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AI Revolution: How you can work with a high-end writing assistant 

According to a new article in Fortune, Bill Gates is annoyed that “the AI revolution means everyone will have their own ‘white collar’ personal assistant”. Most writers I know don’t have billions of dollars of pocket money to hire the best and brightest ghostwriters, or a whole publishing company to do editing, distribution, and marketing. The best we can afford is a free, high-end AI writing assistant that produces instant results. 

In the recent past, I have hired a large roster of contractors to help me with various projects. Often, I had to wait up to two weeks to find out I would not receive what I was promised. That led me to start double hiring so I could have a backup in case someone let me down.  

What I want for my creative projects is forward movement. I do not want to be miserable, tired, spent out, and burnt out. Deep learning language systems like OpenAI’s ChatGPT and Facebook’s LLaMA are the technological upgrade we have been waiting for, and I encourage you to start using them as tools. In this post, I will use ChatGPT and my third novel (WIP) to show you how the system works. It is really easy to work with an AI writing assistant.  

First, you should start a new chat and tell the system your objective. I said, “Pretend you’re a fiction author. Please be my creative writing assistant today.” Then, I explained that I would focus on three areas: character descriptions, realistic dialogues, and character motivations. After you do that, adjust the details and send one request at a time.

Generate character descriptions

My third novel has one principal character, a woman named Hurricane Nisto. Hurricane is extroverted but not very talkative. She prefers to observe her surroundings because she is always searching for inspiration for her next fantasy. But what does she look like? In the chat, I wrote notes on Hurricane’s personality, nationality, and work environment. I then said, “I don’t have any idea what she looks like.” 

ChatGPT’s first response was a rehash of what I wrote, so I tapped “regenerate response”. This time, the system gave me a physical description of Hurricane. 

ChatGPT’s response: 

Hurricane Nisto is a woman in her mid-thirties with Nordic features that reflect her Norwegian heritage. Her long, blonde hair is usually styled in a loose ponytail, framing her heart-shaped face, sharp cheekbones and piercing blue eyes. Her tall, slender build is often hidden behind loose-fitting clothes. She prefers comfortable, casual clothes because they allow her to move freely.

Draft realistic dialogue

After finding out what Hurricane Nisto might look like, I now focus on one of her conversations. She has a vivid imagination, which distracts her from the mundane tasks of her government job. Fantasising got her in trouble and this is the basis for the events unfolding in the story. 

Most of Hurricane’s conversations take place online. At one point in the story, Hurricane buys an Italian castle for the unbelievably low price of ten kroner (roughly US$1). Then, she finds out she has to renovate it. She lives in Antarctica so she needs to hire an assistant who lives in Italy.

The details I gave ChatGPT were that a castle was purchased for US$1, that Hurricane is living on a remote island, and she used a digital bulletin board to advertise for an assistant living in Italy. The output told me that a candidate, Priya, travelled to Antarctica to meet Hurricane in person. This was a mistake, given the specific details I provided, so I reminded the system to pay attention. I said, “Priya never leaves Italy and Hurricane never leaves Antarctica. They have to work virtually. Please start over.”

My question was, “How does their conversation start? Do not include self-introductions.” 

ChatGPT’s response: 

Apologies for the confusion earlier! Here’s a revised version of the conversation starter: Hurricane and Priya connect over a video chat app on a social media site. They’ve never met in person and are communicating virtually due to the distance between them.

And this is a portion of the dialogue generated: 

“It’s a long story,” answered Hurricane, “but basically, the castle has been abandoned for years, and the government sold it for a very low price as part of a preservation project. I saw the opportunity and took it, even though it’s located so far away from me.”

“That’s fascinating,” was Priya’s response. “So, how can I help you with the castle?”

“I need someone to inspect the property and give me a detailed report of its condition,” answered Hurricane. “Can you do that for me, Priya?”

An interesting draft, and the tone is appropriate for a professional conversation. And now I have an idea of how helpful (and fast!) the software is for drafting dialogue based on a general prompt. 

Brainstorm character motivations

Remember that Hurricane Nisto is an extroverted person who is not talkative. At the start of the story, we know why she ends up living in Antarctica. She breaks a rule at work, but does not get fired because her government job is secure. The workaround is to send her to Antarctica. In her new job, she supervises a weather station on a Norwegian outpost. 

The incident was a “stairwell tryst.” The system already knows that Hurricane is a fantasist, and is somewhat detached from what’s happening around her. So, I asked simply, “Why would Hurricane have a stairwell tryst with a supervisor in her office?”

After reviewing the results, I told the software that there was no “affection” between the characters, and that Hurricane was neither materialistic nor ambitious. 

ChatGPT’s 3rd attempt:

Hurricane Nisto has a tendency to daydream, and if she is not motivated by personal gain or advancement in the workplace, it’s possible that her affair with the senior colleague is driven by a need for validation or attention. She may feel overlooked or invisible within the organisation. And the attention and validation she receives from the senior colleague may make her feel seen and valued. Or, Hurricane may be bored or dissatisfied with her life, and the excitement of an illicit affair may provide a temporary escape from the monotony of her routine.

These were valid motivations, but this output required three generations. The model had a difficult time understanding that Hurricane has low self-awareness. I agree that Hurricane may be bored or dissatisfied with her life, but her character is nuanced. She acts like someone who thinks, but in reality, she is driven from one circumstance to the next. To fully develop the story, I will need to show the reader that Hurricane is likeable despite her lack of self-awareness.

Conclusion

One of the wonderful things about working with a deep learning language model like ChatGPT is that I have grown more confident as a writer. There are lots of people saying that AI will replace creative writers, but I am sure that won’t happen. Creative writing requires flexible thinking which present AI language models might not be able to handle.

