Best wishes for All Souls’ Day, everyone, and welcome to a special photography showcase. In this post, I will introduce award-winning photographer, Street Spirit, Sreeranj Sreedhar. We became acquainted during a space (Twitter Spaces) and enjoyed some pleasant conversations. Then, after I asked 3D artists to hang out here, one of Sreeranj’s followers told me I had to create a feature here for him. I knew he was an esteemed photographer, so I sent him a message and held my breath.
I was relieved when he agreed to be featured. And then, we took our time and worked out the details. One of the things they never teach you about social audio is that a good host needs situational awareness. Social spaces tend to flatten hierarchies. Which means that if you are present, you are equal to everyone. But your authority as a host is defined by your ability to pick out the jewels from among the crowd. And you do that by listening.
Reading the atmosphere surrounding people is important because some of the most special ones have humble spirits. This skill will bring opportunities to meet and learn from the best and brightest. This was how I came to know about Sreeranj. He has a gift for capturing the colorful sights of his hometown, Kerala, India.
For the past three years, Sreeranj has worked as a full-time photographer. During this time, he has documented the culture and traditions in his hometown. Before that, for twenty-eight years, he held a corporate position in Dubai.
Sreeranj became interested in photography in 2011, when he became fascinated by unusual moments of daily life, including festivals all over the world. He has attended masterclasses by Magnum Photos and other respected photographers in order to fine-tune his skills.
He now gives photo tours in addition to hosting workshops and being a mentor for aspiring photographers. If you are interested, you can register for them via his website. He is the administrator and curator for various photography groups from India and Dubai. Sreeranj is one of the eight members of the Indian street photography group, ‘In-Street Collective’.
Presently, he is working to document all the major festivals and cultural events of Kerala. He wants to help promote some of the dying art forms in the region as well as to encourage artists to continue celebrating them. Through his activism, he hopes to encourage people to engage in responsible tourism.
His photography has been exhibited all over the world. In print, he has been published in National Geographic, NatGeo Traveller India, Lonely Planet Traveler Magazine, Digital Photo Magazine USA and Wanderlust Travel Magazine UK, among others. He has also received many photography awards in this short span of time. His portfolio can also be seen at his website, sreeranj.com, where you can purchase photos. On socials, you can follow him on Twitter and Instagram.
Notes: Today is Tuesday, November 2, All Souls’ Day, and this post is dedicated to the late father of our guest. Sreeranj lost his father right after agreeing to be introduced to you here, and because of that, he was not able to connect with me until this past weekend. To readers who have lost loved ones in recent years, this post is also dedicated to you.
Brissa “Breezy” Marina Page, co-founder of Cricket Ranch, is today’s featured filmmaker. She is an independent creative director, producer, stylist and content creator based in Los Angeles, California. She shares her outspoken love for civil liberties and social justice with friends, family and collectors alike.
From the filmmaker herself: Light Giver was a passion project for the Cricket Ranch, a production boutique and studio rental location. The Cricket Ranch is a five star location space I created with my partner, Coop Grafik. We are happy to work with artists in Los Angeles looking for a versatile location to shoot and create.
Follow our enchantress as she dances with the light as she reunites with her King at the end. Starring Aisha Anderson and featuring music remix by Therdchild. Shot in one night, we had a great time every second of the shoot and during post-production. I wanted to highlight my beautiful friend Aisha, and her belly dancing, costume and skills. She was brilliant.
My partner and I decided to create the Cricket Ranch as a location after noticing a need for more diversity on our social media timelines. The boring, thin cis-white model format was repetitive and we knew that we needed to be the change and inspire more photographers to do the same when they shoot here. We needed to see more black and indigenous people of colour, as well as strong, healthy body types from all walks of life.
Recently collected is the spectacular nonfungible token from Keith Allen Phillips on Hic et Nunc. The blurb reads, “Sylva and Tee – Nightmare. If you wake up to this at the end of your bed, do you run or do you stay? This is Sylva Hattington with Tee Marie modeling some of Sylva’s amazing creations.”
Will be checking my stats in about six hours to find out exactly how many eyeballs were clapped on this image, all 7MB of it. If you thought your eyes were going to fall out, wait until you see the rest of Keith’s collection. (Don’t look.)
And if you want to know the whole truth and nothing but the truth, I was drawn to the portraits because of the headdresses. I love headdresses and finding out these were designed by a woman made this token a must-have. Maybe it’s because I’m such an introvert and I need a shell in which to retreat.
Then, collected last Sunday, was Tea Time by Thai artist GIMME because I have a thing for skulls carved out of crystals. The artist was featured in an earlier post on 3D NFT artists. I thought that nothing could make them scream, but they freaked out when I told them I was going to collect this token.
Now, if you want a nightmare story for Halloween, it should be about my dysfunctional love life. Without making a confession of any sort, I’ll give you the rundown as if it were the treatment for a work of fiction.
The story goes, a woman who looks disturbingly young for her age has run away from her gilded cage where she is being courted by dozens and dozens of extremely handsome suitors. As night draws near, she stumbles upon a tower at the edge of her world. The steward of the tower is a monk who has lived there, alone, for nearly thirty years. Seeing an opportunity to have all of his knowledge recorded, he seduces the woman with a promise to share his ultimate secret.
