Hello, everyone. It is time for another adventure in “how do I market my second novel”. My second fiction novel, which I am calling Maitheland, is wrapped. And, as you know, I have been working on this novel for some time.
The story takes inspiration from romantic flash fiction I wrote for this blog eight years ago. I decided to repackage the story and make one of the main characters a nephew of King Cordial from The Quarter Percent. This time around, I plan to promote the novel with music.
I took my time to finish writing the novel because I had to relaunch, promote, and relaunch my startup again. During that time, social audio became an adventure and I made lots of great connections through this new medium. Some of my new colleagues have been featured here on this blog.
Sidebar: Speaking of social audio, now that Elon Musk owns Twitter, if you’re not on there, kindly dust off your accounts and hop in now because the popcorn drama is on every hour. Not even journalists, clamping their eyeballs on their phone screens, can keep up.
On Thursday morning, Elon cohosted a Twitter Space. A day later, I read a news report that the host, Robin Wheeler, and cohost, Yoel Roth had quit. About two hours after I scheduled this post, I see a tweet from Robin saying that she was still at Twitter. That was too fast. The space was recorded, so you can listen in.
And now, back to promoting my novel. You may remember that my attempts at promoting my first novel,The Quarter Percent, were pure drama. This time, music has been my focus.
Why music? Aren’t you only supposed to read a novel? I wanted to create an immersive experience for readers. The story is sensual and moody, and I think that listeners will appreciate that. There are also lots of soundtrack music fans out there. And I have my own playlist I listen to when I want to concentrate. That is why why I thought this idea would work.
After producing a suite of classical tracks for one scene in the novel, Maitheland, I thought about creating EDM tracks related to the story. But as I contemplated the expense of hiring a new team, I asked Google if AI could generate music for me.
The answer was yes, and that was how I found the platform Boomy. Over the course of two days, I created five songs. If you go to my Vimeo channel, you can hear five tracks in the easy listening, loopy style that is really popular on YouTube.
How does all this help with marketing my book and other creative projects? Simply put, presence, exposure, and traffic. My plan is to take advantage of Boomy’s role as my distributor. The platform will submit my work to all of these streaming services:
Have you even heard of some of those platforms?! In other words, based on the uptake, the soundtrack for my novel is going to be available everywhere. And that means (if I have used really good keywords) someone will find my work. Then, if they are intrigued, they will look me up. The first release of five tracks is called Songs for Maitheland Part I. There are four completed tracks, and I am hoping to expand that over the coming few weeks.
At the moment, I am waiting to find out if my music will be accepted by the above streaming platforms. Until then, I am building a presenceon Vimeo. The rest is up to you. I hope that you enjoy the sounds of Maitheland.
According to the Daily Beast’s Kevin Fallon, stories like 365 Days serve an important purpose. They allow us to watch as the inversion of our values play out in real world scenarios. And as we watch the scenes play out, our tablet or TV screens shield us from the consequences.
Now, I think that as we broadcast disapproval of fan-fiction hot sex, we are avoiding the real hot topics. We might tell ourselves that we are staying neutral on those issues. But there is no political fence, not really.
Based on my experiences on social media over the past year, these are some questions I feel like asking people I am meeting for the first time:
Are you all in on a multicultural society? Can same-sex couples get married if they want? Can people with wombs please get a prescription filled without a pharmacist asking them to pee on a stick so their religious rules are not broken?
Neutrality is a nice word that means we are scared of saying what we think in case someone screams in our faces. Being human is already a lot of work, which is why we elect public officials to help us out. Yet, we keep electing representatives who won’t let us get on with living. They create legislation on matters that should remain private; and drag their feet on issues that are in the public’s interest. This is precisely the reason why more of us are speaking out.
With all of that in the background, I now ask you to consider the artist’s work during times of struggle. One of the best things about being an artist is that we usually end up collaborating to start a movement. The movement is whatever we choose to call it. We make noise as a collective, and people pay attention to our message.
Unfortunately, the creative space is most vulnerable to interference. Because we artists are living in a society filled with outrage, our worst enemy becomes what we think others want from us. Fear stifles our productivity. But if we don’t make things, we cannot refine our process and become better artists.
Artists are people with feelings, and this makes us easy targets. And people use their own reactions to our relatively benign creations as an excuse to avoid the draft.
If you are a hobbyist critic, should you pack up and leave? Not so fast. There is still time to get some real work done.
Here are some people who will benefit from your support: Women, children, minority ethnic groups, refugees, the homeless, the starving, the physically challenged, the mentally unwell, recovering addicts and the orphaned. Dial up your voice to the usual strength. Vote for representatives who can help. Keep writing letters to them until they mobilise resources to alleviate pain and suffering.
The revolution calls you to the draft. There is no need to burn your old scripts. Find a new cause, make some edits, and read them again. You might need a change of costume. Maybe a haircut. Or perhaps a 15-minute session on IG Live will get the ball rolling. The energy expenditure will leave you exhausted and restless. But soon enough, someone will hear you. And then, they will listen.
Good luck out there.
Postscript: Big shout outs to my lovely friends, Charlie Esposito, Medusa Marie, MHBB, and Simply Veronica. Thank you very much for responding to that last-minute request. Keep inspiring everyone with your activism and hard work.
Several years ago, I watched a video clip on my Facebook feed. It featured an augmented reality exhibition which inspired me to pay closer attention to the future of digital art. Later, I was spurred on by an artist whose journey into Web 3 (decentralised platforms which use blockchain technology) I watched unfold on Instagram. As I was researching blockchain technology, I decided to list digital versions of my physical works on the Open Sea platform. This was how I got started with creating digital and hybrid art.
It was a natural progression for me because I am fascinated by anything innovative. I was mesmerised by the vast potential of virtual reality. This is because I realise that I could use this to overcome the barriers to owning my own physical gallery.
Then, I discovered Spatial, which is a great platform for creating free VR spaces. Using that platform, I was able to realise my dream of starting my own gallery. This was incredible because my gallery space can be accessed from anywhere in the world. It really is an invaluable tool because it can help artists to independently reach a much wider audience.
Artists can set up and curate galleries themselves and hyperlink to their online shops. They can create any number of events and bring in people to network with. Virtual galleries are also a great way to host collectors, and hold artist talks or educational workshops.
More recently, I decided to set up a gallery for my own Web 3 community. I wanted to do something to elevate others and I wanted to provide a completely free exhibition opportunity for artists. The Charlie ART Community Gallery went live over the last few weeks.
There are endless possibilities for VR exhibiting and experiences. I eventually want to develop and make my galleries more immersive, and I’m looking forward to expanding into other platforms. I urge all other artists to discover and learn more about art in the Metaverse.
A work in progress. Still drafting the story, even though I am about six months behind in writing. The best part is that this delay has allowed me to rethink the story I am trying to tell, and build more rounded characters.