Robots cannot tell a story with deliciously intriguing characters. Even with detailed prompts, they cannot present nuanced emotions and personality quirks. They may have a low tolerance for human flaws. But they can provide support with technical research, and provide feedback on storytelling techniques.

The secrets to generating useable output are to create detailed prompts and establish baselines for the output. Give plenty of feedback. Assistants don’t read minds and this software is not clairvoyant. Please practice, and tell me what happened.

Thank you for reading. Best of luck with your writing tasks. 

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Writers’ Lift: AI integration in Google Workspace

Some exciting news was announced yesterday about generative AI integration in Google Workspace. Most of you might already be familiar with this paid set of apps used to manage a business. We already have access to a free version of the apps through our Google accounts. The workspace suite allows more functionality and comes with pricing options.

Dear Lord, let it be cheap. What I’m truly excited about is the prospect of having AI tools to help me research my writing projects. My second book is already finished and is waiting to be published. The plot itself was simple, and the story timeline was relatively uncomplicated. However, I needed to take the entire 2022 off to battle the great zombie apocalypse at work.

And even though it was challenging, I managed to get my writing done and produce two musical albums to go with the story. For this second novel, what was especially challenging was the research. In my Google Docs, I have a small book’s worth of research on the story. Of course, I love inventing new place names and designing interiors. I also have a wiki about the rules of interactions and laws of the fictional country in which the story is situated. It was also relatively straightforward to design a wave-powered yacht which has a floating indoor farm. But that wasn’t the most challenging part of the research.

This is a romantic story, which is not in my wheelhouse. In order for the story to work I needed a convincing pathogen, a test for that pathogen, and a treatment. Then I also needed a bunch of legal proceedings to distract my protagonist from his love interest. In other words, I had to leave the actual dialogue and chase rabbits down rabbit holes. One particular rabbit hole from which I recently got sprung was in YouTube.

I was fully immersed in some pop culture commentary. One of my protagonists is obsessed with social media. She knows what celebrities have for breakfast, but she thinks she’s better than they are because she doesn’t post countless photos of herself online. I needed to know how she spun her thoughts in her private moments, and I wanted to know what ticked her off. She was pretty irritated for most of the story, and she was using social media as a distraction from what was really bothering her.

I’m not writing about myself, I’m writing about a character. And I might have broken my brain. While I’m rehabilitating, I am creating a plan for how I’ll use the AI tools embedded in Google Docs to write about a much more complex character, Hurricane Nisto, in my third novel. It would be nice to fully flesh out her “voice” using the rules I created in the treatment for the story.

I had a plan to run off to Antarctica to write that story (already started) because that’s where everything happens. But I’m hoping I will be able to access the AI integrated suite for a very affordable price by the time I’m ready to continue working on it. I might not have to travel at all.

Thank you for reading. I’m more than happy to hear about the projects that you’re working on. I have been trying to find your blogs but not sure if I’m meant to comment or not. Please let me know how I can support you. If you find some of my comments in your spam folders, please be kind enough to fish them out for me. Best wishes.

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Content moderation at Elon Musk’s Twitter


Forget the Twitter Files, citizen journalism, or profit-sharing for creators. Elon Musk’s Twitter has one priority, and that is Elon Musk. It appears that he bought the company so he could broadcast his message without interference from legacy media. And it is possible, and this is only a theory, that he bought it because he wants to own a recognised media brand. I’m thinking of his 15-year feud with Jeff Bezos, who owns the Washington Post. 

The majority of legacy media is against Elon Musk because they know that Twitter has given the power back to people with its no-biased censorship.

Twitter takeover has changed the media forever – for the good. @elonmusk

Originally tweeted by DogeDesigner (@cb_doge) on January 29, 2023.

People think Musk wasted $44 billion ‘on an app’. It is not an odd choice when you realise that he has paid about $119.56 per user so that he can freely promote his businesses to them. (That figure is based on 368 million unique monthly users). 

If you’re on Twitter, what does content moderation look like? The latest change is that the smart technology has been showing you more posts from accounts you don’t follow. If you’re Elon Musk, your tweets will be shown to potentially 368 million unique users. But in reality, they are being shown to lots of people who will simply scroll past. Because of these changes, your follower count doesn’t matter as much as it used to. Engagement is key to content moderation. 

And though this reality is clear, content management is still incredibly frustrating. The ideas I shared in my earlier posts are still useful. In fact, they are more relevant now that the platform is focused on ‘real people talking to each other’. In light of certain new developments, I want to share some ideas and strategies that will help you to optimise your presence on the platform. 

Let’s focus on content moderation. Content moderation on Twitter is still facilitated by smart technology, or machine learning systems. But after Elon Musk fired more than 50% of the tech staff, the remaining staff have needed to make adjustments. They need time to write millions of lines of code in order to trial Musk’s hare-brained ideas, or to write useless reports for one of his lackeys. Then, they need to work overtime to press the “undo” button 10,000 times after trials are met with backlash. 

Perhaps their efficient retasking of the smart technology (by making it ultra sensitive) has led to more intense sorting of tweets, keywords, and accounts into silos. Silos are groups of accounts or tweets, based on keywords and common areas of interest. Read more on how sentiment analysis software helps make those decisions.

The system was always sensitive to your scrolling actions. Even a momentary pause is noticed by the software. And it reads your direct messages. Quite a number of people believe that direct messages are “unseen”. And they would be wrong. Everything you type, either in a public tweet, or in a direct message, helps the system to make decisions about the standing of your account. 