In exchange, she must work with him to write down every miracle he has ever performed. The woman agrees because she is in love. And as she studies his alchemy, she suspects that his insights are pedantic filler. His proclaimed power over the material world could be the stuff of fantasy. In order to save herself, she embarks on a search for her true soulmate. Does he exist, and will she find him in time?
Sailor Song The music video Sailor Song was a collaboration between me and musician Frankie Beagle. Sailor Song includes paper cut-out puppetry, one of the many artforms I like to create work with. Even though I co-produced and directed this music video, it took a whole team to create this project and I am so very proud of that.
Marinda Botha I have been writing poetry since I was a teenager and I dabbled in photography, too. I studied to become an actress, and moved to London where I lived and worked for 8 years before returning to my home country, South Africa. During my drama studies, I was introduced to puppetry and there, I fell in love with the medium. On both continents, I have worked with numerous genres of puppetry, but my first love is for wooden marionettes. Perhaps, as a result, I have found myself in daily life observing people and catching small gestures they do, the way a person flicks a hand, a transfer weight, tilt a head, fascinating to watch.
For the past 20 years or so, I have also been a voice over artist, working with studios in London, while in the UK, and now from my home studio in South Africa. If I had to condense what I am about, what my art, I would say:
I believe in the power of words, in transporting people to other forms of existence and worlds through the use of that age-old artform: storytelling.
I believe that our lives and identities are shaped by the tales we absorb and tell. It is what we come to believe.
I love movement. In another life I want to be a contemporary dancer, say nothing and just move).
I trained as a mime artist in London and still love that form of performance so very much, but everyone hates a mime, right?
I love animation and the delicacy of that medium.
I am new to the NFT community but will be launching numerous projects in the next couple of weeks. My spoken word audio art can be found at Foundation and I will be dropping video poetry soon, too. Please follow me on Twitter for updates.
Sailor Song full credits: Vocals and guitar – Frankie Beagle. Backing vocals, keyboard and beats – David Driver. Upright bass – Brendan Ou Tim. Saw and percussion by Frankie Beagle. Recorded at The Cooler. Produced and written by Frankie Beagle.
Video credtis: Puppetry / Director / Producer – Marinda Botha Co-Producer / Director – Frances Charlton Director of Photography / Editor – Karien Mulder Lighting – Damon Berry and Tammy Reid Cinematography – Nicole Olwagen, Celeste Muller and Karien Mulder Continuity & Gaffer – Liani Lombaard Puppeteers – Franqi van Niekerk & Anri Wessels Make-up – Yowyn du Plooy Stills – Mark Straw, Nicole Olwagen and Celeste Muller Concept design – Marinda Botha and Frankie Beagle
Thank you for viewing this post and getting to know this talented artist, whose voice is featured in studio film productions. How exciting it is to meet someone who is dedicated to their craft. Please follow her on Twitter. I have seen sneak peeks of the poetry videos and I have to say that they were stunning. Marinda has agreed to let me feature her work here in future, so please stay tuned.
In next week’s post, we will meet filmmaker, photographer and diversity activist Brissa Marina Page. Stay good until we meet again.
Magda Górska is a friend of mine from Twitter, and she is a collage artist based in Warsaw, Poland. When I found out she was a collagist and Polish, I captured her and brought her to a space I was hosting. She is a celebrated artist who has worked with some of the world’s top brands. I am happy she agreed to showcase her work here on Saint Joan Creative Studio. Allow me to introduce her to you.
Before the thing happened, I had planned a 2020 summer trip from Berlin to Warsaw and Krakow by bus and train. I wanted to experience long distance travel within Europe by road and rail. Still waiting for that to happen, and as I wait, I am able to experience Magda’s artistic vision. Isn’t it great to make friends before you visit a country? I was elated to meet someone who enjoys making collages as much as I do.
Another reason I like Magda so much is that she creates digital artwork on her mobile phone. It is the only hardware she uses for this kind of work. We have spoken before in space (Twitter Spaces) about people being snobby about hardware and software. I personally like scissors, glue and watercolour markers because nothing says “I made this” like a nice cut, paste and stamp project.
Magda’s collages are fascinating because she works to create intellectually stimulating presentations. And because she is so passionate about her art, her collages are loads of fun to look at.
You are probably wondering why people like us make collages. As Magda explains, “This art form arises from the need to question the world and present a thoughtful evaluation of it. I use my collages to show the harmony between nature and people. I ridicule patterns and undermine the current perception of reality.” Agreed. Let’s get ’em girl.
Using digital collages as a medium for storytelling, Magda uses materials that enable her to express herself effectively with original content. She enjoys experimenting with scanning, layering, and combining individual elements so that her creations speak their own unique language.
Magda exhibits in New York, Barcelona, Edinburgh and Warsaw. Her physical collages are showcased in homes all over the world. In life, she is guided by the principle that hedonism is the sweetest form of bondage. She believes in crazy dreaming, and that complaining takes you far away from your goals.
Dream crazy and never give up on your goals. Those are great thoughts, Magda. Thank you for sharing your work with us. And of course, let’s catch up soon in space.
Greetings, Earthlings. We are back with more art and photography from six of my friends and colleagues in the Metaverse. This post also introduces one of the most organised groups of creators online: The Thai NFT Community. There are many Thai artists on Twitter, and an uncountable number of fascinating projects to enjoy. My timeline speeds by, so I thought it would be best to slow things down and get to know them better.
And as always, please be good enough to follow them on Twitter, where you can see their beautiful artwork in your timeline.