In mid-January, I drafted two scenes to show faith intersecting science and politics. This is an important theme in the story because the politics are influenced by a religious doctrine. Blending them will be interesting, because I do not plan to make anything obvious. In this untitled scene, the science is explained in a conversation between two government officials.
“That was their colossal cock up,” shouted the health minister. The minister was not inside his study, so Sebastian was talking to an empty desk this afternoon. The health minister was speaking from a different room, and he was shouting even though his voice was transmitted over voice activated smart mics in his home.
“Sir,” replied Sebastian, “Treasury does not have jurisdiction over private medical cases.”
“You can revoke their funding,” was the minister’s surly response.
“True, but taking away funding from medical research into fertility treatment would be tantamount to a human rights violation,” said a smirking Sebastian. He was rather pleased with himself. “And may I remind you that overseas investors are plugging large amounts of cash into the research and development?”
“Money, money, money,” said the health minister. “She is suing me for lack of oversight. Me, personally. The research shows that uterine cells never generate fetal tissues even when exposed to a massive cocktail of hormones.”
“It was an act of God,” said Sebastian. He was laughing silently because he knew the statement would annoy his colleague. He stopped laughing and raised an eyebrow because he wondered if the health minister could see his face on a monitor somewhere.
“An outdated notion,” was the swift correction from the health minister’s voice.
Sebastian rolled his eyes, slightly relieved that his mocking behaviour had not been noticed.
He said, “She is with the Congregation, so those notions are alive and well. And support, across the world, has been universally positive. Also, remember that this is a giant leap forward for fertility research. The value of stock portfolios of biotech investors have skyrocketed. Absolutely everyone loves her.”
“Fine,” replied the health minister. “She is raising her daughter, and enjoying sainthood, but why is she suing me … and the government for the near fatal heart attack she suffered minutes after giving birth? I feel sorry that she had to go through that, but the same technology reprinted her blood vessels that were damaged. She is alive because of us and is suing us? Yet, everyone believes her actions are justified. Especially after that fiction!”
“Creative non-fiction, sir,” corrected Sebastian. He glanced over on his screen to review the article published in the National Gazette, in which the woman recounted the experience of giving birth to a girl less than a year after male-to-female gender reassignment surgery. Bloating, swelling and discomfort were normal after these procedures. She and her doctors did not know she was pregnant and there were no sperm or egg donors. Her doctors guessed that because of the hormone protocol she received, some of the cells in her ovaries had changed to reproductive cells. After exhaustive tests, they concluded that the most likely explanation was that one of the cells moved to her uterus and started dividing spontaneously. The hormone protocol facilitated the pregnancy, and the fetus was delivered at the six month mark.
Sebastian looked at the highlighted text of an email which was opened in another window on his screen. His cousin, Gala of Vale, was the first person he contacted when the health minister asked him for a meeting. She had replied to him with a voice message. Reading the transcription, he saw that it had everything he needed.
“Technically,” Sebsastian continued, “she cloned herself but this not a flaw in the medicine. She is reproducing, which is, biologically, what her body is supposed to do. Ask your team to focus on that argument and petition the tribunal to force a settlement on those grounds. But while you do that, tread softly. Her story is about family, faith, and the belief in miracles. Something that is lost in our world. People like hoping for things. We shouldn’t try to take it away from them.”
“All right,” replied the health minister with a sigh. “And what can I do?”
“Hire her as a special health advocate,” answered Sebastian.
“Even though she’s suing me,” retorted the health minister.
“Yes. Exactly,” replied Sebastian. He glanced over at the rest of the notes from his cousin. “And for the settlement negotiations, you personally offer money and resources only if she agrees to set up a foundation. Ask the Congregation to join the negotiations as an appropriate third party. As health minister, you will appoint an advisory board to represent the Congregation and the biotech industry. Instead of fighting her at a tribunal, we should help her to build a platform and set an agenda for the next three decades.”
“All right, Sebs. I am going to get legal on the phone, and I want another meeting with all of you before dinnertime today.”
Hello everyone. This is a followup to my post last year when I realised why IG was sending me followers though I did barely anything. As opposed to the year before. At that time, I reached 300 followers even as I posted infrequently, and used zero hashtags. Shortly after publishing that post, I reached 500 followers.
I have since that point started using hashtags. I also hid reels and archived posts to create a tight, focused grid. At some point, I will take down most of my current grid so I can keep the focus on installations of my artwork.
My Instagram account is attached to Clubhouse (and Spotify Greenroom). Quite a few of my early follows were coming from there because I participated in room discussions. I was also asking people in Twitter Spaces to join me on Clubhouse, and they found me on Instagram as well.
A few weeks ago, I was discussing the above results with a friend, and I came to understand that by posting to my Story daily, I was creating space for Instagram to place ads between accounts. People are used to tapping on the right side of their screens to see new stories, and that gives 5-second ads a place to breathe. I believe that my steady gain of followers daily had something to do with that. In other words, Story is where active accounts thrive, and you raise the likelihood of IG recommending your accounts to people interested in your niche.
By the end of 2021, (CH/Twitter) collaborations with some larger accounts were also boosting my account. Accounts with massive followings were talking about our collabs on Clubhouse and they reposted my stories (about them) to their stories. I have also been mentioned in their IG Live broadcasts. Remember that I am using IG for business and these were my goals all along.
Step by step, let’s review the method I used, with an updated set of 8 enhancements. These are also low effort and consistently applied, with focus on the Story feature.
Share the work of other artists First, do for others. Instead of scrolling, think about whether you would like to share a post in your Story. I recommend that you share posts to Story if (a) the account supports you or (b) if the account is somewhat popular. In the latter case, a story mention (using the mention tag) ensures that you stand out in their notifications.
Keep it up in messages Socialise via text and voice messages. The more time you spend sharing accounts in a meaningful way, the more you find yourself receiving kind notes from creators in your messages. And sooner or later, you will feel like you’re talking to your friends. Follow up by explaining why you like their work. Be interested in their methods or techniques, and ask them what other projects they are working on.
Follow and share accounts that look like yours If an account is doing work that you want to do and it is not too big (over 100K followers), you should try to show that you have something in common. Show your followers that your ideas have been brought to light by another creator. Use the text or drawing feature in notes to make it obvious why you like the post you’re sharing. Be adventurous and you will find support.
Pay attention to accounts with great content and few comments When a new post bubbles into view, look for comments first. Then, if this account is familiar to you and you know they will respond, leave a comment. Comments are precious, so offer them generously and try to keep them light and positive.
Check stories and comments Quite a few popular creators schedule their posts and no matter how amazing your comment is, they (or their team) might never see it. One way to make sure that an account is active is to look at their Story. Active accounts may be more willing to engage with yours, and this is what you want.
FL!RT This is the one time when I will advocate making the first approach. On the account of a popular creative (artist/writer) in your niche, look at comments on their most recent post. Did the post author reply to comments? If not, among the replies, look for accounts that engage with their followers. Come back to the post and reply to their comment. Then, heart some posts on their account, and wait.