One other priority for the smart tech is to eliminate spam. The system is trained to filter out spam aggressively. Musk wants more organic views from your account, and if the system is overwhelmed by spam, you will not see his tweets. 

Twitter owner Elon Musk tweeted out this dot which generated news headlines and over 52 million views.

Based on observations of user accounts, the best way to get added to a spam list is to send lots of private messages to tweeters who don’t reply back. Other actions? Overtweeting, tweeting the same media (image, GIF, video) multiple times in a day, or replying to tweets and not getting a reply back. These are some actions which are read by the system as either “not engaging with other accounts” or “tweeters don’t like this account”. 

Remember what I said about accounts getting siloed? If your account (A) does any of the above actions and engages with another account (B), this account (B) will be flagged as, “account B is attracting spam accounts like A.” Then, people engaging with B’s tweets will be added to a list marked “accounts interacting with this account B which is in the group with account A”. This is a weird chain reaction that has affected a lot of perfectly legitimate accounts. And it’s unfair.

The phenomenon of people locking their Twitter account with the hope that it will improve engagement is a strange phenomenon. They’re performing a digital ritual to make themselves seen. Doing a little rain dance, but they’re trying to summon views instead of precipitation.

Deprived of any meaningful power, people have become convinced their only influence lies in the visibility of their content. So of course they’re willing to try these little tricks and quasi-spells to spread their content and maximize their power.

Originally tweeted by Travis View (@travis_view) on February 1, 2023.

Recently, quite a few tweeters (including me) have tried locking our accounts to test the idea that our tweets would be further boosted among our subscribers. This worked very well, but it is a glitch and only a temporary fix. Fortunately, I have tested more reliable ways for you to fix your engagement. They’re presented here in no particular order.

  • Block spam accounts as soon as they follow you. Or, remove their follow from your settings on the desktop device/web browser. Do not unfollow many accounts at once, as this will look spammy. Go slowly.  
  • If you already get lots of engagement on your tweets, start restricting replies to people you follow. This will prevent bots from leaving comments on your tweets. Again, bot replies will make your account look spammy if you don’t hide them. 
  • Reply to everyone who comments on your tweets. 
  • Ask subscribers to turn on notifications for your tweets. Only ask for this if you don’t tweet every 10 minutes. Imagine hundreds of people rage blocking you for constantly interrupting them. You will feel bad, so think twice about this. 
  • Use the “following” tab to find active users. Reply to their tweets and invite a response. After 4 – 6 hours, go to your profile and delete replies (and tweets) that received no views or likes. Some people you follow are too busy to reply because they are busy tweeting. You can tell by the cascade of consecutive tweets (not part of a thread) that show up in your feed.
     
  • Ask more of your followers to subscribe to your blog (because you have one). And remind them to keep up with you that way. Remember that owning your own domain is the best engagement hack ever. 

Twitter is in utter chaos at the moment, but remember that it is a private company devoted to serving its owner’s emotional needs. He needs a breathtaking amount of attention. When I was writing notes for this post, he had posted a dot to his timeline, and it has already generated 52 million views. We are all enablers at this point. And until Elon Musk decides to let someone new play with his joystick, he will remain our fiercest competitor. 

Postscript: February 10, 2023. Another day, another dot tweet. If it is not yet obvious that Mr Musk seeks validation in Twitter engagement (views, likes, retweets, comments), here you go. When the personality decides what the algorithms will prioritise, it is helpful to focus on what is driving the person’s behaviour.

Update: February 11, 2023. Article on Elon Musk throwing a tantrum over low view counts for his tweets. Underscores the purpose of the “point” tweets. And I reiterate the point I made in the beginning of this post – Musk’s motivation is to get attention. Quite a lot of system errors, glitches and outages are caused by the lack of staff to monitor servers that run the platform. But a qualified engineer was fired for not saying what the boss wanted to hear. People are right to focus on the man himself if these are his priorities.

Update: February 15, 2023. Daily Beast is reporting (from a report on Platformer) that Elon did actually mess with Twitter algorithm to juice his own numbers. Adding this here because I was told that Mr Musk’s personality had NOTHING to do with navigating the algorithm. In other words, my initial analysis, which is that Mr Musk’s plan was to use Twitter to poke the eyeballs of all active users on the platform, was correct. And this would be obvious to anyone paying attention to his tweets (like this one his tech staff jacked up to 55 million impressions). At this point being part of this billionaire’s glorification milk tea party is really a choice to remain uninformed. And in response to allegations, here is the tweet from Mr Musk’s account acknowledging that he ordered his staff to mess with the algo so everyone would see his tweets in their feed. I find this quite disgusting.

Update: February 28, 2023. This drama keeps devolving and I’m here for it. I thought mansplaining had died out with the #metoo era but apparently dinosaurs/throwbacks still roam the earth. This is why I’m adding more evidence that Elon Musk, owner of Twitter, is a giant asshole and this directly affects how Twitter operates. And here we are, look at how he unceremoniously fired the staff who pledged their allegiance. One executive slept on the office floor to deliver the impossible and help him save face after he bought Twitter and made it weird. He fired her, too. But not before doing an informal peer review and destroying the Slack channels which helped the engineers to troubleshoot problems. There are now fewer than 1800 people working at the company and that means, like I said, the machine learning software (smart technology) is mostly running the platform. Therefore, tweeters must be careful about triggering the protocols that will get their accounts shadowbanned or siloed.

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How to market your novel with music

West Port: Intro to Songs for Maitheland (Part I)

Hello, everyone. It is time for another adventure in “how do I market my second novel”. My second fiction novel, which I am calling Maitheland, is wrapped. And, as you know, I have been working on this novel for some time.