Isreyah Pradabvate I am a Thai NFT creator and I believe in making this world a better place. If you want that too, please support my artwork because it allows me to give back to communities where I actively engage. My favourite causes are: a positive outlook; sustainability; small community outreach; children’s rights. I use my artwork to deliver messages of support and help those in need.
This sold out project I am sharing with you is called, “My Other Half”. And it is a 1/1 token which I created with my dear friend, 100Acre. She is featured later in this post.
The story goes, we have a crush on one guy but it will never come true because he is not real. How did we sell this project when there were two creators? We both wanted to be with our darling. Well, we split the illustration into two pieces and named them, “My Other Half”.
The Japanese text on our darling’s chest means “Stay together forever”. Our supporter, astrophotographer Amit Exploring Night Sky, purchased these two tokens without hesitation. He told me that they reminded him of the pendant he gave to his former girlfriend, who is now his wife.
Each half was priced at 0.036 ETH (US $125.76) and we came up with the price because 18 x 2 = 36. The number 18 is a sacred number for longevity in Japanese culture. And guess what? Our collector’s birthday is on the 18th. This felt like a miracle, indeed.
And would you believe that the magic happened during Lily Nicole’s Twitter Space? She drew together beautiful people, energy, and friends to meet there. I feel moved and I appreciate so much how my art could recall the innocent memory of a beautiful couple through my soul sister’s Twitter Space. It goes without saying that our other half doesn’t have to be our dream prince but rather, a bond of sisterhood and friendship, even from afar.
Student of Universe/STU NFT This is Pete from Student of the Universe NFT Collection project, also called STU NFT. I would like to share with you the story of this community project. I started my NFT journey as a collector around March this year.
In the Thai NFT community, I discovered a lot of amazing NFT art projects. But after I collected and flipped (relisted and sold for a profit) tokens for a while, I felt that I wanted to be part of something bigger. Something that could inspire and change the world in wonderful way.
At that time, Thai artists were not adding utility to their NFT projects. However, I soon found one perfect project that I loved. After collecting a lot of artwork from it, I talked to the artist and found out that we had a lot in common. As a result, we launched a partnership, created a road map of our project, and spun this universe into existence.
This is how the Student of the Universe NFT project was born. Our Discord channel was built from August 15, and we launched the collection on Twitter shortly after that.
Jehn’s Bloom My preferred name online is Jehn. I am a writer, fine artist, and amateur photographer from Thailand. I cherish fragility, gender spectrum inclusion, and divine creation. And I do art based on this concept: ‘Of flower, love and queers’.
I use soft pastels on Indian handcrafted paper and my 10 fingers as a blending tool. These are only the specific combinations which I use. And this is what I do to create a unique effect, which you may have already noticed. Follow me on Twitter and get to know me and my friends.
Z1MPLEX NFT Lab Hello, I am Zimplex, a mixology cocktail bar owner from Thailand. In my home country, I am known for creating visually stunning cocktail shooters using spirits, liqueurs and syrups. In other words, I love to create artwork in shot glasses.
These drinks have been subsequently visualised into unique and physical generative NFTs. For my main project, I remove the shot glass from each photo by using a retouching tool, and then I let the solid form of cream liqueur stand out.
These are then transformed into mirror-image artwork and video installations like the one embedded below. And, there is my side project, ‘Shooter Monsters’, which is a problem/solution project for those wondering how my cocktails look before I turn them into artwork.
100 Acre Hello, I am known as 100 Acre in the NFT community, and I am Ploy’s collaborator in our project, “My Other Half”. She was featured at the top of this post. I would like to share my project, 100 Acre Kindergarten, along with some artwork from the collection.
My primary inspiration is my artist alias, 100 Acre, which refers to Winnie the Pooh’s 100 acre wood. The 100 Acre Kindergarten collection is similar to a collection of children’s stories. It was created to be a place where I, as well as those who view my work, can unwind and enjoy life as we did when we were children.
Each token in this collection introduces a new character of an animal universe, with their own personalities and backstories. When the project is complete, there will be 100 characters in total, with 85 being common, 10 being special (coastal area kids), and 5 being rare (parallel world kids).
Thank you for viewing my work. Find me on Twitter where I hope you will also become part of our 100 Acre world.
Go2Skull My name is Wake and I am known as go2skull on Twitter. (My name is pronounced ‘go to school’). The story behind my project is that if you see someone looking for a way forward, and they are in the dark, be a light for them. The Fairy Tales in Postmodern Era project is a retelling of classic fairy tales from the perspective of social activist movements in my country.
I got this concept from my full-time job. I am a teacher in Thailand. I have witnessed efforts there related to student activism in areas such as children’s rights, human rights, bullying, racism and sexism. So I would like to participate by helping to reflect their struggles. My artwork gives me a way to do that. Until wrongs are made right, I will continue on this journey.
¯_( ͡❛ ͜ʖ ͡❛)_/¯
And with that powerful message from Wake, we are at the end of this curated post. I was amazed to discover that some artists are also social activists and community organisers. Isreyah and Pete, thanks for helping to set this up.
There is never enough time to hear everyone’s story in spaces, which is why this post was necessary. I am happy that I was able to discover more about each artist and their worthy causes. My gratitude goes to them for sharing their stories. Best wishes on the road ahead. Thank you, everyone, for reading.