Mute There are accounts that produce amazing work, but a swath of posts down your timeline two days in a row is no bueno. Mute the account so you can see other posts. Or, if you feel so-so about a single post, hide the post so Instagram doesn’t keep showing more of what you don’t want. You can always see other posts from the account later.
Unfollow What’s it like when you notice a live broadcast or a post that seems out of left field? It pays to do regular checks of accounts that you are following. Use the “most/least interacted with” feature in Instagram to check for accounts that are far outside your interests. First and foremost, focus your attention on accounts actively supporting you. From there, branch out with confidence, and bring new friends with similar interests into your fold.
Thank you for reading this post. I imagine you might realise that a low effort method of using social media takes … effort. Overnight, you could have great results, but that’s because you were consistent in the past. None of these methods require you to spend a whole day scrolling. Based on what I have shared so far, create a plan that fits comfortably with your needs and objectives. Never give up on your dreams, the saying goes, but you should be prepared to work for them. Best of luck.
Hello, I am Ralph Khoury, a Lebanese artist. My artistic journey started around three years ago when I decided to take my art seriously and push myself to create something new every week. This led me to grow my portfolio made up of illustrations, paintings, doodles and animations tackling mental health, my different thoughts and current events in my country and the world.
Although it was fulfilling to be able to create like this, it wasnt really paying the bills especially living in my country where art is not really appreciated, and where the minimum wage has dropped drastically because of the huge inflation that the country went through since 2019. The prospect of having to take a full-time job that would be underpaying me, would still be a better form of income then selling my art.
That outcome was becoming an eventuality until the NFT space came to my attention and basically changed my life in every way for the better. Finally, I was able to value my art for what it was worth. I was also able to showcase it on the international stage, and people all over the world supported me. I am happy that I have gained so many friends in the community.
And after selling my art as non-fungible tokens, I realised what a powerful tool blockchain technology and cryptocurrencies can be for my artists in Lebanon. If they can bring themselves out of the depressing cycle our country has thrown us in, they will be able to make a good living doing what they love. Hopefully, their collective strength will lead to reforms on a larger scale for the whole nation.
Through my art I was able to make a decent living in a short time, and I have earned what I would have only been able to achieve after many years work in a regular job.
Even though Open Sea recently banned Lebanon from being able to access their website, and my government already bans cryptocurrencies in general, these two bumps in the road will not deter me from onboarding more people in this space.
We have become early adopters, hopefully putting up the building blocks for a brighter future that our current political class could never dream to achieve.
At the end of the day, I truly believe that even if art is bigger than artists, individual artists will always find a way to stand out. Follow me on Twitter and Instagram.
Not every artist’s origin story begins with the artist falling unconscious to the floor. But mine does. My name is Sophie. I am a Bulgarian mixed media abstract artist, TEDx speaker, and mental health advocate. Until I turned 32, I was an artist in denial. And I say that because I never had the courage to admit that I wanted to make art.
After a very challenging period in my life, creating art helped me sculpt a new self-identity. I was also able to redesign my reality. The process saved me, and every day, I share my story with others to help them find their true calling.
I call myself Octophina because I’ve always felt like a human octopus, who like a real octopus, has at least three hearts and nine brains. Art helps me to use my “bugs” as features. This way of thinking enables me to see every challenge as an opportunity to grow. My path to becoming an artist was an unexpected journey of healing through inner exploration.
If my life had a prequel, it would be my corporate background as a trained journalist specialising in graphic design, PR, and IT. I was also a prominent international food blogger, a certified Mind Body Eating coach and founder of a social enterprise. And yet, despite everything I achieved, I struggled with depression for over a decade. Navigating the world through this brain has been a weird experience. Today, I capture all of that in my art.
In recent years, after numerous traumatic events, including the pandemic destroying my business and leaving me broke, moving alone to a new country to restart my life at 31, and my mom getting diagnosed with breast cancer, I was emotionally, physically, and psychologically drained.
On May 8, 2021, I fainted in my kitchen and when I woke up, I felt completely apathetic about the projects and initiatives I had been passionate about for years. It was as though my entire identity had been wiped out. Over the next four months, I was trapped in major depression. And it was difficult for me to articulate what I was experiencing internally. I felt terrified.
My therapist encouraged me to start making art to clear my mental cache, improve my emotional metabolism, and practice self-care. Today, almost six months later, we are working on a start-up which will merge psychotherapy, art, and blockchain technology. We started this business to help people improve their mental health and financial well-being.
In celebration of this resurrection of life, presence and hope for the future, I launched a collection of NFTs on Open Sea called Pain to Power. This is a constellation of reflective artwork I created between November and December 2021. The date of the release is January 19, 2022, is the date my mom got her breast cancer diagnosis last year. After almost a year in hell, my mom recovered completely and is doing well. Sharing my transformational healing art with the world on the anniversary of her diagnosis is for me a celebration of resilience, which is what makes the human experience special.
Art has helped me discover my identity outside of social conditioning, peer pressure, and others’ expectations. As I create art, I am healing emotional wounds and building a healthy sense of self-worth. I invite you to stay with me on this journey.
Hello everyone. I hope you’ve had a great start to 2022. To start my year on a productive note, I have done lots of reading and talked with prominent players in blockchain technology investments. No two investors agree on the best investment approach, so my solution has been to try and understand their mindset. In my opinion, it is really important to grow a strategy play based on your own knowledge, connections, and risk tolerance.
Why is this important for creators? We should be thinking about investing some of our income to fund creative projects or startups and to build a nest egg for retirement. Eventually, I will be publishing informative posts on NFTs (digital assets stored in smart contracts on a blockchain), blockchain infrastructure, smart contracts, and cryptocurrencies. Each of these topics exists in its own ecosystem. The main ideas here are registration of ownership, a decentralised protocol for validating transactions, and platforms for creating and trading tokens. At the end of this megathread, you will see links for further reading.
None of the views expressed here are financial advice. Please do your own research, as always.
Intro One of the first questions I am asked after “What are NFTs?” is “Where should I sell them?” Today’s post will give you some guidance through a discussion of NFT marketplaces. This presentation was first published on October 13, 2021 by Mide, an angel investor and crypto trading expert I met on Twitter Spaces. He published a megathread on his Twitter timeline to discuss his outlook on marketplaces for non-fungible tokens. So far, players with real world skills are entering the community. And they are bringing marketing expertise, professional teams, and networking skills to a market that is saturated with art. These newcomers will be competitive if they can offer tangible value to collectors. Marketplaces will then compete to provide a platform for the most popular project owners, and depending on the outcome of the negotiations, primary market collectors will benefit.
Megathread NFTs. They are everywhere these days. And if you’ve ever bought or sold one, you probably did it on Open Sea. The world’s largest NFT marketplace has handled a whopping $8 billion worth of transactions since the start of 2021.