The story takes inspiration from romantic flash fiction I wrote for this blog eight years ago. I decided to repackage the story and make one of the main characters a nephew of King Cordial from The Quarter Percent. This time around, I plan to promote the novel with music.

I took my time to finish writing the novel because I had to relaunch, promote, and relaunch my startup again. During that time, social audio became an adventure and I made lots of great connections through this new medium. Some of my new colleagues have been featured here on this blog.

Photo by Maisie Kane

Sidebar: Speaking of social audio, now that Elon Musk owns Twitter, if you’re not on there, kindly dust off your accounts and hop in now because the popcorn drama is on every hour. Not even journalists, clamping their eyeballs on their phone screens, can keep up.

On Thursday morning, Elon cohosted a Twitter Space. A day later, I read a news report that the host, Robin Wheeler, and cohost, Yoel Roth had quit. About two hours after I scheduled this post, I see a tweet from Robin saying that she was still at Twitter. That was too fast. The space was recorded, so you can listen in.

And now, back to promoting my novel. You may remember that my attempts at promoting my first novel, The Quarter Percent, were pure drama. This time, music has been my focus.

Why music? Aren’t you only supposed to read a novel? I wanted to create an immersive experience for readers. The story is sensual and moody, and I think that listeners will appreciate that. There are also lots of soundtrack music fans out there. And I have my own playlist I listen to when I want to concentrate. That is why why I thought this idea would work.

Photo by Marcelo Chagas

After producing a suite of classical tracks for one scene in the novel, Maitheland, I thought about creating EDM tracks related to the story. But as I contemplated the expense of hiring a new team, I asked Google if AI could generate music for me.

The answer was yes, and that was how I found the platform Boomy. Over the course of two days, I created five songs. If you go to my Vimeo channel, you can hear five tracks in the easy listening, loopy style that is really popular on YouTube.

How does all this help with marketing my book and other creative projects? Simply put, presence, exposure, and traffic. My plan is to take advantage of Boomy’s role as my distributor. The platform will submit my work to all of these streaming services:

Rolling hills and river in Iceland, the physical location for my fiction work, Maitheland.
Natural scene from Maitheland

… Spotify, Apple Music, Pandora, Amazon, Google Music, YouTube Music, YouTube, TikTok, Facebook, Instagram, Shazam, 24/7, 7 Digital, 8Tracks, Akazoo, Alibaba Music, Amie, Audiomack, AWA, Deezer, EOS, iHeartRadio, iMusica, Kanjian, KKBox, Line Music, Leeway, MediaNet, RealNetworks, NetEase, Neurotic Media, RX Music, Saavn, Slacker, SoundExchange, Tencent Music, Aspiro, TouchTunes, UMA Music, Yandez, and Zvook.

Boomy |About

Have you even heard of some of those platforms?! In other words, based on the uptake, the soundtrack for my novel is going to be available everywhere. And that means (if I have used really good keywords) someone will find my work. Then, if they are intrigued, they will look me up. The first release of five tracks is called Songs for Maitheland Part I. There are four completed tracks, and I am hoping to expand that over the coming few weeks.

At the moment, I am waiting to find out if my music will be accepted by the above streaming platforms. Until then, I am building a presence on Vimeo. The rest is up to you. I hope that you enjoy the sounds of Maitheland.

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All Hallows’ Chic

Sylva and Tee Nightmare

Recently collected is the spectacular nonfungible token from Keith Allen Phillips on Hic et Nunc. The blurb reads, “Sylva and Tee – Nightmare. If you wake up to this at the end of your bed, do you run or do you stay? This is Sylva Hattington with Tee Marie modeling some of Sylva’s amazing creations.”

Will be checking my stats in about six hours to find out exactly how many eyeballs were clapped on this image, all 7MB of it. If you thought your eyes were going to fall out, wait until you see the rest of Keith’s collection. (Don’t look.)

And if you want to know the whole truth and nothing but the truth, I was drawn to the portraits because of the headdresses. I love headdresses and finding out these were designed by a woman made this token a must-have. Maybe it’s because I’m such an introvert and I need a shell in which to retreat.

Tea Time by Gimme

Then, collected last Sunday, was Tea Time by Thai artist GIMME because I have a thing for skulls carved out of crystals. The artist was featured in an earlier post on 3D NFT artists. I thought that nothing could make them scream, but they freaked out when I told them I was going to collect this token.

Now, if you want a nightmare story for Halloween, it should be about my dysfunctional love life. Without making a confession of any sort, I’ll give you the rundown as if it were the treatment for a work of fiction.

The story goes, a woman who looks disturbingly young for her age has run away from her gilded cage where she is being courted by dozens and dozens of extremely handsome suitors. As night draws near, she stumbles upon a tower at the edge of her world. The steward of the tower is a monk who has lived there, alone, for nearly thirty years. Seeing an opportunity to have all of his knowledge recorded, he seduces the woman with a promise to share his ultimate secret.

In exchange, she must work with him to write down every miracle he has ever performed. The woman agrees because she is in love. And as she studies his alchemy, she suspects that his insights are pedantic filler. His proclaimed power over the material world could be the stuff of fantasy. In order to save herself, she embarks on a search for her true soulmate. Does he exist, and will she find him in time?

Have a safe and blessed Halloween.

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Fantasy Waltz: Midweek Serenade

Happy Wednesday on Thursday, everyone. I am being sneaky here, and presenting you with a musical interlude from my upcoming musical album. The ninth track is still being composed but I wanted to share this one with you.

I have decided to use Vimeo for sharing this album. It’s so quiet over on Vimeo because there are no ads interrupting my flow and messing with my mojo. I never have to worry about some rando screaming at me in every language to give him my life savings.

