two advertisements for his keymaster business on my feedback form. That’s Schlüsselmeister in German.

I spent the weekend designing posters and video pins while also being professionally petty on social media. And one thought I had was about WordPress throttling my posts, so that I must display my artwork on a Pinterest board. The difference in engagement on both platforms should become a meme because it is so vast. Wow WordPress.

Fast on site

Though I am busy over there, I wanted to post some artwork here for you. I also wanted to say hello to the German business owner before pinning the final versions.

The keymaster’s website is well-presented, but I changed some of the identifying information in the poster. Sir, please be good enough to leave your real email on that form so I can send you the PDFs? You can print them out on your office printer and frame them.

It feels weird not posting weird art on here. Perhaps that is a Church versus State thing. Or, business art versus hobby art, though which one is which, I don’t quite know.

For everyone else, have a great Monday. Allen anderen einen schönen Montag.