The success of NFTs is no longer a point of discussion. Rather, it makes sense to think about the continued success of Open Sea as a marketplace. In the latter months of 2021, there was a surge in rival NFT marketplaces, many aiming for the top spot. So, is Open Sea under threat? That is what I want to explore today.
In the summer of 2021, the earliest sign of an Open Sea competitor came from one of the largest decentralized exchanges, SushiSwap. Sushi has announced its own NFT platform called Shoyu (meaning soy sauce in Japanese). The platform is currently in the final stages of development. Shoyu’s main advantages are integration with existing Sushi Swap protocols and the distribution of transaction fees to SUSHI token holders.
However, from the SHOYU NFT teasers released so far, the marketplace looks more like a competitor to Super Rare than OpenSea. This is because it targets individual artists and art collectors rather than NFT flippers (people who buy NFTs and resell them for a bigger profit).
The next marketplace that caught my eye is the newly launched Infinity. Entering the scene in October, 2021, Infinity has been trying to lure Open Sea users to its platform with the promise of a token airdrop (free tokens sent directly to wallets visible on the Open Sea platform).
Anyone who has spent more than 0.02 ETH ($US 62) on OpenSea can claim a bag of Infinity tokens if they spend an equal amount of ETH on the Infinity marketplace. Additionally, Infinity aims to be community-driven and completely decentralized, with user governance coming from holders of the airdropped tokens. Infinity even admits that it uses the same smart contracts as Open Sea. The Infinity developers are transparent about trying to lure users away from Open Sea in a so-called “vampire attack.”
On the centralised exchange side, there is a new offering from FTX US. The exchange’s latest marketplace launched in October. It offers a much-needed improvement to NFT trading on Solana. It also provides a safer and more intuitive way to discover NFTs. At present, FTX only supports Solana NFTs but has said it intends to add support for Ethereum-based NFTs soon. FTX already runs an NFT marketplace and users can bid on experiences like a match in the popular League of Legends game.
Finally, we have Coinbase NFTs. Nasdaq’s first cryptocurrency exchange says that it will help creators to flourish on the exchange. In the announcement of its waitlist, it said that “by fostering connections, Coinbase NFT will help creators, collectors, and fans build community.” However, despite the optimism of this presentation, it is newcomer FTX that has the biggest chance of dethroning Open Sea, in my opinion. The platform has proven that it will get what it wants. It has also spent millions on marketing and promotional partnerships. It has already made a name for itself as a provider of cryptocurrency derivates, and I believe that it will be able to achieve the same level of success with NFTs.
Intro: I remember meeting Luchong in Twitter Spaces a few months ago. Not long after meeting more of her friends, I decided to post an African artists’ showcase here on Saint Joan Creative Studio. I remember receiving a very excited note when she noticed I plugged her photo into the post. Today, I call her “boss” because she is a verified blockchain diva. Her Thea Collection is the 7th highest trending collection on Open Sea as of late December, 2021.
Open Sea is the biggest platform for NFTs. The platform has reached a trade volume of over US$720 million in the past three days alone (January 3 ~ 6), so imagine the scale of her achievement. Trending is not easy for any artist. Hers is a phenomenal achievement due to her talent, bubbly personality, and the support of established artists around her. Congrats, boss. And now, let us hear from our muse.
Hi, I’m Luchong, a 20-year-old digital artist from Nigeria and the creator of the Thea Collection of art which is available on Open Sea. Follow me on Twitter and Instagram.
Where do I start? Last year, 2021, was definitely a wild and interesting year for me. Although it didn’t quite start out on a good note, it ended in a very beautiful way, and for that, I am thankful.
I joined the NFT community in September, 2021 and it has been a life-changing experience for me. This is because of the community and friends I have made here. The community is something I am extremely thankful for because I have found the unity and support I really needed in my life. The best way to describe it is to say that I finally feel like I have found my place and my family. I am happier today than I have been in a while.
The NFT community space has made a huge impact on my life and I say that because I have seen so much growth and improvement in myself and my art. I consider this community to be a true blessing. I am especially thankful for my collectors, specifically my first collectors, those who found me and fell in love with my art, those who believed in me and my art. I am especially grateful to Prince Ude, NFT Lover, Lord Olu, Kel Savage and Bolusowe. Their love and support have been unreal and I am extremely grateful for them all.
Looking forward to 2022, I can say that I am happy and excited for the year ahead because there are a number of things I want to achieve during the course of this year. First is that I want to grow and evolve so much as an artist. I want my art to reach more people and evoke emotions in them. I want my art to effectively communicate my feelings to people and I want more people to truly resonate with my work. I also intend to dabble in 3D art and more traditional forms of painting. My passion for art increased so much this year, I am grateful and excited to create more.
May I mention a few brilliant artists I intend to collaborate with in future? You may have heard of Kel Savage, Torera, Freddie Jacob, Pascal Okafor and Design with MJ. If you haven’t, please get to know them. They are amazing.
And I guess that’s a wrap. I have a really positive feeling about 2022 and I feel this will be my best year yet. I am thrilled to start the year with this newfound drive and love for art.
Outro: Hello everyone, I am fine artist and author Lily Nicole, and as you can see I am back from a very long break. My domain was renewed automatically (thanks WordPress) and Saint Joan Creative Studio is alive and well. Let us pretend that thing you never saw didn’t happen.
Intro Happy Thanksgiving, to readers who are celebrating. To mark this special occasion, I would like to highlight the work of my wonder twin, Isreyah Pradabvate. She is an early childhood educator, entrepreneur, former United Nations UNESCAP volunteer translator. She works full-time in a leading Japanese entity in Thailand. In this post, I pay tribute to artists and activists like her who give their time and talent towards making the world a better place for future generations. So proud of you, my sister.
Project details Hello everyone, my name is Isreyah Pradabvate. I am an early childhood educator, entrepreneur, former United Nations UNESCAP volunteer translator and an NFT creator with a full time job in a leading Japanese entity in Thailand.
“Kin Plaa Kaeng” (in Thai this means “Love Eating Fish”) is a project initiated by the co-founder of a startup where I used to work. His name is Krit Sangvichien, and he works with me, as well as with Kansuda Koompairoj, who is the project president and community leader.
Love eating fish Kin Plaa Kaeng has one objective: To turn small schools in rural Thailand into self-sustaining food producing locations. Because of depopulation and a centralization of economy that circulate only in big cities. Small schools are being shut down. Imagine what will happen to those children in affected areas?
Also, children consume insufficient amount of protein in their daily life. Due to many social issues which I would love to avoid getting into it. Protein is the most important nutrition that we need. We are made from Protein. Our brain, heart, muscles, body consume protein as their food.
Reason Unfortunately, good or alternative protein in Thailand is as expensive as in the United States. Balance that with the fact that people here are still facing unemployment due to the pandemic and even before. As a result, they can not earn enough to provide to their family. So how could they afford healthy meals for themselves and their children?
In some areas, children are able to only have streamed rice with fish sauce. Schools here have provided lunches but with a small budget, some people take advantage of the funds distributed so the meals never reach the children themselves.