The video was created on Canva with one of my logo images as the backdrop. Hope you like the joyful feeling you get when listening to this track.

Thank you for listening.

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Greetings from the Metaverse + Twitter (Spaces) update

Happy Monday, creators.

Photo by Anna Shvets

Does anyone remember that time last year, when I was crying into my phone about Twitter? Well, I took my own advice and it seems to have worked. I was miserable because I felt I had to change myself to fit into what I thought would gain traction. However, with this new account, I started out with the intention of doing what I wanted to do.

A musician I met on Saturday had this to say this morning.

Being a person with broad interests and unquenchable curiosity might have helped. After deciding to focus on non fungible tokens as a subject, I had no idea that all of my favourite topics would collide under that niche.

Unlike my previous post, in which I showed how you can get Instagram’s smart tech to work for you, Twitter is tricky. I can only give you generic advice with the caveat that everything depends on your specific subject matter. As you read, remember that I am using Twitter to promote sales of my creative projects, including fiction writing and fine art.

Social audio, specifically Twitter Spaces, allows me to hear from machine learning specialists, Buddhist and Hindu philosophers, philanthropists, musicians, authors, poets, programmers, game developers, actors, singers, tech venture capitalists, marketers, attorneys, architects, publicists, and blockchain specialists.

My work has been to use Twitter Spaces to create one large thought bubble, wherein everyone discusses a topic from the perspective of their areas of expertise. Reaching for a cognitively rich experience has made my time on Twitter stimulating instead of exhausting.

An example of a good bio tweet

In the list below, I will share some general ideas for working within your own niche with the help of Twitter Spaces. The most important principle to remember when marketing or promoting your work on any platform is simply, “Do what works, not what you like to do.”

  1. Spend time on Twitter. Can’t tell you how many times I have had people tell me they had no time but wanted to know the one tweet they could post so they could gain 10,000 fans overnight.
  2. Curate your feed. Do not scroll. Stop and engage with tweets for about ten minutes. Like it, share it, or toss it. Use the “Not interested in this tweet” option and add specific reasons. This helps the smart tech to learn more about you.
  3. Tweet a bio tweet like the one in Sreeran’s example above. Thereafter, when you enter a space, say your account name and your personal tagline and the smart tech will index your account under the correct topics of interest.
  4. Join Twitter Spaces and listen in as a priority, even if invited to speak.
  5. Use your time on a speaker panel to give a voice to your engagement. You may want to say that you have commented, liked, or retweeted a speaker’s tweet.
  6. Support other accounts more than you tweet about yourself. We use the word “shill” to mean “self promote”. Shill for others because as a rule, do for others and they will do for you. If you receive no support from an account, focus on other accounts until you find your group.
  7. Take your time and work consistently. Results will multiply over time, because your diligent effort will earn you trust within your network.
  8. Keep the hashtags to a minimum (2 – 4 maximum) until you meet your ideal threshold of engagement in terms of tweets, retweets, comments and likes. Thereafter, use them rarely.
  9. Avoid negativity. Rephrase your words positively (for the smart tech). Do not follow accounts that are antagonistic towards your principles.
  10. If you must be outspoken, discuss and debate in spaces where your ideas will be heard, even if others disagree. Same rules go for all audio spaces. Keep rants super short.
  11. Quote tweet. Own the conversation by bringing it to your timeline. Bring it up later in spaces and ask for feedback, shares or other engagement on your tweet.
  12. Tag accounts and mention them in tweets with requests for answers. This raises your engagement by putting you on their timeline. It is also a great way to start a conversation.
  13. Consciously disengage. When you disagree in a comment, etc., the person with whom you disagree gets a boost by the algorithm because the smart tech will read your engagement as POSITIVE interest.
  14. Avoid engaging with inactive accounts. Twitter’s smart tech loves fresh content, so keep within a view/comment/share threshold of about 17 hours.
  15. Follow accounts that you genuinely like and want to support. As a rule, I avoid following popular accounts and add them to lists instead.
  16. Any support you receive must be reciprocated. And focus on supporting accounts that give you support in return.
  17. Analyse, rinse and repeat. If you start gaining support from your activities, try them again and see what happens. If a thing is working, keep doing it, regardless of whatever “advice” you receive, including mine.

Remember to try many things. Do what works and not what you like to do (for example, staying off Twitter or only tweeting about yourself). After joining Twitter with a fresh new account on June 19, 2021, my account now has 3107 followers today, September 27, 2021. The final push to 3000 happened last night (Sunday) when the count was at 2992. Thankfully, when I asked for some help getting over the line, my friends were there to offer their support. And that is how it should be. That’s all for now, and thank you for reading. See you in the metaverse.

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Instagram’s smart tech is a loving me thing

It is Saturday afternoon and as I write this, I am waiting for a meeting to resume. Unfortunately, two expatriates seated at the far corner of the conference room are talking loudly about assorted bedroom activities. I gather that the man is gay and his friend is a married straight woman. I suppose they are comparing notes?

Photo by Andrea Piacquadio

It was impossible to hear myself think, so I am standing near an open window to let the sound of traffic drown out their voices. And while I am here, I thought it would be good idea to update you with my Instagram goings on.

At the moment, I’m hardly posting on Instagram. But for the past eight days, every 23 hours to the hour, I see that I have 25 new followers. This exact number, at exactly the same time, tells me that this is the work of a machine. 

Remember that last year, Instagram was burning my posts. And now, after two months on the platform, the smart tech is working for me. I was advised in a Clubhouse room, a couple of months ago, that Instagram was doing a big reset. I was also advised to take advantage because this was a once-in-a-lifetime event. The problem is that I am an introvert and going live on video will never happen. Because of that, I needed a modified approach.