MEET THE Adventurous women (and men) flashing througH THE METAVERSE
Shannon Bileski A little about me. I am a storm chaser, aurora hunter and all around adventurer, living life to the fullest, every way I can. As a child, I was always fascinated with the weather and that is why I got into photography. At first, I struggled to get a photo of lightning when I was eight years old. And four years later, when I was twelve, I did. All that was missing was the right equipment. And after witnessing Canada’s only F5 tornado in 2007, up close and in person, I bought my first DSLR camera. Then, I started capturing everything and anything I could, including storms.
My passions quickly evolved into storm and aurora photography (and a dash of newborn photography). My work has been featured in magazines and has won awards. Most importantly, my work has kept me learning, growing, adventuring and discovering. There is no better feeling than staring down Mother Nature, and this marvelous gift she throws at you. Being in the middle of it, the complete awe, is an indescribable feeling. It is a special moment in time that I love to capture and share with everyone.
Melanie Metz I was born to chase tornadoes, just as some people are born to sing or become medical doctors. I have been drawn to the storm, wanting to understand it, watch it, and feel it. Standing in the wind of a passing supercell is where I truly feel alive. I have had a passion for storms since I was a young girl living in Arizona. There, I would stare in awe at the incredible lightning shows and dream about tornadoes. As I entered high school, photography became my other love. I began actively chasing tornadoes after earning my bachelor’s degree, and I have been on the road with my camera every spring for over twenty years now.
During my earlier years of chasing storms, I partnered with Peggy Willenberg. Together, we became known as the “Twister Sisters” with a reality TV show on the WE Network. We also worked as Chasers for FOX 9 News in Minneapolis, taught Skywarn classes and did many severe weather presentations for various audiences. For the past several years, I have been living my dream as a solo storm chaser, as Melanie Metz Storm Chasing. I work to capture the power and beauty of storms on film.
I am just now beginning the journey into the world of non fungible tokens, where I hope to offer my work and support other artists in the community in a new and exciting way. And, let me share one more tidbit. After many years of hard work, one of my tornado photographs was recently licensed for commercial use in the cover and poster of the upcoming film, “13 Minutes”. The film is about survival. A community works together to rebuild when their town is hit by a tornado. There are several strong female characters in the story. I can’t wait to see it, because it is a huge honour. For more info about my work, please visit my website to learn more about my work.
Lori Grace Bailey I am a professional wedding/portrait photographer who also enjoys capturing extreme weather and extraordinary skies. My work has appeared in major publications and television outlets including the March/June issue of Backpacker Magazine. I am also a brand ambassador for F-Stop Gear.
I enjoy chasing tornados in the mid-west, haboobs in the southwest. Or, when conditions are right, I captured elusive sprites using my intimate knowledge of a storm’s lifecycle. I believe that my work stands out because I can consistently get shots most people only dream of.
One of my other roles is Director of Monsoon Con, an annual convention in Tucson, Arizona. The convention brings together photographers and weather enthusiasts with an emphasis on storm chasing with success.
Jessica Moore I am a female storm chaser of nearly 10 years, making a living from NFT photography and video. I am a meteorologist, professional photographer and videographer, and passionately involved with NFTs. My storm footage and photography has been aired on The Weather Channel, ABC, NBC, CNN, CBS, WeatherNationTV and FOX News. I have also been featured in several national TV news stories about women in storm chasing and meteorology. My non-fungible tokens can be found on Foundation and Open Sea under the handle name @DopplerJess as well.
Natasha S Who says ‘thunderbolt’? Hi, everyone! My name is Natasha, a photographer by passion from Bangkok, Thailand. And here is my favourite shot of a city thunderbolt. One thing I love the most is nature of all kinds. As a kid, I always enjoyed watching lightning dancing in the sky and was never scared of it. For me, it was a light show from nature. So it becomes my passion whenever I see the light flashing from the sky, I always grab my camera and go after it.
In a city like Bangkok, finding lightning is challenging. Most properties in the city are private so it becomes difficult to find a location for the perfect capture. Great meeting you. You can find me everywhere.
Erin AKA GhostTrainPhoto This chase was one of the best chases I’ve ever had. This supercell danced in front of me for almost an hour.
I am a psychology researcher with a passion for storms. I grew up on the western edge of tornado alley and have always been fascinated by the power of weather.
I got into photography as means of justifying the countless hours I found myself driving to experience storms. Photography has now turned into a passion of its own.
Hello, my name is Stephanie. I am a storm chaser and landscape photographer based in Oklahoma. I have spent the last ten years traveling the plains chasing Mother Nature’s fury. I grew up in the heart of tornado alley, so I have always been fascinated my weather. When I’m not chasing a storm, I spend my time traveling and hiking. I love to explore new places and push myself to new limits.
Willard Sharp I am a storm chaser and astrophotographer based in Iowa. The 2021 chase season was really good to me this year and capturing most photogenic tornado of the year in west Texas this past spring was the highlight of my chase season.
Ujwal Puri Hi. My name is Ujwal Puri. I am a photographer and storm chaser from Mumbai, India. My lightning photos have been featured in some of India’s leading newspapers and magazines. I have, as of now, one non-fungible token of a lightning shot. Looking forward to minting more of my storm chasing work on Foundation.