Solution We came up with the idea of building a fish pond. We wanted to turn every poor school into self-sustaining food providers with at least one pond per school. We want parents and the community to be sure that they don’t need to worry about making a bigger income to provide good meals for their children. Some children do not even have breakfast because their can not afford material to prepare for them.
Outcome We have built one pond for Champanuang School in Srisaket Province in Thailand. Crowdfunding is done via this site linked here. We would love to build another pond for this school. And we want to build at least one pond for every school because they told us that they were really happy with the outcome.
We want the children have delicious fish to eat and fill up their tummies. In the morning, some children will go to school, knowing that they will have free good food to eat. For the sake of a better world, let us work to raise the quality of life of these children.
Outro Thank you for reading this presentation. It takes Isreyah 10 hours by train to travel to the Champanuang School in order to oversee this project. And she wants to build more ponds in more schools. Amazing that she gives so much of her time to helping others, and I am hoping that you will be inspired to continue doing good work in your own communities. Until I hear from you, be good.
Intro Hello everyone, and welcome to this showcase of contemporary art which features fine artists from the African continent. This past Sunday, I hopped into a Twitter space hosted by Apah Benson, Black Mamuu and Xader. I knew it was my chance to uncover the fabulous work that has been hidden under lockdowns, cryptocurrency restrictions and social media bans. But that is their story to tell. Read all about it as you scroll through.
As you browse the showcase and read the stories presented here, remember that social media platforms like Twitter and Instagram are helping artists to move into the mainstream. I invite you to support my guests today by browsing their portfolios, and sharing them with your friends and acquaintances. Thank you.
MAX I am a digital artist from Nigeria. My work is heavily inspired by portrait photography and surrealism. I create abstractions using mostly female characters to express my way of seeing the world: as an blend of contrasts and opposites. I present that vision using black and white, dull and glossy textures, or vibrant and soft colors. Follow me on Twitter.
Elisha Nyong Hello. I am Elisha, a traditional painter and visual surrealist also based in Nigeria. I am known as a pro women’s rights and mutual representation activist. My artwork explores dreams and I use dry-brush techniques to accomplish that. You can find my work listed on Foundation. I am also showcasing my work on Twitter.
Apah Benson I am Apah Benson, digital artist and poet based in Nigeria. I am a graduate of the University of Benin, and work as a digital marketer. Below you will see one of my creative photography portraits, Mystique.
Black Mamuu I am a photographer and artist based in Warri, Nigeria. My work features portraits of people with heavy contrasts and colours. I use colors to explore different forms of identity. I started selling digital art about a month ago. As I did so, I found out that the two biggest parts or processes are currently banned in my country Nigeria.
A Twitter ban and a cryptocurrency ban prevent Nigerians like me from joining the world of digital art (the Metaverse) at this revolutionary time in history. But as usual, we found loopholes in the form of VPN software. We used them to access Twitter, and we used peer to peer (p2p) trading to access the cryptocurrency markets.
Neither is ideal, but it’s our forced reality and we have to work through it if we want to be part of the global art community. Last year, both Twitter and cryptocurrencies were instrumental in the successful #EndSars (hashtag End SARS) protest against police brutality in Nigeria. You might have seen it on the news. It is my firm belief that Twitter and crypto are banned because of the effectiveness of the campaigns.
Recently, there has been an aggressive crackdown on peer to peer trading and the banks are shutting down accounts thought to be used for trading cryptocurrency. So, for a typical Nigerian to access cryptocurrency trading platforms, we have to be very creative.
I find that the NFT community is the easiest and fastest way for Nigerian artists to get recognition and value for their work. I made my first sale a few weeks ago, and it was life changing because it felt like I was finally being rewarded for all my years of hard work.
Luchong I am a digital artist from Nigeria and I make art on my mobile phone using the Autodesk Sketchbook software. My art comes from a deep place filled with many emotions that I often times cannot explain or express. I love creating beautiful paintings to show that there is beauty in everything we experience as humans.
Above is a recent painting of mine which I call “I have rollers in my hair”. I created it to express what it is like to be in an environment that tries to bring you down and crush all your efforts. This is about struggles we face in our daily lives.
Being a digital artist in Nigeria and getting into cryptoart, I have been faced with many challenges, ranging from the crypto ban and Twitter ban. In spite of all this, my love for art pushes me to keep creating and showing my art to the world however I can. That’s me in that tweet below. I thought I would show myself to my friends and colleagues. Mentioned in the tweet are Benson and Gus, two of my artist friends who are also featured in this post.
The Queen Mother NFT depicts the Ivory Mask of the legendary 16th century Queen Idia of the Ancient Benin Kingdom. Queen Idia,known as the great warrior queen, after the death of her husband, raised and led an army to fight off adversaries and ensure the reign of her son as the King of the Edo people of the Ancient Benin Kingdom.
The Ivory Mask of Queen Idia was looted from the Benin Kingdom, among other artworks, during the British Benin Expedition of 1897. It is currently held at the Metropolitan Museum of Art in New York.
The Queen Mother (TQM) NFT will serve as a members-only access for holders as the project leaders release initiatives and rewards to bridge the gap between non-fungible tokens and the physical world. Tokens can be purchased on Open Sea via the Polygon blockchain.
Gustus My name is Augustus Poku Sarkodee (Gus Sarkodee on Twitter) and I’m a multi-genre photographer from the beautiful West African country of Ghana. My work is greatly influenced by color and composition and I explore many different techniques most of the time. I recently started listing my work as non-fungible tokens. It has been an amazing journey so far, because I get to meet all these talented artists. At the moment, my work is listed for sale on both Known Origin and Opensea.
Xader Hello, I am Alex, a Nigerian student who is working to make a name for myself as a digital artist. I took a liking to the anime style of illustration mostly because of how extreme it gets when describing pretty much anything. I’ve been actively drawing for three years now and only got into the digital space in October, 2021.
It is very difficult to sell my art as non-fungible tokens based in my country because of all the restrictions set up by our government. Trading in cryptocurrency is illegal. There is also a Twitter ban so we must use VPNs to access Twitter to promote our work. On top of that, there are major power outages, which makes it difficult for some of us to use electronic devices to make art.
Kiel Orji I am a digital artist and street wear designer from Lagos, Nigeria. I am exploring youth culture and radicalism with a colourful rebellion against socio-political nuances of life in my home country. I am the mind behind Odd Surface and the co-founder of an independent creative collective, Popartii.
My creative practice is an exchange between working over a variety of surfaces, from digital paintings and murals, to luxury fashion apparel and footwear. For my clothing brand, I create statement pieces that are a professional reflection of his cool, calm collective ideals and with specificity, which are pleasing to the senses. Currently, I create skull art NFTs, which I have listed on various platforms, like Foundation and Open Sea.