Photo by Tim Gouw

Here is what happened after two months and 18 reels, 3 (15-second) stories daily, no lingerie selfies, and zero live posts. I am at 472 followers. My account is growing every day, so I will continue on this path. (If only Twitter were as malleable).

Metrics 

  1. This is a business account. 
  2. I do not pay for ads which means that all of my engagement is organic. 
  3. All of the new followers brought over from Instagram’s smart tech are 85% artists in the NFT community, 5% follower boosting accounts and 10% crypto investors. 
  4. Quite a number of my other followers are from Clubhouse. The apps share data with each other. Instagram will automatically suggest my account to anyone following me over there and vice versa.
Photo by Fiona Art

Posts and engagement  

  1. After my first five posts, I started posting reels in the form of animated videos showcasing my artwork. 
  2. Avoid captions. Only a few of my reels have them. Instead, I tell a story in a slideshow or MP4 video. 
  3. Nearly zero hashtags on posts or reels. Instagram treats hashtags like spam. 
  4. Edit all videos or images (to create a slideshow) in the IG native editor using filters.
  5. Add music and carefully choose clips within the song to match the story. Music choice is the number one compliment I have received so far. People seem to have a positive emotional reaction my artwork because of the music. 
  6. Repost my own reels/posts to stories. 
  7. Hashtags only in stories – limited to one per story and this is always NFT related. 
  8. Follow back as many accounts as possible. Check occasionally to make sure that all followed accounts are active. 
  9. Restrict spammy, fake looking accounts and never follow sales people (crypto investors). 
  10. Reply to all comments and respond to private messages. Delete messages I don’t want to answer. Accounts look spammy if they don’t talk to each other. 
  11. Mute accounts that post more than 5 reels in one hour. These kinds of accounts rarely engage with my posts. Then I look spammy to the smart tech. 
  12. Visit new followers’ profiles and engage with posts. 
  13. Engage with my timeline. Hide, mute, like or share posts to friends.
  14. Join live broadcasts even for a few minutes. Send comments and reactions while there. This signals that I am a real person.
  15. Engage with my followers’ stories by sending reactions and comments. Gauge feedback to these and mute accounts that are not responsive. 
  16. Remix posts from active followers and share them to my stories. Add music, fun stickers, gifs, scribbles, text and mentions.
  17. When a follower adds the above remix in their stories, immediately share to my stories.
  18. Use voice memos or calls where possible. 
Photo by Steve Johnson

If you are interested in testing this approach, try it on your Instagram account. I must point out that I am niche specific. I am an artist in the NFT community. I focus on graphic design and I’m interested in paintings from visual artists. And though I never tell Instagram what my specific niches are by using captions or hashtags, the smart tech introduced me to blockchain specialists, abstract painters and 3D/animation artists in the NFT space. Then, bear in mind that I spend no more than 30 minutes a day creating at least three stories. I also respond to all of my messages.

No selfies, no bikinis, no bare butts. Only plenty of good music, interesting stickers, and artwork to inspire me. Best of luck.

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about me art fiction opinion science fiction technology women writing

The Quarter Percent: Effortless book sales with social audio?

Quarter Percent – Trailer

Can you, as an author, achieve effortless book sales using social audio? Please read this post and learn what I have discovered. But get some popcorn first, because there is drama. 

It has been a year since I published my novel, The Quarter Percent, and if someone had told me to relax because that people would ask to buy it, I would have thrown a tantrum. And yet, since joining social audio nearly eight weeks ago, I have had lots of people tell me they bought my novel. First, in my Clubhouse profile, I mentioned writing my second novel. Then after a number of requests to share a buy link for the first one, I added it to my Twitter bio.

The Quarter Percent, novel by Lily Nicole, cover art
Cara de la Reina

I’m not using social audio to sell books, by the way: the book sales are a side effect of staying active on the platforms. By staying active, I do not mean staring at my phone all day. Instead, I make time for active participation in spaces or rooms on a range of subjects.

Last year, I collaborated with several artists and we produced artwork for The Quarter Percent. We focused on key scenes and events. One of the scenes opens in front of a graffiti mural in the foyer of a refurbished warehouse. Tensions in a friendship, the transfer of power, and a generous gift are overseen by a portrait of King Cordial’s late wife, Queen Cara. The scene, mural, and cover art are called Cara de la Reina or ‘face of the queen’. To write that scene, I did a lot of research into warehouses and architectural design because the description of the interior had an important function. It set up a contrast between the home’s cool, trendy, laid back atmosphere and the next level scheming that would take place there. 

North to South

Based on other research, I knew that a cover with a face was ideal, and I assured my publisher that using the mural art was going to work. A year later, this is my avatar everywhere, and saying so in the first paragraph of my Clubhouse profile has made promotion effortless. When people ask me why I don’t use a selfie, I tell them that I am using social audio for business, and I don’t want to attract the wrong sort of customer. Seeing that I get book sales without doing anything extra, it stays right there.

And now, I will highlight some amusing incidents from last year’s promotional campaign. A book marketer told me he had no idea why I would give away free copies of my novel. He had no idea how that would help with book sales. One colleague suggested that a political assassination to help me get mega downloads. Another said to give up drafting if people did not download the beta version. Later, a young lady clickbaited and free trafficked me to her blog after saying that people would never download the $0.00 promotional Kindle copy without reviews, while agreeing that people would need to read the novel to review it.

A tale in the crypt - storyboard of first scene of last chapter, The Quarter Percent
Ruby Castle’s crypt with a statue of Saint Joan on the left.