Adam Orgler Hello. I’m a storm chaser based out of central Iowa. I’ve been chasing for 3 years now. I am currently a senior at Iowa State University studying computer ccience. What you will see is the result of an impromptu chase this summer in central Iowa. Over the course of the evening, I stumbled upon two highly photogenic, rotating supercells. The first cell was a fast mover which I had to outrun in order to avoid the large hail it was producing. It had an awesome bowl-shaped shelf cloud along its gust front. After the first cell dissipated, a second, slow moving cell formed to the north. I was able to set up my shooting location in a wind farm as the cell moved right towards me. It was spectacular.
Thomas Knepshield Here is one of my favorite tweets from the year. I sat through a nighttime hail core in Garden City, KS trying to dent my car up and shatter a windshield. I achieved both of those goals here. I am an adrenaline-structure junkie storm chaser from Kentucky. This was my first year hitting the road to chase and I spent six weeks chasing storms along my 16,600 mile road trip. I saw five tornadoes, sat through a bunch of hail cores and captured a lot of lightning on camera. A childhood dream come true. I am twenty-two so that means I have seventy-eight more years of chasing to go (or more if possible).
Tim Slane As a storm chaser and photographer, I chase storms, tornadoes, and lightning in the High Plains of the United States. Through photography, I share the beauty, uniqueness, and power of both storm and landscape.
Hunter Fowkes This is one of my best storm chases I’ve ever been able to undertake in thirteen years chasing tornadoes. This was extremely close to home. What a day. There were many times this tornado felt like the ones I witnessed in Lockett, Texas, Ashby, Minnesota, and Tipton, Oklahoma. The tornado went through many phase changes and was such a sight to behold. I love this state.
Oh, my goodness. I was so enraptured by this presentation that I almost forgot to close it down with a big thank you. I was thrilled to have storm chasing superheroes featured here today. I am grateful to you for sharing your stories and being hard working and passionate, which is what we need to keep us inspired. And by now, you know the drill: Find them on Twitter, and follow them. They are going to look really cool in your timeline.
Thank you, everyone, for viewing this presentation.
Happy Wednesday on Thursday, everyone. I am being sneaky here, and presenting you with a musical interlude from my upcoming musical album. The ninth track is still being composed but I wanted to share this one with you.
I have decided to use Vimeo for sharing this album. It’s so quiet over on Vimeo because there are no ads interrupting my flow and messing with my mojo. I never have to worry about some rando screaming at me in every language to give him my life savings.
The video was created on Canva with one of my logo images as the backdrop. Hope you like the joyful feeling you get when listening to this track.
Greetings everyone, and thank you for viewing this gallery of artwork from my 3D, VR and AR artist colleagues. I was very happy with the response to this call for submissions, and I hope to make this a regular feature here on Saint Joan Creative Studio.
Want to make friends on Twitter? This is the best group of artists to be around. Be kind enough to share this post, as well as the artwork, on your favourite social media platforms. And, if you are on Twitter, engage with the posts so that your followers will see and appreciate them, too.
Zenshy, or Zen, as we call him, is one of the most popular artists in the NFT community because he has a great personality, a charming voice and is always there to support fellow artists. He is the first member of my “Special Voice Club” for Twitter Spaces, and if you hear him, you will understand why. He helped spread the word about this gallery showcase and I thank him very much for doing so. WAGMI.
As you view this gallery of artwork, remember that the #NFTCommunity on Twitter is one of the most close-knit and supportive groups around. If you want to see this in action, follow them and watch your timeline. They are professional artists who work together to offer each other practical advice and encouragement.
Bhushan Vishwas is the 23-year-old co-founder at CodemireGames, a game studio he runs full-time. He has been creating NFTs for more than 6 months. After the latest update, WordPress deleted my logo image, and if it were not for Bhushan, I would not have noticed that.
Something he always tells us is, “Stop saying thank you, we are family.” And because of that, I now have no words to express my gratitude to him for his warm support. A double feature for you, Bhushan, because you are amazing.
Magda Górska is a collage artist from Warsaw, Poland. The only tool she uses in her artistic work is a mobile phone. Apart from producing 3D art, she creates minimalist paintings. Her most recent collection is called, “A pillar of strength” and it is inspired by the power of the mind. I am awestruck by her minimalist, monochromatic style whenever it appears in my timeline.
Elnaz Mansouri is a Canadian 3D artist and photographer based in Reykjavik, Iceland. As you know, I am biased towards all things Icelandic, so when she introduced herself in a space I was cohosting, I quickly “captured” her. I had to duel with an astrophotographer to claim her as my own, and I am happy I won in the end. Elnaz is also a drone pilot. She sells non fungible tokens of her artwork on the exclusive invite-only platform, Foundation.
Aqmal was the first to respond to my call for submissions, and I want to thank them for that. They are a digital illustrator from Tangerang, Indonesia, and their non fungible tokens are featured on the tezos platform Hic et Nunc. If you feel adventurous, connect a tezos wallet (from your Google account, you have a Kukai Wallet) and buy something from their collection.
Beer is a 3D artist from Thailand. He makes music in various genres. His project goal is to complete 100 songs within this year. Please view his media folder on Twitter to see his artwork.
GIMME WORK loves skeletons and biblical references, so I knew we would get along. In the Last Supper Skeleton, he gives a twist to an old favourite. Great imagination, awesome work.
NRN (artwork featured at the topmost section of this tweet) is an artist whose work you love to crave. Enigmatic, elusive, and mysterious. The definition of a muse. Follow them on Twitter for more fabulous art.