Ololade I’m a fine art photographer and NFT from Lagos, Nigeria. The journey to establish myself as a digital artist has not been the easiest for me and other creators from Nigeria as you may have read earlier in this post. Twitter and cryptocurrencies are the major means of putting ourselves out into the world and sharing our art. Regardless, we find unconventional means of promoting ourselves and our craft with strong beliefs in our creative ideas to spark conversations on topics around the world. There are many stories to be told.
Famous Umobuarie/Fame Identity I am a hyperrealist artist, and I create realistic drawings using a pencil and other mediums, such as a ballpoint pen. I was born in Benin City, Edo State, Nigeria. I started drawing at the age of five on the back of my notebooks, chairs, doors, and on walls. I generally draw from the things going on around me and my environment, society, and circumstances to see if an idea, emotion, or critique can be communicated using bodies, symbols, and titles.
People around me are amazing and I use different amazing souls as inspiration when creating a drawing. Our need to effectively communicate with each other is essential. If we cannot communicate, we cannot truly bond with each other. This is why I use my work to communicate with others and tell their stories. Some of my portfolio work is seen on Art Station. Most recently, my artwork was featured on the Instagram account of Open Sea, the most well-known ethereum based NFT sales platform.
Godiva Omoyuri/4th Finger Studio I am a fine art portrait photographer and a collage digital artist from Edo state, raised in Lagos, Nigeria. I am the creative director of 4th Finger Studios. My artwork showcases the beauty in human diversity; self-love; equality, and other societal paradigms. My objective is to normalize weird and embrace what is different. My goal is to inspire those who see my work to live above the status-quo, to get off that labeling, and be our own standard of beauty while also letting people discover that there is beauty in being unusual.
Chuma Anagbado I am a multi-disciplinary artist & designer whose work cuts across traditional, digital, and emerging creative mediums. My work reimagines Igbo culture and identity. I am the co-founder of Nigeria’s first multidisciplinary design firm, and I work to shine a light on human capacity development, identity, and social impact. In my work, I reimagine functional ways of using both material and non-material aspects of Igbo existence in designing new structures and narratives that people can use to help build a sense of identity, spirituality, and community.
Special Guest: Subhash Nair My name is Subhash Nair, and I am a wildlife photographer from India. Currently, I am ambassador for Nikon India and Oppo Mobile India. Africa is one of my favourite places for photographing wild animals, and I travel there two or three times every year. Nature and its creatures are amazing and we can learn a lot from them. I am at my best when capturing animals in their natural habitats.
I think people who don’t love nature and wildlife cannot love anything. Places like Masai Mara and Amboseli are like second homes to me. I visit the Masai village when ever I travel to Masai Mara. My most recent visit was in October, 2021. Besides the wildlife, what fascinates me are the people, food and culture of Africa. Everything attracts me and I am happy to say that I have made many friends there and will be back to visit soon. Stories from the Wild is my collection of photography compiled from five years of exploring Africa, India and Indonesia. They are listed on the ethereum NFT platform Open Sea. Follow me on Twitter, or for a spectacular wildlife safari, find me on Instagram.
Tell us about yourself, Ishika I am a self-taught abstract artist living in London. I work spontaneously and mainly for myself. It is something that heals me, gives me hope and makes me feel free! I am never myself without my colours. The best of me, the happiest of me, is when I am painting. Sometimes I paint only for the very reason people want to talk to communicate. Vibrant colours become my voice when nothing else works.
Is it difficult to create abstract works of art? My abstract paintings came naturally to me. Expressive abstractionism has been my comfort zone from the very beginning of my journey as an artist. It gives me much-needed freedom and I feel at home painting in this style. I feel that it unlocks the aspects of my personality that otherwise would lie dormant, remaining silent and nebulous.
Describe your art, style or process My art is mainly concentrated on abstract expressive mixed media (oil and acrylic). Each one is deeply reflective, and I try to make them fly beyond the borders of the canvases I paint on. Mixed media allows me to be spontaneous, and the whole process seems playful and adventurous to me. Often my subconscious mind takes over, and the process feels quite liberating. I do what I feel like, no plans, no rules whatsoever. This world is so full of rules, so I reach for that sense of freedom while painting.
Tell us more about your inspiration My paintings are inspired by music and poetry. Each painting tells a story from my life, including my own traumas or happy memories. Many of my paintings are inspired by Charles Bukowski, Ogden Nash, Robert Frost, Rudyard Kipling, Jibanananda Das or Sylvia Plath’s poems. The emotions and the messages I find from their powerful poems are what I translate into paintings.
Do you have a team or do you work alone? As a full-time artist, I have worked on collaborative projects, such as book and CD cover design, collaborations with a carpet company and also with an industrial designer who has designed chairs based on my artwork.
Tell us about your new home world, Twitter I joined the NFT community on Twitter a few months ago and have already sold a number of non-fungible tokens on the Foundation platform. Right now, I am collecting digital art as I enjoy being part of an amazing group of talented artists and creatives. For me, this is about having a family outside your family. I enjoy being in a community that supports me without judgment. This is a great place for artists who are not here for financial gain but who want to feel accepted. No other platform, no other community, can provide me with that support and love I receive here.
How do you establish your brand presence? Apart from Twitter, NFT, Clubhouse and Twitter Spaces, I am also curating an art promotion page on Instagram for Involute Magazine, which I co-founded with my talented artist friend Pratik Chitte. Pratik is a brilliant charcoal artist from India. Together, we feature artists from around the globe. Pratik also interviews artists for the magazine’s blog, which is hosted on WordPress. We do this to support the creative community internationally.
Any final thoughts? As editors and curators, Pratik and I believe that each work of art tells a beautiful story to our viewers. Art is like a powerful vessel that connects all of the scattered fragments of our innermost feelings. They make us look deeper inside ourselves. Now, if you happen to be on Instagram, please visit our profile page and let us have your feedback. We would love to hear from you.
Magda Górska is a friend of mine from Twitter, and she is a collage artist based in Warsaw, Poland. When I found out she was a collagist and Polish, I captured her and brought her to a space I was hosting. She is a celebrated artist who has worked with some of the world’s top brands. I am happy she agreed to showcase her work here on Saint Joan Creative Studio. Allow me to introduce her to you.
Before the thing happened, I had planned a 2020 summer trip from Berlin to Warsaw and Krakow by bus and train. I wanted to experience long distance travel within Europe by road and rail. Still waiting for that to happen, and as I wait, I am able to experience Magda’s artistic vision. Isn’t it great to make friends before you visit a country? I was elated to meet someone who enjoys making collages as much as I do.
Another reason I like Magda so much is that she creates digital artwork on her mobile phone. It is the only hardware she uses for this kind of work. We have spoken before in space (Twitter Spaces) about people being snobby about hardware and software. I personally like scissors, glue and watercolour markers because nothing says “I made this” like a nice cut, paste and stamp project.
Magda’s collages are fascinating because she works to create intellectually stimulating presentations. And because she is so passionate about her art, her collages are loads of fun to look at.