On top of that, someone has been earning money from views of my trailer on a dodgy platform. Every marketer I hired to promote the book has denied having merched the trailer. I only found out because the analytics on WordPress finally appeared in February and showed me a cascade of clicks out to my blog. The owners of the platform are not answering emails or taking phone calls so I cannot find out who is doing this.

Amid all of that drama, you will understand why I gave up on promoting my novel altogether. But I am happy that l have stumbled upon an effective way to sell it.

Costmary is talking with her publicist Karen Aoki

Regardless of the obstacles, I enjoyed the creative process from last year, and I will expand on that for my upcoming novel. My first idea was to create art prints and posters. Still researching styles that I want to use, and practising on Procreate. Currently, I am producing instrumental compositions for piano, violin and cello. These will match the mood and themes of the story. My YouTube channel is dry and ashy so I asked a composer friend to help me out. I am hoping to share the music with artists and creators who like listening to music as they work.

About an hour before publishing this post, I talked about the project in a business networking group and I was encouraged by the response. The music will also be my rehabilitation after sacrificing brain cells to ratchet YouTube (for research purposes). 

Happy Wednesday, everyone. Keep creating, and thank you for staying in touch. 

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about me art entrepreneurs opinion

A few rough drafts

Dominate every space
Rough draft one: An app created these effects.

Happy Sunday to everyone reading this. (You might want to grab some popcorn.)

A few weeks ago, I started what should have been a wonderful collaboration with a marketing specialist. I asked a lot of questions to minimise errors. But when the invoice arrived, it seemed someone had used their elbow on the “zero” on a keyboard.

They were asking for the equivalent of 1/3 of my annual salary to do niche research, marketing, and advertising. No samples had been produced, no dry runs executed, nor analytics presented. Which means that in exchange for absolutely nothing, I would be working to keep them in Burberry and Dolce. 

One more test cover and two T-shirt designs

To end the negotiations, I sacrificed my catalog of designs. I told them to sell it all themselves. If they are good as they claim, they should be raking in the cash right now.

If you were me for the past month, you would have discovered some startling truths about advertising firms. Traffic, views and clicks can be purchased, and “stats” can be spun out of whole cloth. I now make sure that I negotiate for “my best outcomes” and ignore their “best efforts”.

Image for web store and Facebook fan page cover graphic
One’s office for social media/fan page cover

If effort alone were enough, each person reading this would be worth billions. Based on effort alone, it might be easy for all of us to set up shop as advertisers. Simply collect fee$ and promise to show your clients’ work to everyone. Then, pack yourself a nice sandwich, a smoothie, a bottle of water, and a muffin. Drive yourself down to the bay and have a picnic. Then, when clients complain that they have no traffic or sales, gaslight them and say they need to spend more money.

I guarantee that with this work ethic, you too will become a successful advertising executive in no time at all. 

Here’s hoping that you have a productive week ahead.

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about me art creative writing fashion women writing

Everyone wants the cherry on top but it takes work to get there

Commitment Cupcake

Does anyone remember who said, “Follow your joy”? I think this quote is popular because everyone can imagine feeling happy at the final stage of a project. Recently, I told Caring for Art that my nightmares have become work product. I was not exaggerating. Public speakers will never tell you that you must hard work to find the thing to which you can happily commit. If they told you to face reality, nobody would pay them $50,000 to talk about themselves for 30 minutes.

And because I know that the truth is hard to hear, I feel confident that no-one will copy my secret formula, which I am going to share in this post. This is my recipe for staying committed and focused on the way to finding joy. First read it, then scroll down for a taste test. 

🧁 Commitment Cupcake 🧁

Ingredients
Absolutely everything real about you right now. 

Directions 

  1. Write down every idea you have but stay loosely attached.
  2. Seek advice from qualified experts. 
  3. Listen to advice and evaluate for quality.  
  4. Search for useful ideas in negative feedback.
  5. Be assertive but never argue, no matter what.
  6. Lose fixation on irrelevant details.
  7. Shut down anyone who attempts to devalue you. 
  8. Transfer your idea from a “hard” medium to a “soft” one. 
  9. Follow up on each new idea (see item 1).  
  10. Table, pin, or expunge unworkable ideas. 
  11. Shred your lists.  
  12. Start over. 
  13. Keep at it. 

The taste testCovers only
Item 8 became especially important this week when my plans came to a full stop. And though I was feeling isolated and trapped, I decided to shred everything and start over.  

Contessa Magazine: Cover 2 in Icelandic

One of many ideas I had written down was “launch a magazine”. However, I threw it out because there are billions of writers, millions of magazines, and only a handful of subscribers.

From that, I imagined what it would be like for a young writer to dream of launching a magazine only to hit roadblock after roadblock. How would this writer solve these problems? The answers to that question became the treatment for a writing project. My preferred medium for presenting that story is a “hard” one, so I pinned it for later.

The transfer to a “soft” medium was a frictionless fusion of my interests. After careful research, I did some math: photography + fashion + world cultures + health + making stuff up + graphic design = a concept that I really like.

That is to say, I will only produce the covers. I’ve posted two test copies for you and I hope you like them. 

Contessa Magazine: Cover 1 in English
(Spoiled it, so don’t look too closely)

Categories
about me art creative writing fiction opinion women writing

Sunday, at the (home) office


On Saturday afternoon, I was waiting to take down an art exhibition and while I was waiting in the car, I decided to pull an Oracle card. I bought them because they’ve got a matte velvety finish and the gold inlay looks pretty. I could not for the life of me understand what it was trying to say.