Antony Joseph is an automotive enthusiast and die cast model hobbyist. His sleek style and mysterious presentation make him seem otherworldly, and not “just another human being”. He was kind enough to share some of his 3D artwork with us. He has been an artist for 8 years and is now exploring his way into NFTs. He looks forward to connecting with you, so please visit his profile and make friends.
What is exciting about Subin K is that he is a self-taught CGI artist and game developer who works with augmented and virtual reality programs. He resides in Kozhikode, India, and works very hard to perfect his craft. He is only 21 years old, which means he has plenty of time to captivate a global audience.
Architect, author, computational designer and music enthusiast. His work is so vivid and detailed, it is hard to tell that it is all made up. I am happy to feature his work, especially because he supported me as I was trying to reach 3000 followers. After that, we hung out in a space together. Thank you for everything, Arjun.
Say hello to Cat, sculpture artist from Thailand who creates 3D concept art, visual art, and character art. They will be creating non fungible tokens of their 3D artwork for the time being.
Hitendra is a self-taught 3D artist from India who makes high poly 3D cars in the Blender app. He regularly showcases samples of his work on Twitter. Above, you can see him sharing his work in the thread of a well-known collector of NFTs. We all have to showcase our work, and eventually, after much practice, we will become experts at it.
Meet Mint from Thailand. Their NFT concept is “Bring your childhood to heal yourself”. They promise that this “Tale of Tail” collection will make you a smile and relax from your hard days. This presentation is accompanied by a sketch of the animated work. As you can see, it takes a lot of work to get to the final presentation.
And finally, say hello to Luchong, a Nigerian artist who draws all of her 3D faces on her phone. Here, she is showcasing artwork from his collection “Thea”. It is a collection that portrays the diverse beauty of dark-skinned African women in a unique style. It goes without saying that talent goes beyond boundaries, and I believe that we are all richer for the diversity that exists in our world.
Thank you for viewing this gallery. I hope that you enjoyed this presentation. Please give these artists your support by sharing this blog post to your socials. See you at the next showcase.
It is Saturday afternoon and as I write this, I am waiting for a meeting to resume. Unfortunately, two expatriates seated at the far corner of the conference room are talking loudly about assorted bedroom activities. I gather that the man is gay and his friend is a married straight woman. I suppose they are comparing notes?
It was impossible to hear myself think, so I am standing near an open window to let the sound of traffic drown out their voices. And while I am here, I thought it would be good idea to update you with my Instagram goings on.
At the moment, I’m hardly posting on Instagram. But for the past eight days, every 23 hours to the hour, I see that I have 25 new followers. This exact number, at exactly the same time, tells me that this is the work of a machine.
Remember that last year, Instagram was burning my posts. And now, after two months on the platform, the smart tech is working for me. I was advised in a Clubhouse room, a couple of months ago, that Instagram was doing a big reset. I was also advised to take advantage because this was a once-in-a-lifetime event. The problem is that I am an introvert and going live on video will never happen. Because of that, I needed a modified approach.
Here is what happened after two months and 18 reels, 3 (15-second) stories daily, no lingerie selfies, and zero live posts. I am at 472 followers. My account is growing every day, so I will continue on this path. (If only Twitter were as malleable).
This is a business account.
I do not pay for ads which means that all of my engagement is organic.
All of the new followers brought over from Instagram’s smart tech are 85% artists in the NFT community, 5% follower boosting accounts and 10% crypto investors.
Quite a number of my other followers are from Clubhouse. The apps share data with each other. Instagram will automatically suggest my account to anyone following me over there and vice versa.
Posts and engagement
After my first five posts, I started posting reels in the form of animated videos showcasing my artwork.
Avoid captions. Only a few of my reels have them. Instead, I tell a story in a slideshow or MP4 video.
Nearly zero hashtags on posts or reels. Instagram treats hashtags like spam.
Edit all videos or images (to create a slideshow) in the IG native editor using filters.
Add music and carefully choose clips within the song to match the story. Music choice is the number one compliment I have received so far. People seem to have a positive emotional reaction my artwork because of the music.
Repost my own reels/posts to stories.
Hashtags only in stories – limited to one per story and this is always NFT related.
Follow back as many accounts as possible. Check occasionally to make sure that all followed accounts are active.
Restrict spammy, fake looking accounts and never follow sales people (crypto investors).
Reply to all comments and respond to private messages. Delete messages I don’t want to answer. Accounts look spammy if they don’t talk to each other.
Mute accounts that post more than 5 reels in one hour. These kinds of accounts rarely engage with my posts. Then I look spammy to the smart tech.
Visit new followers’ profiles and engage with posts.
Engage with my timeline. Hide, mute, like or share posts to friends.
Join live broadcasts even for a few minutes. Send comments and reactions while there. This signals that I am a real person.
Engage with my followers’ stories by sending reactions and comments. Gauge feedback to these and mute accounts that are not responsive.
Remix posts from active followers and share them to my stories. Add music, fun stickers, gifs, scribbles, text and mentions.
When a follower adds the above remix in their stories, immediately share to my stories.
Use voice memos or calls where possible.
If you are interested in testing this approach, try it on your Instagram account. I must point out that I am niche specific. I am an artist in the NFT community. I focus on graphic design and I’m interested in paintings from visual artists. And though I never tell Instagram what my specific niches are by using captions or hashtags, the smart tech introduced me to blockchain specialists, abstract painters and 3D/animation artists in the NFT space. Then, bear in mind that I spend no more than 30 minutes a day creating at least three stories. I also respond to all of my messages.