You are probably wondering why people like us make collages. As Magda explains, “This art form arises from the need to question the world and present a thoughtful evaluation of it. I use my collages to show the harmony between nature and people. I ridicule patterns and undermine the current perception of reality.” Agreed. Let’s get ’em girl.
Using digital collages as a medium for storytelling, Magda uses materials that enable her to express herself effectively with original content. She enjoys experimenting with scanning, layering, and combining individual elements so that her creations speak their own unique language.
Magda exhibits in New York, Barcelona, Edinburgh and Warsaw. Her physical collages are showcased in homes all over the world. In life, she is guided by the principle that hedonism is the sweetest form of bondage. She believes in crazy dreaming, and that complaining takes you far away from your goals.
Dream crazy and never give up on your goals. Those are great thoughts, Magda. Thank you for sharing your work with us. And of course, let’s catch up soon in space.
Greetings, Earthlings. We are back with more art and photography from six of my friends and colleagues in the Metaverse. This post also introduces one of the most organised groups of creators online: The Thai NFT Community. There are many Thai artists on Twitter, and an uncountable number of fascinating projects to enjoy. My timeline speeds by, so I thought it would be best to slow things down and get to know them better.
And as always, please be good enough to follow them on Twitter, where you can see their beautiful artwork in your timeline.
Isreyah Pradabvate I am a Thai NFT creator and I believe in making this world a better place. If you want that too, please support my artwork because it allows me to give back to communities where I actively engage. My favourite causes are: a positive outlook; sustainability; small community outreach; children’s rights. I use my artwork to deliver messages of support and help those in need.
This sold out project I am sharing with you is called, “My Other Half”. And it is a 1/1 token which I created with my dear friend, 100Acre. She is featured later in this post.
The story goes, we have a crush on one guy but it will never come true because he is not real. How did we sell this project when there were two creators? We both wanted to be with our darling. Well, we split the illustration into two pieces and named them, “My Other Half”.
The Japanese text on our darling’s chest means “Stay together forever”. Our supporter, astrophotographer Amit Exploring Night Sky, purchased these two tokens without hesitation. He told me that they reminded him of the pendant he gave to his former girlfriend, who is now his wife.
Each half was priced at 0.036 ETH (US $125.76) and we came up with the price because 18 x 2 = 36. The number 18 is a sacred number for longevity in Japanese culture. And guess what? Our collector’s birthday is on the 18th. This felt like a miracle, indeed.
And would you believe that the magic happened during Lily Nicole’s Twitter Space? She drew together beautiful people, energy, and friends to meet there. I feel moved and I appreciate so much how my art could recall the innocent memory of a beautiful couple through my soul sister’s Twitter Space. It goes without saying that our other half doesn’t have to be our dream prince but rather, a bond of sisterhood and friendship, even from afar.
Student of Universe/STU NFT This is Pete from Student of the Universe NFT Collection project, also called STU NFT. I would like to share with you the story of this community project. I started my NFT journey as a collector around March this year.
In the Thai NFT community, I discovered a lot of amazing NFT art projects. But after I collected and flipped (relisted and sold for a profit) tokens for a while, I felt that I wanted to be part of something bigger. Something that could inspire and change the world in wonderful way.
At that time, Thai artists were not adding utility to their NFT projects. However, I soon found one perfect project that I loved. After collecting a lot of artwork from it, I talked to the artist and found out that we had a lot in common. As a result, we launched a partnership, created a road map of our project, and spun this universe into existence.
This is how the Student of the Universe NFT project was born. Our Discord channel was built from August 15, and we launched the collection on Twitter shortly after that.
Jehn’s Bloom My preferred name online is Jehn. I am a writer, fine artist, and amateur photographer from Thailand. I cherish fragility, gender spectrum inclusion, and divine creation. And I do art based on this concept: ‘Of flower, love and queers’.
I use soft pastels on Indian handcrafted paper and my 10 fingers as a blending tool. These are only the specific combinations which I use. And this is what I do to create a unique effect, which you may have already noticed. Follow me on Twitter and get to know me and my friends.
Z1MPLEX NFT Lab Hello, I am Zimplex, a mixology cocktail bar owner from Thailand. In my home country, I am known for creating visually stunning cocktail shooters using spirits, liqueurs and syrups. In other words, I love to create artwork in shot glasses.
These drinks have been subsequently visualised into unique and physical generative NFTs. For my main project, I remove the shot glass from each photo by using a retouching tool, and then I let the solid form of cream liqueur stand out.
These are then transformed into mirror-image artwork and video installations like the one embedded below. And, there is my side project, ‘Shooter Monsters’, which is a problem/solution project for those wondering how my cocktails look before I turn them into artwork.
100 Acre Hello, I am known as 100 Acre in the NFT community, and I am Ploy’s collaborator in our project, “My Other Half”. She was featured at the top of this post. I would like to share my project, 100 Acre Kindergarten, along with some artwork from the collection.
My primary inspiration is my artist alias, 100 Acre, which refers to Winnie the Pooh’s 100 acre wood. The 100 Acre Kindergarten collection is similar to a collection of children’s stories. It was created to be a place where I, as well as those who view my work, can unwind and enjoy life as we did when we were children.
Each token in this collection introduces a new character of an animal universe, with their own personalities and backstories. When the project is complete, there will be 100 characters in total, with 85 being common, 10 being special (coastal area kids), and 5 being rare (parallel world kids).
Thank you for viewing my work. Find me on Twitter where I hope you will also become part of our 100 Acre world.
Go2Skull My name is Wake and I am known as go2skull on Twitter. (My name is pronounced ‘go to school’). The story behind my project is that if you see someone looking for a way forward, and they are in the dark, be a light for them. The Fairy Tales in Postmodern Era project is a retelling of classic fairy tales from the perspective of social activist movements in my country.
I got this concept from my full-time job. I am a teacher in Thailand. I have witnessed efforts there related to student activism in areas such as children’s rights, human rights, bullying, racism and sexism. So I would like to participate by helping to reflect their struggles. My artwork gives me a way to do that. Until wrongs are made right, I will continue on this journey.
¯_( ͡❛ ͜ʖ ͡❛)_/¯
And with that powerful message from Wake, we are at the end of this curated post. I was amazed to discover that some artists are also social activists and community organisers. Isreyah and Pete, thanks for helping to set this up.
There is never enough time to hear everyone’s story in spaces, which is why this post was necessary. I am happy that I was able to discover more about each artist and their worthy causes. My gratitude goes to them for sharing their stories. Best wishes on the road ahead. Thank you, everyone, for reading.
MEET THE Adventurous women (and men) flashing througH THE METAVERSE
Shannon Bileski A little about me. I am a storm chaser, aurora hunter and all around adventurer, living life to the fullest, every way I can. As a child, I was always fascinated with the weather and that is why I got into photography. At first, I struggled to get a photo of lightning when I was eight years old. And four years later, when I was twelve, I did. All that was missing was the right equipment. And after witnessing Canada’s only F5 tornado in 2007, up close and in person, I bought my first DSLR camera. Then, I started capturing everything and anything I could, including storms.