Threads of Fate Oracle Cards "Patience"
“Patience” from the Threads of Fate Oracle cards

Hello everyone. Are you enjoying your Sunday? I have been at my “home” office all day. I am chuckling at the moment, because when I was searching my phone’s image library, I noticed that photo from yesterday and suddenly, my entire Sunday makes sense. This, for once, is not a rant.

I’ve had the most insane day. I had a vague project deadline circa now: Thirty episodes for a Japanese/English animated series. Sounds fun, right? Except, the criteria changed three hours before I submitted the scripts for TEN episodes.

There is a budget issue. “Smaller budget: remove characters.” So I asked three friends to help me out of a jam. Halfway through, when I presented a snippet of the draft, the graphic artist/animator demanded I write the script for the trailer first.

Now, the reason his company hired me was that the project team was led by a talented graphic designer and animator who was not a writer. Because I understood that, I explained to him that the writing process is not linear. One never starts with the summary. It appears that way because that’s how a story is presented to us. But you can start in the middle and work your way backwards or forwards. You know what I’m talking about, right? You’re all writers.

Colors of love by Thomas Bergersen

And of course, I might be the most non-linear writer of them all. I was giggling because he probably thought I was being unreasonable.

I say, “Should we have notes on the first ten episodes and then write the trailer script, which will happen very fast because we will know what the story is all about?” Doesn’t budge.

That’s how four of us were at one point editing the same sentence at the same time. I would like to give a special big up to Google Docs for facilitating that. When we were all finally done tweaking the scripts, the graphic artist texted, “I’ll take a look in two hours because I am going out.”

What?! It’s 7 past 22 o’clock (two hours later) and he wants to have a meeting at 23 o’clock. I, on the other hand, will be going to bed.

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about me creative writing fiction technology

A short video, with thanks

(If you’re having any problems viewing the video embedded above, please tell me. It’s in my WordPress media library. The point of upgrading was to not have this issue, WordPreeeeeess.)

Thanks for coming over here to support me when I re-launched as a brand-new entity last Saturday.

Earlier, WordPress responded to the altar call and got right with the Lord, but is now backsliding and error coding my videos. I cannot penetrate this chaos with code, scripts, tags, or commands. Nothing can defeat it. And I have tried everything.

I wish you a brilliant, glitch-free Thursday. (It’s Friday.)

*Big ups to @TonyWijsVA (Twitter) for the ‘frustrated Kylo Ren’ voice over.

Categories
about me art writing

That went well…

Hello everyone, I went and did another thing. Sabiscuit’s Catalog is now Saint Joan, a creative studio which will be work and/or play. It is evolving. Welcome, in every language.

Saint Joan Creative Studio by Lily Nicole
Saint Joan : Creative Studio

But, to be clear, I have done several things. One was to set my blog to private after WordPress said they were going to publish posts from other bloggers here. It was going to be a matter of time before some antisocial idiot ended up next to my art work.

Signed, sealed, delivered ….

During the break, I was writing a lot of scenes for my upcoming creative project. While doing some research on a character, I went so far down the digital rabbit hole, that when I shook myself awake, it was a brand new year.

Don’t get me started on what has happened already. I left you alone for three months and you bring dogecoin back? Not to mention, amid the mayhem on Wall Street, Demi Moore managed to break the Internet. This tells you that star power is real. Because, let’s be honest, how many of you wear $600 Fendi tights?

Saint Joan  Creative Studio by Lily Nicole
Creative Studio – I love books and retro stuff

Miraculously, after eight frustrating months, WordPress has finally allowed me to upgrade to my own domain. I am grateful for the buffer of time. This domain, saintjoan.studio, is named for the Congregation of St. Joan, an orthodox religion I created for my first novel, The Quarter Percent. It was referenced only once in the final chapter. However, a breakaway sect called St. Joan’s Parish is featured in the next novel. Special thanks go to Draculauren for interviewing me about both projects last year. It was a fun experience.

After brainstorming ideas, I thought the church needed a governing body that behaved like it was running a global sportswear brand. When I thought of the outrage this concept would induce, I decided to bring the Blessed Lady into this timeline.

How are you all doing? Please let me know.

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about me creative writing opinion writing

Better is one day

Better is one day, from Hymn by Sarah Brightman

Therapy is working. I had to complain to my therapist about this because, for two weeks, I have been staring at a wall of text that usually my brain would gather up and frappé into a poem.

However, my therapist and I have worked out my underlying issues. The stuff that was causing me to be codependent, passive-aggressive, resentful, angry, and vindictive had helped me to write poetry. There is no better way to cloak my hostility or deny my own needs. Now, the magic is gone. Nice job, doctor. 

I am able to confidently state my needs, and sometimes that involves screaming to the world that I’m not okay. This always happens when I am in traffic on Sundays, but I think that’s true for everyone. Anyway, she says I need to ping my brain with music. I say that it is a meditative process that only works for writing prose fiction. We also talk about feeling sad about the tragic passing of someone we all know.

After that conversation, I swear to Jesus, I went to YouTube and I see Sarah Brightman posed like the Columbia Torch Lady. I had no idea that she released an album in 2018. I listened out of curiosity, and realised that YouTube did not suggest this to me before because I avoid songs that praise the Lord Almighty, in English. I made a face at first, but it stuck and I had to play it again. The song is based on A German Requiem by Brahms. It sounds uplifting, cheerful, and transporting.

How did this happen? Google’s neural networks are getting better at listening to my private chats (!) and/or analysing my emails. I strongly suspect the latter because yesterday, I emailed myself the ecclesiastical portion of a coronation scene that I am writing. It’s for a new novel, but the machine believes that I’m Catholic or something. Oops.

I love the song. And I still can’t write poetry.