No selfies, no bikinis, no bare butts. Only plenty of good music, interesting stickers, and artwork to inspire me. Best of luck.
Happy Thursday, everyone. I am having an epiphany after using AI software to sculpt with light. It was an interesting conversation, with much guesswork on both our parts, but I think we understand each other. I am using the Silk web app for a second day in a row. If you want to try from your desktop browser, it takes a lot of tapping around, but eventually, you will get used to it.
Back to my epiphany. I wonder if anyone reading this is familiar with the hypothesis that we are living in a simulation? By familiar, I don’t meant listening to Elon Musk worshippers who say, “Our world is a simulation”. I mean have you looked at the math and tried to weave a hypothesis on your own?
Some scientists have taken plant-based substances in order to access the cheat codes and escape the program. They seem not clever enough to acknowledge that they lack the correct plugins to decode what they are experiencing. Or perhaps they use the math as an excuse to go on trips and escape the truth, which is that a genius rigged this game and coded them into it.
Many trips later, they are left with a pile of printouts on their office floors, and no-one knows what they are talking about.
PS: Thank you for viewing my video installation. If you are using social media to share your work, and your reach is low, do not take it personally. Yesterday, the results of my first attempt at light sculpting went viral on Instagram. I was getting audio messages to please post more. Weirdly, the same presentation had only a few views on Twitter because the smart tech did not show it to anyone. The same thing happened this morning, with this version, so I will have to rethink the “get seen on Twitter” theory that is being sold to digital artists. Glad this is happening now and not when I have something major to release. Have a great Thursday.
Can you, as an author, achieve effortless book sales using social audio? Please read this post and learn what I have discovered. But get some popcorn first, because there is drama.
It has been a year since I published my novel, The Quarter Percent, and if someone had told me to relax because that people would ask to buy it, I would have thrown a tantrum. And yet, since joining social audio nearly eight weeks ago, I have had lots of people tell me they bought my novel. First, in my Clubhouse profile, I mentioned writing my second novel. Then after a number of requests to share a buy link for the first one, I added it to my Twitter bio.
I’m not using social audio to sell books, by the way: the book sales are a side effect of staying active on the platforms. By staying active, I do not mean staring at my phone all day. Instead, I make time for active participation in spaces or rooms on a range of subjects.
Last year, I collaborated with several artists and we produced artwork for The Quarter Percent. We focused on key scenes and events. One of the scenes opens in front of a graffiti mural in the foyer of a refurbished warehouse. Tensions in a friendship, the transfer of power, and a generous gift are overseen by a portrait of King Cordial’s late wife, Queen Cara. The scene, mural, and cover art are called Cara de la Reina or ‘face of the queen’. To write that scene, I did a lot of research into warehouses and architectural design because the description of the interior had an important function. It set up a contrast between the home’s cool, trendy, laid back atmosphere and the next level scheming that would take place there.
Based on other research, I knew that a cover with a face was ideal, and I assured my publisher that using the mural art was going to work. A year later, this is my avatar everywhere, and saying so in the first paragraph of my Clubhouse profile has made promotion effortless. When people ask me why I don’t use a selfie, I tell them that I am using social audio for business, and I don’t want to attract the wrong sort of customer. Seeing that I get book sales without doing anything extra, it stays right there.
On top of that, someone has been earning money from views of my trailer on a dodgy platform. Every marketer I hired to promote the book has denied having merched the trailer. I only found out because the analytics on WordPress finally appeared in February and showed me a cascade of clicks out to my blog. The owners of the platform are not answering emails or taking phone calls so I cannot find out who is doing this.
Amid all of that drama, you will understand why I gave up on promoting my novel altogether. But I am happy that l have stumbled upon an effective way to sell it.
Regardless of the obstacles, I enjoyed the creative process from last year, and I will expand on that for my upcoming novel. My first idea was to create art prints and posters. Still researching styles that I want to use, and practising on Procreate. Currently, I am producing instrumental compositions for piano, violin and cello. These will match the mood and themes of the story. My YouTube channel is dry and ashy so I asked a composer friend to help me out. I am hoping to share the music with artists and creators who like listening to music as they work.
About an hour before publishing this post, I talked about the project in a business networking group and I was encouraged by the response. The music will also be my rehabilitation after sacrificing brain cells to ratchet YouTube (for research purposes).
Happy Wednesday, everyone. Keep creating, and thank you for staying in touch.
On Wednesday, I downloaded the app again and created a fresh new business account. My experience is much more pleasant because I’m not using captions or hashtags. Instead, my method for increasing my engagement has been to make demands and threats. This has worked so far.
As I mentioned in my previous post, I get asked daily why I am not on Instagram, so I created this business account to connect with professionals I meet through social audio.
Recently, I was fortunate enough to make friends with someone who works with Google to train business owners to use Instagram for marketing. Thus, I have a strong incentive to not toss my phone out the window.
Instagram’s smart tech is impressive, something Marvin Stone would have approved of. I’ve only been on there for three days, not scrolling or searching for anything, and it showed me my favourite dish: charcoal grilled eel on sticky rice. The person who posted the image also has his headquarters at Starbucks and like me, he has the same drink every time he goes there. I had better behave or that thing is going to publish all of my secrets.