My passions quickly evolved into storm and aurora photography (and a dash of newborn photography). My work has been featured in magazines and has won awards. Most importantly, my work has kept me learning, growing, adventuring and discovering. There is no better feeling than staring down Mother Nature, and this marvelous gift she throws at you. Being in the middle of it, the complete awe, is an indescribable feeling. It is a special moment in time that I love to capture and share with everyone.
Melanie Metz I was born to chase tornadoes, just as some people are born to sing or become medical doctors. I have been drawn to the storm, wanting to understand it, watch it, and feel it. Standing in the wind of a passing supercell is where I truly feel alive. I have had a passion for storms since I was a young girl living in Arizona. There, I would stare in awe at the incredible lightning shows and dream about tornadoes. As I entered high school, photography became my other love. I began actively chasing tornadoes after earning my bachelor’s degree, and I have been on the road with my camera every spring for over twenty years now.
During my earlier years of chasing storms, I partnered with Peggy Willenberg. Together, we became known as the “Twister Sisters” with a reality TV show on the WE Network. We also worked as Chasers for FOX 9 News in Minneapolis, taught Skywarn classes and did many severe weather presentations for various audiences. For the past several years, I have been living my dream as a solo storm chaser, as Melanie Metz Storm Chasing. I work to capture the power and beauty of storms on film.
I am just now beginning the journey into the world of non fungible tokens, where I hope to offer my work and support other artists in the community in a new and exciting way. And, let me share one more tidbit. After many years of hard work, one of my tornado photographs was recently licensed for commercial use in the cover and poster of the upcoming film, “13 Minutes”. The film is about survival. A community works together to rebuild when their town is hit by a tornado. There are several strong female characters in the story. I can’t wait to see it, because it is a huge honour. For more info about my work, please visit my website to learn more about my work.
Lori Grace Bailey I am a professional wedding/portrait photographer who also enjoys capturing extreme weather and extraordinary skies. My work has appeared in major publications and television outlets including the March/June issue of Backpacker Magazine. I am also a brand ambassador for F-Stop Gear.
I enjoy chasing tornados in the mid-west, haboobs in the southwest. Or, when conditions are right, I captured elusive sprites using my intimate knowledge of a storm’s lifecycle. I believe that my work stands out because I can consistently get shots most people only dream of.
One of my other roles is Director of Monsoon Con, an annual convention in Tucson, Arizona. The convention brings together photographers and weather enthusiasts with an emphasis on storm chasing with success.
Jessica Moore I am a female storm chaser of nearly 10 years, making a living from NFT photography and video. I am a meteorologist, professional photographer and videographer, and passionately involved with NFTs. My storm footage and photography has been aired on The Weather Channel, ABC, NBC, CNN, CBS, WeatherNationTV and FOX News. I have also been featured in several national TV news stories about women in storm chasing and meteorology. My non-fungible tokens can be found on Foundation and Open Sea under the handle name @DopplerJess as well.
Natasha S Who says ‘thunderbolt’? Hi, everyone! My name is Natasha, a photographer by passion from Bangkok, Thailand. And here is my favourite shot of a city thunderbolt. One thing I love the most is nature of all kinds. As a kid, I always enjoyed watching lightning dancing in the sky and was never scared of it. For me, it was a light show from nature. So it becomes my passion whenever I see the light flashing from the sky, I always grab my camera and go after it.
In a city like Bangkok, finding lightning is challenging. Most properties in the city are private so it becomes difficult to find a location for the perfect capture. Great meeting you. You can find me everywhere.
Erin AKA GhostTrainPhoto This chase was one of the best chases I’ve ever had. This supercell danced in front of me for almost an hour.
I am a psychology researcher with a passion for storms. I grew up on the western edge of tornado alley and have always been fascinated by the power of weather.
I got into photography as means of justifying the countless hours I found myself driving to experience storms. Photography has now turned into a passion of its own.
Hello, my name is Stephanie. I am a storm chaser and landscape photographer based in Oklahoma. I have spent the last ten years traveling the plains chasing Mother Nature’s fury. I grew up in the heart of tornado alley, so I have always been fascinated my weather. When I’m not chasing a storm, I spend my time traveling and hiking. I love to explore new places and push myself to new limits.
Willard Sharp I am a storm chaser and astrophotographer based in Iowa. The 2021 chase season was really good to me this year and capturing most photogenic tornado of the year in west Texas this past spring was the highlight of my chase season.
Ujwal Puri Hi. My name is Ujwal Puri. I am a photographer and storm chaser from Mumbai, India. My lightning photos have been featured in some of India’s leading newspapers and magazines. I have, as of now, one non-fungible token of a lightning shot. Looking forward to minting more of my storm chasing work on Foundation.
Adam Orgler Hello. I’m a storm chaser based out of central Iowa. I’ve been chasing for 3 years now. I am currently a senior at Iowa State University studying computer ccience. What you will see is the result of an impromptu chase this summer in central Iowa. Over the course of the evening, I stumbled upon two highly photogenic, rotating supercells. The first cell was a fast mover which I had to outrun in order to avoid the large hail it was producing. It had an awesome bowl-shaped shelf cloud along its gust front. After the first cell dissipated, a second, slow moving cell formed to the north. I was able to set up my shooting location in a wind farm as the cell moved right towards me. It was spectacular.
Thomas Knepshield Here is one of my favorite tweets from the year. I sat through a nighttime hail core in Garden City, KS trying to dent my car up and shatter a windshield. I achieved both of those goals here. I am an adrenaline-structure junkie storm chaser from Kentucky. This was my first year hitting the road to chase and I spent six weeks chasing storms along my 16,600 mile road trip. I saw five tornadoes, sat through a bunch of hail cores and captured a lot of lightning on camera. A childhood dream come true. I am twenty-two so that means I have seventy-eight more years of chasing to go (or more if possible).
Tim Slane As a storm chaser and photographer, I chase storms, tornadoes, and lightning in the High Plains of the United States. Through photography, I share the beauty, uniqueness, and power of both storm and landscape.
Hunter Fowkes This is one of my best storm chases I’ve ever been able to undertake in thirteen years chasing tornadoes. This was extremely close to home. What a day. There were many times this tornado felt like the ones I witnessed in Lockett, Texas, Ashby, Minnesota, and Tipton, Oklahoma. The tornado went through many phase changes and was such a sight to behold. I love this state.
Oh, my goodness. I was so enraptured by this presentation that I almost forgot to close it down with a big thank you. I was thrilled to have storm chasing superheroes featured here today. I am grateful to you for sharing your stories and being hard working and passionate, which is what we need to keep us inspired. And by now, you know the drill: Find them on Twitter, and follow them. They are going to look really cool in your timeline.
Thank you, everyone, for viewing this presentation.
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