So in one of the scenes for my upcoming novel, I wrote about a social media application that shows only one post at a time. One of the characters, Mimi Hollingsbrook, is preparing for her work day. Because she works in the Royal Household as Baby Pudding’s nanny, she has agreed to keep a low profile on social media. Against her better judgement, she decides to look at her feed, and notices something in a caption from a famous influencer. She has a meltdown after reading it. Within a few minutes, her response, which is full of expletives, gains 5 million likes. This prompts her to permanently archive her account. In a later scene, Mimi is given a taste of power when a quarter percenter asks her to decide about that influencer’s future.
When writing notes about the social media applications I would be using in the story, I thought about reactions from readers. I was convinced that this feature would never be adopted in the real world. However, at the moment, the trend is to be super minimalist on Instagram, with as few posts as possible. At this rate, if I don’t hurry up and finish drafting, I will be publishing historical fiction.
In further news, I have been sucked into the vortex and I am now managing my social audio apps on two phones. One for Clubhouse, Discord and Twitter, and the other one for Greenroom and Instagram. That’s because one of the apps keeps crashing if I’m in audio spaces on two others. (Don’t ask). Juggling two phones might look cool on TV but I’m an introvert, so it does not feel right.
Where two or more humans are gathered, there will be drama, and in this post, I will tell you how to avoid drama on Clubhouse. The app is now open to everyone and overnight, sellers of invites went out of business, while the bot and troll populations have exploded. As of Sunday, moderators are now challenging listeners before inviting them on stage to speak. As I edit this post, a moderator is ejecting a speaker who got on stage to ask, “Uhm… What’s the topic?” Read ahead and learn how you can avoid getting clubbed as a newbie.
First things first. You need a bio. The easiest way to get clubbed is to not have one. Your profile should explain your interests and tell everyone why you have joined Clubhouse. If you are registered and have no bio, stop reading this and update it right now. When I joined in mid-June, people were complaining about extra long profiles. Now, listeners without them might never get invited to speak due to the ongoing troll and bot problem.
Add a profile image, logo or something representing your objectives. Drama people like to do screen captures of avatars, so make sure that yours is something you would not mind seeing on Twitter. Mine is the cover of my novel The Quarter Percent and it is also my first minted NFT. The image prompts questions and because my answers match everything in my bio, people with shared interests feel comfortable contacting me.
The second thing you need is a linked, updated social media account, website, or email. Clubhouse is designed for drop in socialising, and communication is supposed to continue off the app. You may link Twitter and Instagram but almost everyone on Clubhouse is on Instagram. Every day, someone asks me why I do not use Instagram. Clubhousers prefer Instagram even though they get action blocked, hashtag banned, accounts suspended and posts smoked. If you choose not to get an Instagram account, be prepared to explain yourself all the time.
Third, recognise that drop-in audio allows speakers from all over the world to be in the same room and participate in a conversation. If a person says they are going to bed and you are starting lunch, “How dare you have lunch? I just woke up,” sounds weird, so stop.
People have been waking up as others were going to sleep every day since we crawled out of the mud and coughed up our gills. Because time zones. Remember that passport checks are only to be done by the police.
Many clubs are already scheduling rooms only for members, to avoid answering the same questions again and again. Unfortunately, this means that a lot of valuable information you might need for promoting your work is going to be reserved for people who are already comfortable using social audio. For more advice on social audio etiquette, please visit this post.
Fourth, focus on large rooms where you can listen, ask for advice, and share information. This will raise your engagement quickly and safely. The fastest way to get clubbed is to immediately align yourself with a person or small group. A person’s objectives might change, or they might be drama people. Scan your hallway and hop into a small room that looks interesting. But leave immediately if there is any hint of hostility. Be like water and flow where support and positive engagement take you.
Fifth, spend your first week following active clubs related to your specific interests. Use the calendar feature to manage your time. In these rooms which are topic-specific, you already have something in common with listeners. Speakers and listeners will read your profile and look at your social media feeds. Be equally discreet and read bios to find out more about your roommates. As mentioned above, the moderators are definitely reading yours.
Sixth, ignore pings. That is the software at work, and you are not receiving a cordial invitation. Nine out of ten people who ping you will not respond when you ping them, so do not play. Especially ignore pings that invite you into single-host private rooms unless an appointment is arranged in the backchannel. I wish I had received this advice before joining Clubhouse. Assume that you are being roped into a speed dating event without your consent. The hosts will vanish once they find out you are not living two houses away from them. Save yourself the irritation and avoid responding in the first place.
That should do for your first two weeks. Social audio is constantly evolving. One day you’re with a group of friendlies and the very next morning, you wake up in the middle of a shark tank. Use the application actively by knowing your purpose and staying on brand. Listen first, keep up with conversations, steer clear of controversial topics, and stay open to new experiences. Practice good etiquette at all times. You never know whose avatar is sitting next to yours on stage.
Postscript: Abstract paintings are from Sunday. I spent nine hours learning how to use Procreate, and I am slowly feeling my way through the features.
Are your goals clearly defined? Your next step is to collaborate with likeminded individuals. Work with practical, updated information. Record results and refine your process as you go. To master the practice of scrum, recognise when it is necessary to regroup and realign. Then do it.
The first iteration of this installation was a mass of crawling text that broke WordPress. Yay! But after it broke my phone’s browser, I decided to update this post with a collage of screen caps from Reader and the main site.
Thankfully, I had saved the screen caps for the tweet design below, so it was easy to make another pass with the two typography posters. I hope you enjoy them.